Shift 4 stocks an unrivalled range of cameras for hire with tripods, gimbals, lenses, monitors, matte boxes, camera accessories and data storage to complete your kit.
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The Sony VENICE is a full frame cinema camera, with a newly developed sensor capable of capturing 15+ stops of latitude. The 6K full frame camera allows it to shoot almost any format or aspect ratio for 4K production.
The Sony VENICE is a full frame cinema camera, with a newly developed sensor capable of capturing 15+ stops of latitude. The 6K full frame camera allows it to shoot almost any format or aspect ratio for 4K production. Combined with the R7 recorder the camera can also shoot RAW to Sony’s X-OCN format boasting small file sizes compared to other RAW formats.
Combining the Sony VENICE with the Extension System allows you to separate the sensor and lens mount from the main body via a tethered cable up to 5.5m in length. This compact and lightweight block is great for specialist rigs, such as gimbals and car mounts without any loss in quality over the standard all-in-one setup.
The ARRI ALEXA Mini is a mini version of ARRI’s ALEXA and has most of the features of the ALEXA and AMIRA cameras including a 4:3 sensor, 200fps recording and the same look and colour science. It’s a compact, modular camera in a uniform box design.
The ARRI AMIRA uses the same Super35 sensor as the ARRI ALEXA but in an ENG style shoulder-mounted camera suited to documentary style shooting.
With a 4K sensor, the Sony PMW-F55 has the ability to shoot 4K or HD to its own SxS Pro+ cards using Sony’s XAVC codec. Adding the AXS-R5 recorder enables the Sony PMW-F55 to shoot 4K RAW.
Our PMW-F55 also comes with the CBK-55PD Codec Board which supports ProRes 4444, ProRes 422 (HQ), ProRes 422, DNxHD 220x and DNxHD 145 at a variety of frame rates.
The Sony PMW-F5 features a 4K image sensor and has the ability to shoot super sampled HD using Sony’s XAVC codec to its own SxS Pro+ cards or 4K RAW by adding the AXS-R5 recorder.
This full frame 6K camera is an upgrade to the FS7 MkII and capable of recording high quality UHD and HD footage with many improved features. The body and design have kept the form factor of the FS7 as well as it’s versatile internal variable ND. The full frame CMOS sensor is based on the same backlit technology of the A7s, so boasts low light sensitivity with a dual base ISO of 800 and 4000 as well as advanced auto focus functions. The FX9 also has a completely overhauled colour science offering the S-Cinetone profile created from the filmic colour science of the Sony Venice.
The Sony PXW-FS7 Mark II is an update to original FS7 camera with a 4K Super35 CMOS sensor capable of capturing high-quality 4K footage internally onto XQD cards as well as shooting up to 180 frames per second (NTSC) or 150 frames per second (PAL) slow motion footage. It also boasts a variable ND filter and a positive lock style E-mount lens mount.
The Sony PXW-FS7 camera has a 4K super35 CMOS sensor with up to 4K internal QFHD plus the ability to shoot up to 180 frames per second (NTSC) or 150 frames per second (PAL) for slow motion footage.
The compact Sony PXW-FS5 camera has a 4K Super35 CMOS sensor with up to 4K QFHD internal recording as well as recording DCI 4K and 2K RAW externally. Highlight features are 100fps continuous slow motion, up to 800fps burst super slow motion and internal electronic variable ND.
The Canon C300 Mark II is a 4K camera with an EF mount and super 35 sensor with duel pixel technology. It boasts 15 stops of dynamic range and advanced auto focus options. It also has new gamma curve options, new codec and RAW options, all with the small modular form factor of the original C300.
The Canon C300 EF is a super35 CMOS sensor camera with an EF mount for stills lenses which shoots 422 50Mb/s HD to affordable CF cards.
The Canon C300 PL is a super35 CMOS sensor camera with a PL mount for cine lenses which shoots 422 50Mb/s HD to affordable CF cards.
