Full Frame
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Cooke S8/i Full-Frame
Cooke S8/i primes cover full frame and offer a very fast aperture of T1.4 allowing for incredibly shallow depth of field. All the glass in the lens is a spherical design which allows for imperfections at the edge of frame, giving a more organic vintage look to the lenses.
Cooke S8/i primes cover full frame and offer a very fast aperture of T1.4 allowing for incredibly shallow depth of field. All the glass in the lens is a spherical design which allows for imperfections at the edge of frame, giving a more organic vintage look to the lenses.
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Leitz Primes
These full frame Leitz Primes have fast T stops of 1.8 and offer very high optical quality. They offer constant exposure and resolution across the whole image, impressive contrast, neutral white balance and pleasant subtle blooming in lens flares.
These full frame Leitz Primes have fast T stops of 1.8 and offer very high optical quality. They offer constant exposure and resolution across the whole image, impressive contrast, neutral white balance and pleasant subtle blooming in lens flares.
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Angenieux Optimo Primes
These Angenieux Optimo Primes cover full-frame sensors with fast apertures of T1.8. The look of these lenses can be customised from neutral and clean to low contrast vintage with the ability to change internal elements and adding rear filters.
These Angenieux Optimo Primes cover full-frame sensors with fast apertures of T1.8. The look of these lenses can be customised from neutral and clean to low contrast vintage with the ability to change internal elements and adding rear filters.
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Cooke Anamorphic/i Full Frame SF *Special Flare*
These Cooke Anamorphic full-frame lenses have a squeeze factor of 1.8x resulting in a 2.7:1 image. They offer an extremely wide angle of view, similar to Imax, and offer all the classic characteristics of anamorphic lenses including the distinctive horizontal special flare.
These Cooke Anamorphic full-frame lenses have a squeeze factor of 1.8x resulting in a 2.7:1 image. They offer an extremely wide angle of view, similar to Imax, and offer all the classic characteristics of anamorphic lenses including the distinctive horizontal special flare.
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BLACKWING7 T Tuned
These full frame prime lenses have been designed to have a tuneable vintage style built into compact modern housing. This set is T tuned which is the medium style of softness and flare quality.
These full frame prime lenses have been designed to have a tuneable vintage style built into compact modern housing. This set is T tuned which is the medium style of softness and flare quality.
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Technovision 1.5x Anamorphic Full Frame
These anamorphics are inspired by the Technovision anamorphics from the 1970s. The coating has been designed to achieve high-contrast images with lots of flares and chromatic aberrations, achieving a very vintage look. The 1.5x squeeze factor is flexible for optimal resolution on 3:2 full frame and 16:9 S35 sensors.
These anamorphics are inspired by the Technovision anamorphics from the 1970s. The coating has been designed to achieve high-contrast images with lots of flares and chromatic aberrations, achieving a very vintage look. The 1.5x squeeze factor is flexible for optimal resolution on 3:2 full frame and 16:9 S35 sensors.
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Canon Rangefinder Prime Lenses
Conjure another era with the Vintage FF ‘Canon Dream Lens’. Rehoused by TLS, the original ‘50’s & ‘60’s glass can combat the digital cleanness of modern cinema cameras with golden flares, soft glows, excellent close focus performance & organically textured highlights that keep their vintage flavour irrespective of stop.
Conjure another era with the Vintage FF ‘Canon Dream Lens’. Rehoused by TLS, the original ‘50’s & ‘60’s glass can combat the digital cleanness of modern cinema cameras with golden flares, soft glows, excellent close focus performance & organically textured highlights that keep their vintage flavour ...
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Mamiya 645 Prime Lenses
Mamiya lensed many iconic images from the 70s / 80s & with TLS’s beautiful cinema rehousing, you now have the option to film using these medium-format lenses. With soft, multi-coloured flares, and front to back bokeh, they give interesting textures, and are perfect for those used to modern glass but want vintage quirks.
Mamiya lensed many iconic images from the 70s / 80s & with TLS’s beautiful cinema rehousing, you now have the option to film using these medium-format lenses. With soft, multi-coloured flares, and front to back bokeh, they give interesting textures, and are perfect for those used to modern glass but want vintage ...
