+44 (0)20 8809 8680
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PL / LPL / M

Shift 4 stocks an unrivalled range of cameras for hire with tripods, gimbals, lenses, monitors, matte boxes, camera accessories and data storage to complete your kit.

To discuss your requirements, get advice or make a booking, call us on +44 (0)20 8809 8680 or email

Tokina Cinema Vista T1.5 FF

Tokina Cinema Vista T1.5 FF

The Tokina Vista Primes blend modern lens attributes with a hint of vintage charm. This full-frame lens set delivers exceptional image quality with minimal distortion, chromatic aberration, and focus breathing, even at as wide as 18mm, with consistent colour and performance.

However, when these lenses are used wide open at their incredibly fast T1.5 aperture, they reveal a subtle vintage character. You'll notice a slight overcorrection of bokeh, cat's eye shapes at the frame's corners that create a captivating spiral defocus effect, and gentle spherical aberrations that produce a subtle bloom effect.

The true allure of the Vista lenses lies in their distinctive flares. They produce intricate patterns of teal and green, interspersed with flashes of rainbow-coloured iris fans. These lenses are ideal for those seeking nuanced optical qualities while covering the full-frame format, and offering a generous array of focal lengths to choose from.

The Tokina Vista Primes blend modern lens attributes with a hint of vintage charm. This full-frame lens set delivers exceptional image quality with minimal distortion, chromatic aberration, and focus breathing, even at as wide as 18mm, with consistent colour and performance.

However, when these lenses ...

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IronGlass Soviet Rehoused MKII

IronGlass Soviet Rehoused MKII

The Soviet Set consists of six classic lenses from the USSR, including the legendary Helios 44-2. Featuring slightly overcorrected bokeh, exaggerated spherical aberration (dream effect), gorgeous yet interesting focus falloff, and out of this world flares, these lenses are like nothing else available. With more than Full Frame coverage across the set, the MKII rehousing makes mechanical and material improvements over the original rehousing.

The Soviet Set consists of six classic lenses from the USSR, including the legendary Helios 44-2. Featuring slightly overcorrected bokeh, exaggerated spherical aberration (dream effect), gorgeous yet interesting focus falloff, and out of this world flares, these lenses are like nothing else available. With more than ...

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Lomo 2x Anamorphic Prime Set

Lomo 2x Anamorphic Prime Set

This Lomo set, originating from Russia in the early 1980s, has been put together from hand picked Lomo optics to ensure the highest possible quality, setting them apart from other Lomo sets out there. They’re consistent in colour and character, all providing the magic that classic anamorphics are known and loved for. The images are pleasantly soft in their rendering of detail and beautifully distort the background with plenty of focus roll off at the edges of frame.  The Lomo’s lens flares are warm, iris style patterns with the classic anamorphic horizontal kick. In addition to this set, we can offer an extremely rare ultra wide 22mm square front anamorphic. One of only a hand full on the planet. Uncommonly wide for anamorphic glass, but providing very subtle barrel distortion and unique deep red lens flares.

This Lomo set, originating from Russia in the early 1980s, has been put together from hand picked Lomo optics to ensure the highest possible quality, setting them apart from other Lomo sets out there. They’re consistent in colour and character, all providing the magic that classic anamorphics are known and loved ...

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Cooke S8/i Full-Frame

Cooke S8/i Full-Frame

Cooke S8/i primes cover full frame and offer a very fast aperture of T1.4 allowing for incredibly shallow depth of field. All the glass in the lens is a spherical design which allows for imperfections at the edge of frame, giving a more organic vintage look to the lenses.

Cooke S8/i primes cover full frame and offer a very fast aperture of T1.4 allowing for incredibly shallow depth of field. All the glass in the lens is a spherical design which allows for imperfections at the edge of frame, giving a more organic vintage look to the lenses.

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Leitz Primes

Leitz Primes

These full frame Leitz Primes have fast T stops of 1.8 and offer very high optical quality. They offer constant exposure and resolution across the whole image, impressive contrast, neutral white balance and pleasant subtle blooming in lens flares.

These full frame Leitz Primes have fast T stops of 1.8 and offer very high optical quality. They offer constant exposure and resolution across the whole image, impressive contrast, neutral white balance and pleasant subtle blooming in lens flares.

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Angenieux Optimo Primes

Angenieux Optimo Primes

These Angenieux Optimo Primes cover full-frame sensors with fast apertures of T1.8. The look of these lenses can be customised from neutral and clean to low contrast vintage with the ability to change internal elements and adding rear filters.

These Angenieux Optimo Primes cover full-frame sensors with fast apertures of T1.8. The look of these lenses can be customised from neutral and clean to low contrast vintage with the ability to change internal elements and adding rear filters.

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Cooke Anamorphic/i Full Frame SF *Special Flare*

Cooke Anamorphic/i Full Frame SF *Special Flare*

These Cooke Anamorphic full-frame lenses have a squeeze factor of 1.8x resulting in a 2.7:1 image. They offer an extremely wide angle of view, similar to Imax, and offer all the classic characteristics of anamorphic lenses including the distinctive horizontal special flare.

These Cooke Anamorphic full-frame lenses have a squeeze factor of 1.8x resulting in a 2.7:1 image. They offer an extremely wide angle of view, similar to Imax, and offer all the classic characteristics of anamorphic lenses including the distinctive horizontal special flare.

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BLACKWING7 T Tuned

BLACKWING7 T Tuned

These full frame prime lenses have been designed to have a tuneable vintage style built into compact modern housing. This set is T tuned which is the medium style of softness and flare quality.

These full frame prime lenses have been designed to have a tuneable vintage style built into compact modern housing. This set is T tuned which is the medium style of softness and flare quality.

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Technovision 1.5x Anamorphic Full Frame

Technovision 1.5x Anamorphic Full Frame

These anamorphics are inspired by the Technovision anamorphics from the 1970s. The coating has been designed to achieve high-contrast images with lots of flares and chromatic aberrations, achieving a very vintage look. The 1.5x squeeze factor is flexible for optimal resolution on 3:2 full frame and 16:9 S35 sensors.

These anamorphics are inspired by the Technovision anamorphics from the 1970s. The coating has been designed to achieve high-contrast images with lots of flares and chromatic aberrations, achieving a very vintage look. The 1.5x squeeze factor is flexible for optimal resolution on 3:2 full frame and 16:9 S35 sensors.

