Thursday, May 19th, 2022
Leitz claim the Leitz Primes are ‘the best of the best‘…but are they? By Colin Coomber – Technical Director &… Read More
Saturday, May 14th, 2022
Here at Shift 4 we are constantly looking for enthusiastic talent to join our Kitroom teams in London and Manchester,… Read More
Friday, October 16th, 2020
What’s the difference? Click Here for PDF In this article we highlight the main differences between these 2 great Sony… Read More
Friday, March 20th, 2020
Last updated on 05/01/2021 @ 09:00 Click here to check our COVID-19 Policies Following the announcement on 04/01/2021 of a… Read More
Monday, June 18th, 2018
By Colin Coomber – Technical Director & DoP at Shift 4 June 2018 It’s well known that in recent… Read More
Friday, May 25th, 2018
Throughout its long history, ARRI has offered filmmakers a range of diverse cameras suited to different production tasks. Its camera… Read More
Thursday, November 2nd, 2017
Enriched pictures with more immersive and vivid colours, extended contrast, deeper shadows and brighter highlights. Sounds pretty good? Well that’s what High Dynamic Range can bring. It’s the biggest thing in our industry at the moment and is soon to revolutionise all parts of production. You really need to know about it in full.
Thursday, September 14th, 2017
Summer 2017 was our busiest on record and September is already hot to trot. Shift 4 keeps getting bigger and… Read More
Friday, September 8th, 2017
By Colin Coomber – Technical Director & DoP at Shift 4 September 2017 In 2017, Sony unveiled its first… Read More