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Petzval 58mm & 85mm
These Petzval full frame stills lenses, first designed in 1840, were recreated in 2013 by Lomography and now rehoused in PL mount by TLS. These optics have a unique and extreme vintage look warping the edges to create a spiral drawing focus into the centre of the frame, as well as stunning iris flares.
These Petzval full frame stills lenses, first designed in 1840, were recreated in 2013 by Lomography and now rehoused in PL mount by TLS. These optics have a unique and extreme vintage look warping the edges to create a spiral drawing focus into the centre of the frame, as well as stunning iris flares.
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Canon K35 TLS Lens Set
This extended Set Of Canon K35 Full-Frame* Lenses, rehoused by TLS, display superb vintage qualities in their optics, such as soft edges, a low contrast look and flares.
*The 18mm is not full-frame but Super35
This extended Set Of Canon K35 Full-Frame* Lenses, rehoused by TLS, display superb vintage qualities in their optics, such as soft edges, a low contrast look and flares.
*The 18mm is not full-frame but Super35
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Sigma FF Classic Primes
These full-frame primes have the same optics as the fast and lightweight Sigma FF primes, but with uncoated elements with the exception of the front and rear which have a protective coating. This results in high-resolution images but with greatly reduced contrast and plenty of flaring and highlight blooming.
These full-frame primes have the same optics as the fast and lightweight Sigma FF primes, but with uncoated elements with the exception of the front and rear which have a protective coating. This results in high-resolution images but with greatly reduced contrast and plenty of flaring and highlight blooming.
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Leica R Primes
These vintage Leica stills lenses offer lots of character, they cover full frame sensors and have been rehoused to PL in GL Optics MkV bodies. These lenses offer distinctive defocus, subtle chromatic and spherical aberrations and stunning lens flares.
These vintage Leica stills lenses offer lots of character, they cover full frame sensors and have been rehoused to PL in GL Optics MkV bodies. These lenses offer distinctive defocus, subtle chromatic and spherical aberrations and stunning lens flares.
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Cooke Panchro/i Classic Full-Frame
These are full frame versions of Cooke's Panchro Classic lenses based on the original 1920 designs for the optics with some newly designed focal lengths including a 65mm macro. The results are a set of primes with vintage characteristic mixed with modern touches like sharp centres, consistent colour and modern housing.
These are full frame versions of Cooke's Panchro Classic lenses based on the original 1920 designs for the optics with some newly designed focal lengths including a 65mm macro. The results are a set of primes with vintage characteristic mixed with modern touches like sharp centres, consistent colour and modern housing.
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ARRI Signature Primes
ARRI Signature Prime lenses are the first Arri primes designed exclusively for the needs of digital cinema cameras. They are modern, full frame, high end lenses that deliver clean, elegant and ultra smooth high resolution images. They are nearly completely free from breathing, distortion and chromatic aberrations.
ARRI Signature Prime lenses are the first Arri primes designed exclusively for the needs of digital cinema cameras. They are modern, full frame, high end lenses that deliver clean, elegant and ultra smooth high resolution images. They are nearly completely free from breathing, distortion and chromatic aberrations.
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KOWA R FF Primes
These vintage Ancient Optics Kowa full frame lenses have been rehoused by TLS from Kowa R stills photography lenses from the 60-70's era. They offer sharp, low contrast images with stunning flares. They are small and light weight with consistent, fully manual modern housing from TLS.
These vintage Ancient Optics Kowa full frame lenses have been rehoused by TLS from Kowa R stills photography lenses from the 60-70's era. They offer sharp, low contrast images with stunning flares. They are small and light weight with consistent, fully manual modern housing from TLS.
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Leica R Cinescope
This set of Leica R Cinescope Full Frame lenses have been fully rehoused by Cinescope and have PL mounts. The set is made up of a mixture of Elmarit and Summilux lenses. Their look are a perfect vintage option for modern full frame digital sensors.
This set of Leica R Cinescope Full Frame lenses have been fully rehoused by Cinescope and have PL mounts. The set is made up of a mixture of Elmarit and Summilux lenses. Their look are a perfect vintage option for modern full frame digital sensors.
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Canon K35 Prime Lenses – Extended Set
This Academy Award-winning extended Set Of Canon K35 Full-Frame* Lenses, rehoused by P+S Technik, display superb vintage qualities in their optics, such as soft edges, a low contrast look and flares. All the lenses in this set have been fully colour matched.