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Canon Rangefinder Prime Lenses

Canon Rangefinder Prime Lenses

Conjure another era with the Vintage FF ‘Canon Dream Lens’. Rehoused by TLS, the original ‘50’s & ‘60’s glass can combat the digital cleanness of modern cinema cameras with golden flares, soft glows, excellent close focus performance & organically textured highlights that keep their vintage flavour irrespective of stop.

Conjure another era with the Vintage FF ‘Canon Dream Lens’. Rehoused by TLS, the original ‘50’s & ‘60’s glass can combat the digital cleanness of modern cinema cameras with golden flares, soft glows, excellent close focus performance & organically textured highlights that keep their vintage flavour ...

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Mamiya 645 Prime Lenses

Mamiya 645 Prime Lenses

Mamiya lensed many iconic images from the 70s / 80s & with TLS’s beautiful cinema rehousing, you now have the option to film using these medium-format lenses. With soft, multi-coloured flares, and front to back bokeh, they give interesting textures, and are perfect for those used to modern glass but want vintage quirks.

Mamiya lensed many iconic images from the 70s / 80s & with TLS’s beautiful cinema rehousing, you now have the option to film using these medium-format lenses. With soft, multi-coloured flares, and front to back bokeh, they give interesting textures, and are perfect for those used to modern glass but want vintage ...

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Petzval 58mm & 85mm

Petzval 58mm & 85mm

These Petzval full frame stills lenses, first designed in 1840, were recreated in 2013 by Lomography and now rehoused in PL mount by TLS. These optics have a unique and extreme vintage look warping the edges to create a spiral drawing focus into the centre of the frame, as well as stunning iris flares.

These Petzval full frame stills lenses, first designed in 1840, were recreated in 2013 by Lomography and now rehoused in PL mount by TLS. These optics have a unique and extreme vintage look warping the edges to create a spiral drawing focus into the centre of the frame, as well as stunning iris flares.

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Canon K35 TLS Lens Set

Canon K35 TLS Lens Set

This extended Set Of Canon K35 Full-Frame* Lenses, rehoused by TLS, display superb vintage qualities in their optics, such as soft edges, a low contrast look and flares.
*The 18mm is not full-frame but Super35

This extended Set Of Canon K35 Full-Frame* Lenses, rehoused by TLS, display superb vintage qualities in their optics, such as soft edges, a low contrast look and flares.
*The 18mm is not full-frame but Super35

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Sigma FF Classic Primes

Sigma FF Classic Primes

These full-frame primes have the same optics as the fast and lightweight Sigma FF primes, but with uncoated elements with the exception of the front and rear which have a protective coating. This results in high-resolution images but with greatly reduced contrast and plenty of flaring and highlight blooming.

These full-frame primes have the same optics as the fast and lightweight Sigma FF primes, but with uncoated elements with the exception of the front and rear which have a protective coating. This results in high-resolution images but with greatly reduced contrast and plenty of flaring and highlight blooming.

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Leica R Primes

Leica R Primes

These vintage Leica stills lenses offer lots of character, they cover full frame sensors and have been rehoused to PL in GL Optics MkV bodies. These lenses offer distinctive defocus, subtle chromatic and spherical aberrations and stunning lens flares.

These vintage Leica stills lenses offer lots of character, they cover full frame sensors and have been rehoused to PL in GL Optics MkV bodies. These lenses offer distinctive defocus, subtle chromatic and spherical aberrations and stunning lens flares.

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Cooke Panchro/i Classic Full-Frame

Cooke Panchro/i Classic Full-Frame

These are full frame versions of Cooke's Panchro Classic lenses based on the original 1920 designs for the optics with some newly designed focal lengths including a 65mm macro. The results are a set of primes with vintage characteristic mixed with modern touches like sharp centres, consistent colour and modern housing.

These are full frame versions of Cooke's Panchro Classic lenses based on the original 1920 designs for the optics with some newly designed focal lengths including a 65mm macro. The results are a set of primes with vintage characteristic mixed with modern touches like sharp centres, consistent colour and modern housing.

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ARRI Signature Primes

ARRI Signature Primes

ARRI Signature Prime lenses are the first Arri primes designed exclusively for the needs of digital cinema cameras. They are modern, full frame, high end lenses that deliver clean, elegant and ultra smooth high resolution images. They are nearly completely free from breathing, distortion and chromatic aberrations.

ARRI Signature Prime lenses are the first Arri primes designed exclusively for the needs of digital cinema cameras. They are modern, full frame, high end lenses that deliver clean, elegant and ultra smooth high resolution images. They are nearly completely free from breathing, distortion and chromatic aberrations.

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KOWA Cine Prominar TLS Spherical Primes

KOWA Cine Prominar TLS Spherical Primes

These vintage spherical lenses from the 1960's offer sharp, low contrast images with a cool white balance and are famous for their unique warm golden lens flares. This set has been rehoused by TLS, are lightweight and compact and have consistent white balance throughout the set.

These vintage spherical lenses from the 1960's offer sharp, low contrast images with a cool white balance and are famous for their unique warm golden lens flares. This set has been rehoused by TLS, are lightweight and compact and have consistent white balance throughout the set.

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KOWA R FF Primes

KOWA R FF Primes

These vintage Ancient Optics Kowa full frame lenses have been rehoused by TLS from Kowa R stills photography lenses from the 60-70's era. They offer sharp, low contrast images with stunning flares. They are small and light weight with consistent, fully manual modern housing from TLS.

These vintage Ancient Optics Kowa full frame lenses have been rehoused by TLS from Kowa R stills photography lenses from the 60-70's era. They offer sharp, low contrast images with stunning flares. They are small and light weight with consistent, fully manual modern housing from TLS.

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Leica R Cinescope

Leica R Cinescope

This set of Leica R Cinescope Full Frame lenses have been fully rehoused by Cinescope and have PL mounts. The set is made up of a mixture of Elmarit and Summilux lenses. Their look are a perfect vintage option for modern full frame digital sensors.

This set of Leica R Cinescope Full Frame lenses have been fully rehoused by Cinescope and have PL mounts. The set is made up of a mixture of Elmarit and Summilux lenses. Their look are a perfect vintage option for modern full frame digital sensors.

