News
The Making of ‘How Are You, Really?’ For UNICEF
Friday, December 2nd, 2022
• Type of Production: Promo • Lens Series: Kowa Cine Prominar • Camera: ARRI Alexa Mini • Director & DP:… Read More
Jobs at Shift 4
Tuesday, November 8th, 2022
Here at Shift 4 we are constantly looking for enthusiastic talent to join our Kitroom teams in London and Manchester,… Read More
Leitz Prime Lens Test
Thursday, May 19th, 2022
Leitz claim the Leitz Primes are ‘the best of the best‘…but are they? By Colin Coomber – Technical Director &… Read More
Sony FX9 vs FS7
Friday, October 16th, 2020
What’s the difference? Click Here for PDF In this article we highlight the main differences between these 2 great Sony… Read More
Cooke Panchro/i Classic Review
Monday, June 18th, 2018
By Colin Coomber – Technical Director & DoP at Shift 4 June 2018 It’s well known that in recent… Read More
ARRI Range Available for Hire
Friday, May 25th, 2018
Throughout its long history, ARRI has offered filmmakers a range of diverse cameras suited to different production tasks. Its camera… Read More
Everything you need to know about High Dynamic Range
Thursday, November 2nd, 2017
Enriched pictures with more immersive and vivid colours, extended contrast, deeper shadows and brighter highlights. Sounds pretty good? Well that’s what High Dynamic Range can bring. It’s the biggest thing in our industry at the moment and is soon to revolutionise all parts of production. You really need to know about it in full.
The Sony VENICE
Friday, September 8th, 2017
By Colin Coomber – Technical Director & DoP at Shift 4 September 2017 In 2017, Sony unveiled its first… Read More
What’s the difference between the FS7 MK I and the FS7 MK II?
Tuesday, March 14th, 2017
The PXW-FS7 MK II was unveiled by Sony towards the end of last year and first made available in January…. Read More