*The 18mm is not full-frame but Super35
This Academy Award-winning extended Set Of Canon K35 Full-Frame* Lenses, rehoused by P+S Technik, display superb vintage qualities in their optics, such as soft edges, a low contrast look and flares. All the lenses in this set have been fully colour matched.
*The 18mm is not full-frame but Super35
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Canon Sumire Primes
The Canon Sumire primes cover full frame and offer many of the vintage qualities found in the classic Canon K35s. They display spherical and chromaric abberations to help soften a digital image, as well as interesting flares. Most lenses have a fast aperture of T1.3 or T1.5 and modern realiable housing.
The Canon Sumire primes cover full frame and offer many of the vintage qualities found in the classic Canon K35s. They display spherical and chromaric abberations to help soften a digital image, as well as interesting flares. Most lenses have a fast aperture of T1.3 or T1.5 and modern realiable housing.
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Laowa 12mm T2.9 Zero-D Cine
This super wide full frame cine prime from Laowa offers a wide field of vision with almost no distortion. At T2.9 the lens is reasonably fast and it has an impressive close focus of 7". The lens is also small and lightweight.
This super wide full frame cine prime from Laowa offers a wide field of vision with almost no distortion. At T2.9 the lens is reasonably fast and it has an impressive close focus of 7". The lens is also small and lightweight.
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Laowa 24mm f/14 2X Periprobe Macro
This unique full frame macro lens has all the specs of the Loawa 24mm Probe lens but with the front element attached to the side to make it into a periscope lens. The angle is quickly and easily adjustable to look in any direction to achieve the desired perspective. The front of the lens is also fully waterproof.
This unique full frame macro lens has all the specs of the Loawa 24mm Probe lens but with the front element attached to the side to make it into a periscope lens. The angle is quickly and easily adjustable to look in any direction to achieve the desired perspective. The front of the lens is also fully waterproof.
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Laowa 24mm f/14 2:1 Macro Probe Lens
This full-frame macro probe lens has a long thin design so that it can be placed into small spaces to get very close up images of small hard to reach objects. There is also an LED ring light built into the front to illuminate dark spaces.
This full-frame macro probe lens has a long thin design so that it can be placed into small spaces to get very close up images of small hard to reach objects. There is also an LED ring light built into the front to illuminate dark spaces.
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Sigma FF High Speed Primes
The Sigma FF High Speed Primes cover full frame lenses and all have a maximum T stops of T1.5. They’re all lightweight with a similar size and shape making them suitable for gimbal setups with full frame cameras. All the primes in the set are PL mount and have fully manual cine style gears for focus and iris.
The Sigma FF High Speed Primes cover full frame lenses and all have a maximum T stops of T1.5. They’re all lightweight with a similar size and shape making them suitable for gimbal setups with full frame cameras. All the primes in the set are PL mount and have fully manual cine style gears for focus and iris.
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Zeiss Supreme Full Frame Primes
The Zeiss Supremes cover over full frame and boast a fast aperture of T1.5 across the set. They have a very pleasing sharpness that is crisp but gentle achieving subtle detail rendering. They’re also ideal operationally with consistent front diameters, consistent focus and iris ring positioning.
The Zeiss Supremes cover over full frame and boast a fast aperture of T1.5 across the set. They have a very pleasing sharpness that is crisp but gentle achieving subtle detail rendering. They’re also ideal operationally with consistent front diameters, consistent focus and iris ring positioning.
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Lensbaby Movie Maker’s Kit II
The Lensbaby Movie Maker’s Kit II is a set of lenses offering a range of tilt and shift style distortions, including Edge, Sweet and Twist lenses each giving a different warping effect to an image. They're interchangeable between EF and PL mount cameras. NB: Twist 60 soon to arrive at Shift 4 - please enquire
The Lensbaby Movie Maker’s Kit II is a set of lenses offering a range of tilt and shift style distortions, including Edge, Sweet and Twist lenses each giving a different warping effect to an image. They're interchangeable between EF and PL mount cameras. NB: Twist 60 soon to arrive at Shift 4 - please enquire
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Celere HS Prime Lenses
A Celere HS Prime Lens Set ranging from 18.5mm to 85mm, all with a maximum aperture of T1.5 and interchangeable lens mounts (PL and EF). These lenses will soon boast interchangeable front elements for different look and flaring characteristics.