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Leitz M0.8

Leitz M0.8

These lenses are cine modified versions of the famous Leitz full frame stills lenses. They have incredibly fast aperture and offer high quality images with pleasant skin tones, highlight rendering and focus roll off. Their small size and weight make them perfect for gimbal and drone work.

These lenses are cine modified versions of the famous Leitz full frame stills lenses. They have incredibly fast aperture and offer high quality images with pleasant skin tones, highlight rendering and focus roll off. Their small size and weight make them perfect for gimbal and drone work.

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Bausch & Lomb Super Baltars TLS

Bausch & Lomb Super Baltars TLS

These TLS rehoused lenses originally built in the 1950s produce very vintagey, warm, low contrast images with lots of flaring. They have fast T stops at T2.3 for most of the set and have been rehoused by TLS for high-performance modern operation.

These TLS rehoused lenses originally built in the 1950s produce very vintagey, warm, low contrast images with lots of flaring. They have fast T stops at T2.3 for most of the set and have been rehoused by TLS for high-performance modern operation.

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Cooke Anamorphic/i SF *Special Flare*

Cooke Anamorphic/i SF *Special Flare*

These Cooke Anamorphic/i Special Flare Lenses are high-quality PL mounted prime lenses with a 2x squeeze factor. They range from 25-100mm and all boast the classic "Cooke look" along with a pleasing oval bokeh synonymous with anamorphic lenses. The Special Flares also produce the iconic horizontal anamorphic lens flares

These Cooke Anamorphic/i Special Flare Lenses are high-quality PL mounted prime lenses with a 2x squeeze factor. They range from 25-100mm and all boast the classic "Cooke look" along with a pleasing oval bokeh synonymous with anamorphic lenses. The Special Flares also produce the iconic horizontal anamorphic lens flares

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Cooke 65mm Macro Anamorphic/i Special Flare

Cooke 65mm Macro Anamorphic/i Special Flare

This 65mm Cooke Anamorphic lens is a macro offering very close focus for doing extreme close-ups. The Cooke Anamorphics have a squeeze factor of 2x and offer classic anamorphic characteristics including the iconic horizontal anamorphic flare.

This 65mm Cooke Anamorphic lens is a macro offering very close focus for doing extreme close-ups. The Cooke Anamorphics have a squeeze factor of 2x and offer classic anamorphic characteristics including the iconic horizontal anamorphic flare.

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Atlas Orion 2x Anamorphic Primes – SET A

Atlas Orion 2x Anamorphic Primes – SET A

These affordable 2x anamorphic primes lenses offer a fast aperture of T2 and vintage anamorphic characteristics when used with a wide-open iris.
SET A includes 3 lenses ranging from 40-100mm.

These affordable 2x anamorphic primes lenses offer a fast aperture of T2 and vintage anamorphic characteristics when used with a wide-open iris.
SET A includes 3 lenses ranging from 40-100mm.

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Atlas Orion 2x Anamorphic Primes – SET B

Atlas Orion 2x Anamorphic Primes – SET B

These affordable 2x anamorphic primes lenses offer a fast aperture of T2 and vintage anamorphic characteristics when used with a wide-open iris.
SET B includes 3 lenses ranging from 32-80mm.

These affordable 2x anamorphic primes lenses offer a fast aperture of T2 and vintage anamorphic characteristics when used with a wide-open iris.
SET B includes 3 lenses ranging from 32-80mm.

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Canon K35 Prime Lenses – Extended Set

Canon K35 Prime Lenses – Extended Set

This Academy Award-winning extended Set Of Canon K35 Full-Frame* Lenses, rehoused by P+S Technik, display superb vintage qualities in their optics, such as soft edges, a low contrast look and flares. All the lenses in this set have been fully colour matched.
*The 18mm is not full-frame but Super35

This Academy Award-winning extended Set Of Canon K35 Full-Frame* Lenses, rehoused by P+S Technik, display superb vintage qualities in their optics, such as soft edges, a low contrast look and flares. All the lenses in this set have been fully colour matched.
*The 18mm is not full-frame but Super35

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ARRI Master Prime Lenses

ARRI Master Prime Lenses

These ARRI / Zeiss Master Primes cover S35 sensors and offer very high optical performance, providing clean crisp images at super speed apertures of T1.3. These primes colour and characteristics match the ARRI Alura zoom lenses.

These ARRI / Zeiss Master Primes cover S35 sensors and offer very high optical performance, providing clean crisp images at super speed apertures of T1.3. These primes colour and characteristics match the ARRI Alura zoom lenses.

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Cooke Speed Panchro S2/S3

Cooke Speed Panchro S2/S3

These legendary Cooke lenses designed in the 1920s provide a beautiful vintage look, perfect for adding character to a digital image. These lenses offer a unique bokeh giving a dream-like feel to the out-of-focus areas, aging coating providing a warm yellow colour palette as well as interesting lens flares.

These legendary Cooke lenses designed in the 1920s provide a beautiful vintage look, perfect for adding character to a digital image. These lenses offer a unique bokeh giving a dream-like feel to the out-of-focus areas, aging coating providing a warm yellow colour palette as well as interesting lens flares.

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Cooke Panchro/i Classic Lenses

Cooke Panchro/i Classic Lenses

Cooke have recreated their vintage Panchro lenses by going back to the original 1920 designs for the glass and building them into S4 style housing. The results are a set of primes with vintage characteristic mixed with modern touches like sharp centres, consistent colour and modern housing

Cooke have recreated their vintage Panchro lenses by going back to the original 1920 designs for the glass and building them into S4 style housing. The results are a set of primes with vintage characteristic mixed with modern touches like sharp centres, consistent colour and modern housing

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ARRI LDS 12mm T2 Ultra Prime

ARRI LDS 12mm T2 Ultra Prime

This S35 prime lens has an extremely wide field of view from its 12mm focal length and offers high-performing optics matching the Ultra Prime range of lenses.

This S35 prime lens has an extremely wide field of view from its 12mm focal length and offers high-performing optics matching the Ultra Prime range of lenses.

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Canon Sumire Primes

Canon Sumire Primes

The Canon Sumire primes cover full frame and offer many of the vintage qualities found in the classic Canon K35s. They display spherical and chromaric abberations to help soften a digital image, as well as interesting flares. Most lenses have a fast aperture of T1.3 or T1.5 and modern realiable housing.