This mirrorless still camera has a 4K MFT sensor, high sensitivity ISO, Log gamma option and internal recording with 4K 4:2:2 10bit codecs
The Sony a7s Mark II boasts all the features of the Sony a7s Mark I (such as a full 35mm sensor, professional gamma curves, high quality codecs and it’s legendary low light capabilities) but with added features such as internal 4K recording and a 5 axis stabilized sensor.
The Sony a7s is a MILC with a full 35mm sensor, professional gamma curves, high quality codecs, 4K output via HDMI and extremely high performance in low light.
Shoots to XDCAM discs in many different formats including full 1080 422 50Mb/s as well as high frame rates, for slow motion, in full HD resolution.
Shoots a variety of different formats and resolutions including 1080 422 50Mb/s video to Sony’s highly reliable SxS cards.
The Sony PXW-X200 records full HD 1920x1080 using 10-bit XAVC Intra and XAVC Long GOP as well as the older 8-bit MPEG-2 HD422 50Mbit/s format onto SxS cards. Additionally it has wireless functionality and the ability to stream proxy files.
With a 1/2” CMOS sensor, this camera records full HD 422 50Mb/s video to SxS cards and has the ability to change lenses.
A lightweight camera with 3x 1/3” CMOS sensor and fixed 18 x zoom lens, that reaches the minimum HD broadcast requirements shooting 1080 HD 422 50Mb/s video to CF cards.
A lightweight camcorder with a 1/3” CMOS sensor, a fixed 20x zoom lens with an f/1.8 iris and infrared shooting mode that shoots Full HD 4:2:2 50Mbps video to CF cards.
Offers the same quality as the XF305 but in a much smaller lighter body, with additions such as IR night vision.
The Canon 5D Mark IV is an EF mount stills camera with movie recording capabilities. It can shoot 4K internally and includes Canon’s dual pixel auto focus with face detection function.
A digital SLR camera with a 22.3 megapixel full frame 35mm sensor. Can shoot 1080 HD to CF cards and uses EF mount stills lenses.
A digital SLR camera with a 21.1 megapixel full frame 35mm sensor that can shoot 1080 HD to CF cards and uses EF mount stills lenses.
Super compact interchangeable lens Super16 sensor HD action camera. MFT mount for wide choice of lenses including EF using including Metabones Speedbooster adaptor. Records ProRes 422 HD or Cinema DNG Raw 12-bit onto SDXC cards.
The GoPro 7 keeps all of the major capabilities of the Hero 6.
4K recording at 60 frames and 1080p at 240 frames, as well as fully waterproof up to 33Ft without the use of housing. The biggest improvement is the new hyper stable video mode, when even extreme camera shaky is smoothed out in camera.
The GoPro 6 doubles on its performance capabilities from its previous model but keeps with the new design that was introduced with the Hero 5. 4K is now available at 60 frames and 1080p at 240 frames. It also comes with the benefit of improved image stabilisation, touch zoom and faster offload processing. The Hero 6 is fully waterproof up to 33ft without casing.
The GoPro Hero5 Black Edition builds on the success of the GoPro Hero4, including it’s 4K resolution, manual picture controls and impressive high frame rate shooting. The Hero5 is now fully waterproof up to 33ft without casing and boasts improved image stabilisation.
The GoPro Hero4 Black Edition builds on the success of the GoPro Hero3 and 3+ with the additions of 4K UHD recording at 30fps, high speed slow motion frame rates of up to 120fps at 1080HD and advanced manual controls including changing colour, ISO, white balance and exposure.
The DJI Osmo+ improves on the previous version keeping all its features and adding 3.5x Optical Zoom, and 2x Digital Lossless Zoom when recording at 1080p. The smooth 3 Axis Gimbal keeps its ease of use and compact size, making it ideal for smooth, stable shots without added grips. The Osmo app will allow you to control and change settings from your device, mountable to the Osmo’s body through a phone holder grip.