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Sony FX9 vs FS7
Friday, October 16th, 2020
What’s the difference? Click Here for PDF In this article we highlight the main differences between these 2 great Sony… Read More
Cooke Panchro/i Classic Review
Monday, June 18th, 2018
By Colin Coomber – Technical Director & DoP at Shift 4 June 2018 It’s well known that in recent… Read More
ARRI Range Available for Hire
Friday, May 25th, 2018
Throughout its long history, ARRI has offered filmmakers a range of diverse cameras suited to different production tasks. Its camera… Read More
Everything you need to know about High Dynamic Range
Thursday, November 2nd, 2017
Enriched pictures with more immersive and vivid colours, extended contrast, deeper shadows and brighter highlights. Sounds pretty good? Well that’s what High Dynamic Range can bring. It’s the biggest thing in our industry at the moment and is soon to revolutionise all parts of production. You really need to know about it in full.
What’s the difference between the FS7 MK I and the FS7 MK II?
Tuesday, March 14th, 2017
The PXW-FS7 MK II was unveiled by Sony towards the end of last year and first made available in January…. Read More
BSC Expo Top Picks: Cooke Lenses
Monday, February 20th, 2017
Cooke Optics feature highly in Shift 4’s arsenal of lenses and we always love a lens related chat with the experts… Read More
BSC Expo 2017 Top Picks: LEE ProGlass Cine IRND Filters
Thursday, February 16th, 2017
LEE’s new ProGlass Cine range of neutral-density filters caught our eye at this year’s BSC Expo at Battersea, London. Available… Read More
Watch Shift 4’s Cooke Anamorphic/i video
Thursday, September 22nd, 2016
By Colin Coomber – Technical Director & DoP at Shift 4 September 2016 If you’re thinking of hiring our… Read More
What can the C300 Mark II do that the C300 Mark I can’t?
Thursday, October 8th, 2015
With Canon’s new C300 Mark II now available for hire, the question is why choose it over the older C300… Read More