The Canon Sumire primes cover full frame and offer many of the vintage qualities found in the classic Canon K35s. They display spherical and chromaric abberations to help soften a digital image, as well as interesting flares. Most lenses have a fast aperture of T1.3 or T1.5 and modern realiable housing.

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Cooke S4 Mini/i Lens Set

Cooke S4 Mini/i Lens Set

Set of 5 lenses.
These Cooke lenses are a lightweight compact version of the popular Cooke S4/i lenses. They offer all the sought-after characteristics of the Cooke look with a max T-stop of 2.8. These are a perfect light weight alternative to the S4s for setups such as gimbals requiring lighter lenses.

Set of 5 lenses.
These Cooke lenses are a lightweight compact version of the popular Cooke S4/i lenses. They offer all the sought-after characteristics of the Cooke look with a max T-stop of 2.8. These are a perfect light weight alternative to the S4s for setups such as gimbals requiring lighter lenses.

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Laowa 12mm T2.9 Zero-D Cine

Laowa 12mm T2.9 Zero-D Cine

This super wide full frame cine prime from Laowa offers a wide field of vision with almost no distortion. At T2.9 the lens is reasonably fast and it has an impressive close focus of 7". The lens is also small and lightweight.

This super wide full frame cine prime from Laowa offers a wide field of vision with almost no distortion. At T2.9 the lens is reasonably fast and it has an impressive close focus of 7". The lens is also small and lightweight.

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Extended Set Of Zeiss Super Speed Mark II Prime Lenses

Extended Set Of Zeiss Super Speed Mark II Prime Lenses

This Extended Set of Zeiss Super Speed Mark II Primes comprises 5 vintage lenses ranging from 18-85mm with the optional addition of a 100mm and 135mm Standard Speed. The Super Speeds boast a very fast aperture of T1.3 and have a slightly softer, vintage look compared to modern cine glass.

This Extended Set of Zeiss Super Speed Mark II Primes comprises 5 vintage lenses ranging from 18-85mm with the optional addition of a 100mm and 135mm Standard Speed. The Super Speeds boast a very fast aperture of T1.3 and have a slightly softer, vintage look compared to modern cine glass.

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Laowa 24mm f/14 2X Periprobe Macro

Laowa 24mm f/14 2X Periprobe Macro

This unique full frame macro lens has all the specs of the Loawa 24mm Probe lens but with the front element attached to the side to make it into a periscope lens. The angle is quickly and easily adjustable to look in any direction to achieve the desired perspective. The front of the lens is also fully waterproof.

This unique full frame macro lens has all the specs of the Loawa 24mm Probe lens but with the front element attached to the side to make it into a periscope lens. The angle is quickly and easily adjustable to look in any direction to achieve the desired perspective. The front of the lens is also fully waterproof.

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Laowa 24mm f/14 2:1 Macro Probe Lens

Laowa 24mm f/14 2:1 Macro Probe Lens

This full-frame macro probe lens has a long thin design so that it can be placed into small spaces to get very close up images of small hard to reach objects. There is also an LED ring light built into the front to illuminate dark spaces.

This full-frame macro probe lens has a long thin design so that it can be placed into small spaces to get very close up images of small hard to reach objects. There is also an LED ring light built into the front to illuminate dark spaces.

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Sigma FF High Speed Primes

Sigma FF High Speed Primes

The Sigma FF High Speed Primes cover full frame lenses and all have a maximum T stops of T1.5. They’re all lightweight with a similar size and shape making them suitable for gimbal setups with full frame cameras. All the primes in the set are PL mount and have fully manual cine style gears for focus and iris.

The Sigma FF High Speed Primes cover full frame lenses and all have a maximum T stops of T1.5. They’re all lightweight with a similar size and shape making them suitable for gimbal setups with full frame cameras. All the primes in the set are PL mount and have fully manual cine style gears for focus and iris.

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Zeiss Supreme Full Frame Primes

Zeiss Supreme Full Frame Primes

The Zeiss Supremes cover over full frame and boast a fast aperture of T1.5 across the set. They have a very pleasing sharpness that is crisp but gentle achieving subtle detail rendering. They’re also ideal operationally with consistent front diameters, consistent focus and iris ring positioning.

The Zeiss Supremes cover over full frame and boast a fast aperture of T1.5 across the set. They have a very pleasing sharpness that is crisp but gentle achieving subtle detail rendering. They’re also ideal operationally with consistent front diameters, consistent focus and iris ring positioning.

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Leica / Leitz SUMMICRON-C Primes

Leica / Leitz SUMMICRON-C Primes

Leitz SUMMICRON-C primes lenses cover more than s35 so that they perform highly across the entire frame even when wide open. All the lenses in the set are light weight and compact and their optical design produce images with high contrast and high saturation in colours.

Leitz SUMMICRON-C primes lenses cover more than s35 so that they perform highly across the entire frame even when wide open. All the lenses in the set are light weight and compact and their optical design produce images with high contrast and high saturation in colours.

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Lensbaby Movie Maker’s Kit II

Lensbaby Movie Maker’s Kit II

The Lensbaby Movie Maker’s Kit II is a set of lenses offering a range of tilt and shift style distortions, including Edge, Sweet and Twist lenses each giving a different warping effect to an image. They're interchangeable between EF and PL mount cameras. NB: Twist 60 soon to arrive at Shift 4 - please enquire

The Lensbaby Movie Maker’s Kit II is a set of lenses offering a range of tilt and shift style distortions, including Edge, Sweet and Twist lenses each giving a different warping effect to an image. They're interchangeable between EF and PL mount cameras. NB: Twist 60 soon to arrive at Shift 4 - please enquire

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P+S TECHNIK 2x Anamorphic Evolution Lenses

P+S TECHNIK 2x Anamorphic Evolution Lenses

This set of S35 P+S TECHNIK 2x Anamorphic Evolution Lenses are based on the original optical design of KOWA Anamorphics but have P+S TECHNIK's modern housing and coatings. They have a vintage look and are compact and lightweight so ideal for gimbals.

This set of S35 P+S TECHNIK 2x Anamorphic Evolution Lenses are based on the original optical design of KOWA Anamorphics but have P+S TECHNIK's modern housing and coatings. They have a vintage look and are compact and lightweight so ideal for gimbals.

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Cooke S4i Prime Lenses

Cooke S4i Prime Lenses

Cooke S4i Prime Lenses are high quality PL mounted prime lenses that come as a set ranging from 14mm to 135mm. All S4i Prime Lenses have a maximum aperture of f1.8 and data connection.

Cooke S4i Prime Lenses are high quality PL mounted prime lenses that come as a set ranging from 14mm to 135mm. All S4i Prime Lenses have a maximum aperture of f1.8 and data connection.

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Extended Set Of Zeiss Super Speed Mark III Prime Lenses

Extended Set Of Zeiss Super Speed Mark III Prime Lenses

This Extended Set of Zeiss Super Speed Mark III Primes comprises 5 vintage lenses ranging from 18-85mm with the optional addition of a 135mm Standard Speed. The Super Speeds boast a very fast aperture of T1.3 and have a slightly softer, vintage look compared to modern cine glass. Each lens has metric markings.

This Extended Set of Zeiss Super Speed Mark III Primes comprises 5 vintage lenses ranging from 18-85mm with the optional addition of a 135mm Standard Speed. The Super Speeds boast a very fast aperture of T1.3 and have a slightly softer, vintage look compared to modern cine glass. Each lens has metric markings.

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ARRI / Zeiss Ultra Prime Lenses

ARRI / Zeiss Ultra Prime Lenses

A high quality ARRI / Zeiss PL mounted Prime lens set from 16mm to 135mm, all with a maximum aperture of f1.7.

A high quality ARRI / Zeiss PL mounted Prime lens set from 16mm to 135mm, all with a maximum aperture of f1.7.

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Celere HS Prime Lenses

Celere HS Prime Lenses

A Celere HS Prime Lens Set ranging from 18.5mm to 85mm, all with a maximum aperture of T1.5 and interchangeable lens mounts (PL and EF). These lenses will soon boast interchangeable front elements for different look and flaring characteristics.

A Celere HS Prime Lens Set ranging from 18.5mm to 85mm, all with a maximum aperture of T1.5 and interchangeable lens mounts (PL and EF). These lenses will soon boast interchangeable front elements for different look and flaring characteristics.

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Zeiss CP.3 Prime Lenses

Zeiss CP.3 Prime Lenses

These Zeiss CP.3 Prime Lenses improve on the affordable CP.2 primes, with a smaller size, interchangeable mounts and full frame coverage. Set includes 18mm, 25mm, 35mm, 50mm and 85mm.

These Zeiss CP.3 Prime Lenses improve on the affordable CP.2 primes, with a smaller size, interchangeable mounts and full frame coverage. Set includes 18mm, 25mm, 35mm, 50mm and 85mm.

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Zeiss Compact Primes (CP2)

Zeiss Compact Primes (CP2)

A set of Zeiss Primes from 21mm to 85mm for PL or EF mount.

A set of Zeiss Primes from 21mm to 85mm for PL or EF mount.

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Tokina 100m Macro T2.9 Prime Lens

Tokina 100m Macro T2.9 Prime Lens

The Tokina 100m Macro T2.9 Prime Lens is a cine redesign of Tokina’s 100mm f/2.8 AT-X M100 AF Pro D Macro Autofocus lens. It's PL mount and has a de-clicked iris and cine geared lens rings. It has a 1:1 maximum macro magnification at 11.8” and the iris ring has a colour-coded distance exposure compensation guide.

The Tokina 100m Macro T2.9 Prime Lens is a cine redesign of Tokina’s 100mm f/2.8 AT-X M100 AF Pro D Macro Autofocus lens. It's PL mount and has a de-clicked iris and cine geared lens rings. It has a 1:1 maximum macro magnification at 11.8” and the iris ring has a colour-coded distance exposure compensation guide.

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Oppenheimer/Zeiss 100mm Macro Prime Lens

Oppenheimer/Zeiss 100mm Macro Prime Lens

This Zeiss 100mm Macro has been rehoused by Oppenheimer with a PL mount. It extends from 1:10 to 1:1 and has an exposure compensation scale.

This Zeiss 100mm Macro has been rehoused by Oppenheimer with a PL mount. It extends from 1:10 to 1:1 and has an exposure compensation scale.

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Angenieux Optimo Ultra 12x (FF / VV / S35 / U35)

Angenieux Optimo Ultra 12x (FF / VV / S35 / U35)

The Angenieux Optimo Ultra 12x is a great long-range zoom for high-end productions such as feature films, TV series, live stage, commercials, music videos. It offers wide to long focal lengths at a consistent fast aperture. The rear element is interchangeable to adapt the lens from S35 up to Full Frame coverage.

The Angenieux Optimo Ultra 12x is a great long-range zoom for high-end productions such as feature films, TV series, live stage, commercials, music videos. It offers wide to long focal lengths at a consistent fast aperture. The rear element is interchangeable to adapt the lens from S35 up to Full Frame coverage.

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Angenieux EZ1 45-135mm T3 – FF/VV

Angenieux EZ1 45-135mm T3 – FF/VV

The Angenieux EZ1 45-135mm is a PL zoom lens for FF / VV Sensors. It's lightweight and features a fast T3 across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Super35 version of this lens.

The Angenieux EZ1 45-135mm is a PL zoom lens for FF / VV Sensors. It's lightweight and features a fast T3 across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Super35 version of this lens.

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Angenieux EZ1 30-90mm T2 – S35

Angenieux EZ1 30-90mm T2 – S35

The Angenieux EZ1 30-90mm is a PL zoom lens for S35 Sensors. It's lightweight and features an extremely fast aperture (T2 )across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Full Frame version of this lens.

The Angenieux EZ1 30-90mm is a PL zoom lens for S35 Sensors. It's lightweight and features an extremely fast aperture (T2 )across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Full Frame version of this lens.

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Angenieux EZ2 22-60mm T3 – FF/VV

Angenieux EZ2 22-60mm T3 – FF/VV

The Angenieux EZ2 22-60mm is a PL zoom lens for Full Frame / Vista Vision Sensors. It's lightweight and features a fast T3 across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Super35 version of this lens.

The Angenieux EZ2 22-60mm is a PL zoom lens for Full Frame / Vista Vision Sensors. It's lightweight and features a fast T3 across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Super35 version of this lens.

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Angenieux EZ2 15-40mm T2 – S35

Angenieux EZ2 15-40mm T2 – S35

The Angenieux EZ2 15-40mm is a PL zoom lens for S35 Sensors. It's lightweight and features a fast T2 across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Full Frame version of this lens.

The Angenieux EZ2 15-40mm is a PL zoom lens for S35 Sensors. It's lightweight and features a fast T2 across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Full Frame version of this lens.

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Angenieux Optimo Ultra Compact 21-56mm

Angenieux Optimo Ultra Compact 21-56mm

This zoom lens is the full frame equivalent of the classic Optimo 15-40mm. It has an impressive T stop of 2.9 throughout the range and shares the same optical look and quality of the Ultra 12x. The lens is compact and light weight making it perfect for handheld work or to use alongside the Ultra 12x lens.

This zoom lens is the full frame equivalent of the classic Optimo 15-40mm. It has an impressive T stop of 2.9 throughout the range and shares the same optical look and quality of the Ultra 12x. The lens is compact and light weight making it perfect for handheld work or to use alongside the Ultra 12x lens.

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Angenieux Optimo Ultra Compact 37-102mm T2.9

Angenieux Optimo Ultra Compact 37-102mm T2.9

Angenieux's Optimo Ultra Compact lens is the successor to the highly popular Optimo 28-76mm zoom lens. The optics have been redesigned to produce the same look, but to cover full frame with the equivalent field of view. And all kept to a similar compact and lightweight design of the original Optimo zoom. They have also incorporated the interchangeable rear element design from the EZ series, meaning this lens can be switched to cover U35 and become a 28-76mm T2.2.

Angenieux's Optimo Ultra Compact lens is the successor to the highly popular Optimo 28-76mm zoom lens. The optics have been redesigned to produce the same look, but to cover full frame with the equivalent field of view. And all kept to a similar compact and lightweight design of the original Optimo zoom. They have ...

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Canon FD 50-300 T4.9 Full-Frame Zoom

Canon FD 50-300 T4.9 Full-Frame Zoom

This rehoused Canon FD 50-300 zoom lens covers full frame and is the perfect match for the vintage aesthetics of the Canon K35, FD and any vintage full frame primes in general. It offers slight low contrast look, spherical aberrations, as well as S.S.C coating which produce beautiful K35 lens flares.

This rehoused Canon FD 50-300 zoom lens covers full frame and is the perfect match for the vintage aesthetics of the Canon K35, FD and any vintage full frame primes in general. It offers slight low contrast look, spherical aberrations, as well as S.S.C coating which produce beautiful K35 lens flares.

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Canon K35 25-120mm T2.8 Zoom

Canon K35 25-120mm T2.8 Zoom

This vintage Canon zoom lenses shares many characteristics of the Canon K35 prime lenses. It offers pleasant soft focus wide open, low contrast images and interesting flares, all in a compact size with a good wide to long range of 25-120mm.

This vintage Canon zoom lenses shares many characteristics of the Canon K35 prime lenses. It offers pleasant soft focus wide open, low contrast images and interesting flares, all in a compact size with a good wide to long range of 25-120mm.

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Canon CN8x15 IAS S 15-120mm

Canon CN8x15 IAS S 15-120mm

The Canon CN8x15 15-120mm Lens is a Super35 PL Mount ENG style zoom lens with a handle servo and a 1.5x optical extender that not only extends the zoom to 180mm, but also increases the image size to cover a Full Frame sensor.

The Canon CN8x15 15-120mm Lens is a Super35 PL Mount ENG style zoom lens with a handle servo and a 1.5x optical extender that not only extends the zoom to 180mm, but also increases the image size to cover a Full Frame sensor.

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Canon CN10x25 IAS S 25-250mm

Canon CN10x25 IAS S 25-250mm

The Canon CN10x25 25-250mm Lens is a Super35 PL Mount ENG style zoom lens with a handle servo and a 1.5x optical extender that not only extends the zoom, but also increases the image size to cover a Full Frame sensor.

The Canon CN10x25 25-250mm Lens is a Super35 PL Mount ENG style zoom lens with a handle servo and a 1.5x optical extender that not only extends the zoom, but also increases the image size to cover a Full Frame sensor.

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Canon CN20x50 50-1000mm

Canon CN20x50 50-1000mm

This ultra-telephoto zoom lens offers a huge focal range of 50-1000mm and has a built-in 1.5x extender (75-1500mm). The lens has an ENG-style servo built onto the lens compatible with Canon focus and zoom demands. The lens covers S35 sensors and with the extender engaged can cover full-frame sensors.

This ultra-telephoto zoom lens offers a huge focal range of 50-1000mm and has a built-in 1.5x extender (75-1500mm). The lens has an ENG-style servo built onto the lens compatible with Canon focus and zoom demands. The lens covers S35 sensors and with the extender engaged can cover full-frame sensors.

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Sigma 50-100mm T2

Sigma 50-100mm T2

The Sigma 50-100mm is a S35 mid-long zoom lens that has a very fast aperture of T2, in a lightweight cine housing.

The Sigma 50-100mm is a S35 mid-long zoom lens that has a very fast aperture of T2, in a lightweight cine housing.

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Sigma 18-35mm T2 PL Mount

Sigma 18-35mm T2 PL Mount

The Sigma 18-35mm is an S35 wide zoom lens that has a very fast aperture of T2, in a lightweight cine housing.

The Sigma 18-35mm is an S35 wide zoom lens that has a very fast aperture of T2, in a lightweight cine housing.

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Tokina Cinema ATX 11-20mm T2.9 Wide-Angle PL

Tokina Cinema ATX 11-20mm T2.9 Wide-Angle PL

This S35 PL lens offers an extremely wide field of view with a fast consistent T stop of 2.9, all in a small, lightweight cine lens body.

This S35 PL lens offers an extremely wide field of view with a fast consistent T stop of 2.9, all in a small, lightweight cine lens body.

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Fujinon Premista 19-45mm T2.9

Fujinon Premista 19-45mm T2.9

This Fujinon full-frame lens offers very wide-angle focal lengths, all at a constant T2.9 throughout the zoom range. The 19-45mm is quite compact compared to other full-frame zooms available, making it suitable for Steadicam and gimbal use. The image produced is clean, with neutral white balance and minimal distortion.

This Fujinon full-frame lens offers very wide-angle focal lengths, all at a constant T2.9 throughout the zoom range. The 19-45mm is quite compact compared to other full-frame zooms available, making it suitable for Steadicam and gimbal use. The image produced is clean, with neutral white balance and minimal distortion.

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Fujinon Premista 28-100mm T2.9

Fujinon Premista 28-100mm T2.9

This Fuji full-frame lens offers wide to mid-angle focal lengths, all at a constant T2.9 throughout the zoom range. The 28-100mm is quite compact compared to other full-frame zooms available, making it suitable for Steadicam and gimbal use. The image produced is clean, with neutral white balance and minimal distortion.

This Fuji full-frame lens offers wide to mid-angle focal lengths, all at a constant T2.9 throughout the zoom range. The 28-100mm is quite compact compared to other full-frame zooms available, making it suitable for Steadicam and gimbal use. The image produced is clean, with neutral white balance and minimal distortion.

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Fujinon Premista 80-250mm T2.9

Fujinon Premista 80-250mm T2.9

This Fuji full frame lens offers mid to long angle focal lengths, all at a constant T2.9 throughout the zoom range. The 80-250mm is quite compact compared to other full-frame zooms available, making it suitable for Steadicam and gimbal use. The image produced is clean, with neutral white balance and minimal distortion.

This Fuji full frame lens offers mid to long angle focal lengths, all at a constant T2.9 throughout the zoom range. The 80-250mm is quite compact compared to other full-frame zooms available, making it suitable for Steadicam and gimbal use. The image produced is clean, with neutral white balance and minimal distortion.

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Canon 8-64mm T2.4 Super16

Canon 8-64mm T2.4 Super16

This vintage Super16 zoom lens offers a fast aperture of T2.4 and large focal length coverage (16-128mm S35 equivalent). Its vintage qualities offer subtle focus and distinct flaring characteristics. Suitable for Super16 film camera and digital camera with a Super16 crop option.

This vintage Super16 zoom lens offers a fast aperture of T2.4 and large focal length coverage (16-128mm S35 equivalent). Its vintage qualities offer subtle focus and distinct flaring characteristics. Suitable for Super16 film camera and digital camera with a Super16 crop option.

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Canon 11.5-138mm Super 16

Canon 11.5-138mm Super 16

This vintage 11.5-138mm SC12x11.5 Super 16 Zoom PL lens offers a huge 12x zoom range from wide to long focal lengths at a fast 2.5 T stop and all in a compact lightweight body. Also, due to its age, the lens offers pleasant vintage characteristics.

This vintage 11.5-138mm SC12x11.5 Super 16 Zoom PL lens offers a huge 12x zoom range from wide to long focal lengths at a fast 2.5 T stop and all in a compact lightweight body. Also, due to its age, the lens offers pleasant vintage characteristics.

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Fujinon Cabrio 19-90mm T2.9 PL Mount Zoom Lens

Fujinon Cabrio 19-90mm T2.9 PL Mount Zoom Lens

The Fujinon Cabrio 19-90mm Lens is a PL Mount ENG style zoom lens with a removable handle servo. Its range from wide to tight is good for obs doc shooting with large format Super35 cameras without the need to change lenses.

The Fujinon Cabrio 19-90mm Lens is a PL Mount ENG style zoom lens with a removable handle servo. Its range from wide to tight is good for obs doc shooting with large format Super35 cameras without the need to change lenses.

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Cooke Varotal 25-250mm T3.9

Cooke Varotal 25-250mm T3.9

This classic zoom lens from Cooke offers vintage qualities including softness and subtle vignetting at the edges of frame, characterful bokeh and interesting flaring. This lens offers a great focal range, from wide mid to very telephoto, within a surprisingly compact size.

This classic zoom lens from Cooke offers vintage qualities including softness and subtle vignetting at the edges of frame, characterful bokeh and interesting flaring. This lens offers a great focal range, from wide mid to very telephoto, within a surprisingly compact size.

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Cooke Varotal 18-100mm T3

Cooke Varotal 18-100mm T3

This classic zoom lens from Cooke offers vintage qualities including softness and subtle vignetting at the edges of frame, characterful bokeh and interesting flaring. The zoom ranges covers wide, mid and long focal lengths in the one lens and has a consistent T/3 throughout the range.

This classic zoom lens from Cooke offers vintage qualities including softness and subtle vignetting at the edges of frame, characterful bokeh and interesting flaring. The zoom ranges covers wide, mid and long focal lengths in the one lens and has a consistent T/3 throughout the range.

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Cooke Varotal 20-100mm T3.1

Cooke Varotal 20-100mm T3.1

This classic zoom lens from Cooke offers vintage qualities including softness and subtle vignetting at the edges of frame, characterful bokeh and interesting flaring. The zoom ranges covers wide, mid and long focal lengths in one lens and has a consistent T/3.1 throughout the range.

This classic zoom lens from Cooke offers vintage qualities including softness and subtle vignetting at the edges of frame, characterful bokeh and interesting flaring. The zoom ranges covers wide, mid and long focal lengths in one lens and has a consistent T/3.1 throughout the range.

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Angenieux Optimo 24-290mm T2.8

Angenieux Optimo 24-290mm T2.8

The Angenieux Optimo 24-290mm is a great long-range zoom for high-end productions such as feature films, TV series, live stage shows, commercials, and music videos. It offers wide to long focal lengths at a consistent fast aperture of T2.8.

The Angenieux Optimo 24-290mm is a great long-range zoom for high-end productions such as feature films, TV series, live stage shows, commercials, and music videos. It offers wide to long focal lengths at a consistent fast aperture of T2.8.

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Laowa OOOM 25-100mm T2.9 PL

Laowa OOOM 25-100mm T2.9 PL

This compact cine zoom lens has a very good wide to tight range from 25-100mm, with a S35+ coverage, parfocal zoom and continuous T2.9 aperture. This PL Mount version comes with a 1.33x rear anamorphic adaptor and a 1.4x FF expander. We also have EF and E Mount versions available.

This compact cine zoom lens has a very good wide to tight range from 25-100mm, with a S35+ coverage, parfocal zoom and continuous T2.9 aperture. This PL Mount version comes with a 1.33x rear anamorphic adaptor and a 1.4x FF expander. We also have EF and E Mount versions available.

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ARRI Alura 45-250mm T2.6 Zoom

ARRI Alura 45-250mm T2.6 Zoom

This PL 45-250mm zoom lens covers S35 sensors, provides a very good range of mid to long-angle focal lengths and offers clean and clear optics even wide open at T2.6. This is colour and character matched to other Alura lenses and ARRI Master Prime lenses.

This PL 45-250mm zoom lens covers S35 sensors, provides a very good range of mid to long-angle focal lengths and offers clean and clear optics even wide open at T2.6. This is colour and character matched to other Alura lenses and ARRI Master Prime lenses.

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ARRI Alura 15.5-45mm T2.8 Zoom

ARRI Alura 15.5-45mm T2.8 Zoom

This lightweight PL 15.5-45mm zoom lens covers S35 sensors, provides a good range of wide-angle focal lengths and offers clean and clear optics even wide open at T2.8. This is colour and character matched to other Alura lenses and ARRI Master Prime lenses.

This lightweight PL 15.5-45mm zoom lens covers S35 sensors, provides a good range of wide-angle focal lengths and offers clean and clear optics even wide open at T2.8. This is colour and character matched to other Alura lenses and ARRI Master Prime lenses.

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Canon CN-E 30-105mm PL T2.8 Zoom Lens

Canon CN-E 30-105mm PL T2.8 Zoom Lens

This Canon CN-E 30-105mm PL T2.8 Zoom Lens is a PL mount cine style zoom lens designed for covering 35mm and Super35 cameras with a fixed T2.8 aperture throughout its zoom range.

This Canon CN-E 30-105mm PL T2.8 Zoom Lens is a PL mount cine style zoom lens designed for covering 35mm and Super35 cameras with a fixed T2.8 aperture throughout its zoom range.

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Angenieux Optimo 28-76mm T2.6 Zoom Lens

Angenieux Optimo 28-76mm T2.6 Zoom Lens

This Angenieux Optimo 28-76mm T2.6 Zoom Lens is from Angenieux's 35mm film range, providing a good standard angle range with an aperture of T2.6 throughout.

This Angenieux Optimo 28-76mm T2.6 Zoom Lens is from Angenieux's 35mm film range, providing a good standard angle range with an aperture of T2.6 throughout.

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Angenieux Optimo 15-40mm T2.6 Zoom Lens

Angenieux Optimo 15-40mm T2.6 Zoom Lens

This Angenieux Optimo 15-40mm T2.6 Zoom Lens is from Angenieux's 35mm film range, providing a good wide angle range with an aperture of T2.6 throughout.

This Angenieux Optimo 15-40mm T2.6 Zoom Lens is from Angenieux's 35mm film range, providing a good wide angle range with an aperture of T2.6 throughout.

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Canon CN E30-300mm PL T2.95 – 3.7 Zoom Lens

Canon CN E30-300mm PL T2.95 – 3.7 Zoom Lens

This Canon CN E30-300mm PL T2.95 - 3.7 Zoom Lens offers 4K and has a PL mount, providing a huge focal range with a wide aperture in a lightweight size for its class.

This Canon CN E30-300mm PL T2.95 - 3.7 Zoom Lens offers 4K and has a PL mount, providing a huge focal range with a wide aperture in a lightweight size for its class.

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Duclos/Tokina 11-16mm PL Zoom Lens

Duclos/Tokina 11-16mm PL Zoom Lens

This Duclos/Tokina 11-16mm PL Zoom Lens is a rehoused stills lens with an ultra wide 11-16mm range, a PL mount and full cine style iris, zoom and focus rings for superior video operation.

This Duclos/Tokina 11-16mm PL Zoom Lens is a rehoused stills lens with an ultra wide 11-16mm range, a PL mount and full cine style iris, zoom and focus rings for superior video operation.

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Zeiss 70-200mm (CZ.2) Compact Zoom Lens

Zeiss 70-200mm (CZ.2) Compact Zoom Lens

This Zeiss 70-200mm (CZ.2) Compact Zoom Lens is very light and compact for its range and type and is suitable for use as a long obs doc lens. Available in either EF or PL mount.

This Zeiss 70-200mm (CZ.2) Compact Zoom Lens is very light and compact for its range and type and is suitable for use as a long obs doc lens. Available in either EF or PL mount.

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Canon CN7x17 ENG 17-120mm PL (T2.95-3.9) Zoom Lens

Canon CN7x17 ENG 17-120mm PL (T2.95-3.9) Zoom Lens

The Canon CN7x17 17-120mm Lens is a PL mount ENG style zoom lens with a handle servo. Its range from wide to tight is perfect for obs doc shooting with large format cameras without the need to change lenses.

The Canon CN7x17 17-120mm Lens is a PL mount ENG style zoom lens with a handle servo. Its range from wide to tight is perfect for obs doc shooting with large format cameras without the need to change lenses.

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Angenieux Optimo DP 16-42mm Cine Zoom Lens

Angenieux Optimo DP 16-42mm Cine Zoom Lens

Angenieux Optimo DP 16-42mm zoom lens is specifically designed for digital Super 35 cameras. This wide angle zoom offers almost no breathing with a T2.8 aperture all the way through the zoom range. It pairs well with the Angenieux Optimo DP 30-80mm zoom lens.

Angenieux Optimo DP 16-42mm zoom lens is specifically designed for digital Super 35 cameras. This wide angle zoom offers almost no breathing with a T2.8 aperture all the way through the zoom range. It pairs well with the Angenieux Optimo DP 30-80mm zoom lens.

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Angenieux Optimo DP 30-80mm Cine Zoom Lens

Angenieux Optimo DP 30-80mm Cine Zoom Lens

Angenieux Optimo DP 30-80mm Zoom lens is specifically designed for digital super35 cameras. This standard angle zoom offers almost no breathing with a T2.8 aperture all the way through the zoom range. It pairs well with the Angenieux Optimo DP 16-42mm zoom lens.

Angenieux Optimo DP 30-80mm Zoom lens is specifically designed for digital super35 cameras. This standard angle zoom offers almost no breathing with a T2.8 aperture all the way through the zoom range. It pairs well with the Angenieux Optimo DP 16-42mm zoom lens.

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Angenieux Optimo 45-120mm Cine Zoom Lens

Angenieux Optimo 45-120mm Cine Zoom Lens

Angenieux’s Optimo 45-120mm Zoom lens is from their 35mm film range, providing a good zoom range with an aperture of f2.6 throughout.

Angenieux’s Optimo 45-120mm Zoom lens is from their 35mm film range, providing a good zoom range with an aperture of f2.6 throughout.

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