A Celere HS Prime Lens Set ranging from 18.5mm to 85mm, all with a maximum aperture of T1.5 and interchangeable lens mounts (PL and EF). These lenses will soon boast interchangeable front elements for different look and flaring characteristics.
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Zeiss CP.3 Prime Lenses
These Zeiss CP.3 Prime Lenses improve on the affordable CP.2 primes, with a smaller size, interchangeable mounts and full frame coverage. Set includes 18mm, 25mm, 35mm, 50mm and 85mm.
These Zeiss CP.3 Prime Lenses improve on the affordable CP.2 primes, with a smaller size, interchangeable mounts and full frame coverage. Set includes 18mm, 25mm, 35mm, 50mm and 85mm.
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Zeiss Compact Primes (CP2)
A set of Zeiss Primes from 21mm to 85mm for PL or EF mount.
A set of Zeiss Primes from 21mm to 85mm for PL or EF mount.
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Oppenheimer/Zeiss 100mm Macro Prime Lens
This Zeiss 100mm Macro has been rehoused by Oppenheimer with a PL mount. It extends from 1:10 to 1:1 and has an exposure compensation scale.
This Zeiss 100mm Macro has been rehoused by Oppenheimer with a PL mount. It extends from 1:10 to 1:1 and has an exposure compensation scale.
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Angenieux Optimo Ultra 12x (FF / VV / S35 / U35)
The Angenieux Optimo Ultra 12x is a great long-range zoom for high-end productions such as feature films, TV series, live stage, commercials, music videos. It offers wide to long focal lengths at a consistent fast aperture. The rear element is interchangeable to adapt the lens from S35 up to Full Frame coverage.
The Angenieux Optimo Ultra 12x is a great long-range zoom for high-end productions such as feature films, TV series, live stage, commercials, music videos. It offers wide to long focal lengths at a consistent fast aperture. The rear element is interchangeable to adapt the lens from S35 up to Full Frame coverage.
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Angenieux EZ1 45-135mm T3 – FF/VV
The Angenieux EZ1 45-135mm is a PL zoom lens for FF / VV Sensors. It's lightweight and features a fast T3 across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Super35 version of this lens.
The Angenieux EZ1 45-135mm is a PL zoom lens for FF / VV Sensors. It's lightweight and features a fast T3 across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Super35 version of this lens.
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Angenieux EZ2 22-60mm T3 – FF/VV
The Angenieux EZ2 22-60mm is a PL zoom lens for Full Frame / Vista Vision Sensors. It's lightweight and features a fast T3 across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Super35 version of this lens.
The Angenieux EZ2 22-60mm is a PL zoom lens for Full Frame / Vista Vision Sensors. It's lightweight and features a fast T3 across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Super35 version of this lens.
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Angenieux Optimo Ultra Compact 37-102mm T2.9
Angenieux's Optimo Ultra Compact lens is the successor to the highly popular Optimo 28-76mm zoom lens. The optics have been redesigned to produce the same look, but to cover full frame with the equivalent field of view. And all kept to a similar compact and lightweight design of the original Optimo zoom. They have also incorporated the interchangeable rear element design from the EZ series, meaning this lens can be switched to cover U35 and become a 28-76mm T2.2.
Angenieux's Optimo Ultra Compact lens is the successor to the highly popular Optimo 28-76mm zoom lens. The optics have been redesigned to produce the same look, but to cover full frame with the equivalent field of view. And all kept to a similar compact and lightweight design of the original Optimo zoom. They have ...
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Canon FD 50-300 T4.9 Full-Frame Zoom
This rehoused Canon FD 50-300 zoom lens covers full frame and is the perfect match for the vintage aesthetics of the Canon K35, FD and any vintage full frame primes in general. It offers slight low contrast look, spherical aberrations, as well as S.S.C coating which produce beautiful K35 lens flares.
This rehoused Canon FD 50-300 zoom lens covers full frame and is the perfect match for the vintage aesthetics of the Canon K35, FD and any vintage full frame primes in general. It offers slight low contrast look, spherical aberrations, as well as S.S.C coating which produce beautiful K35 lens flares.
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Canon CN8x15 IAS S 15-120mm
The Canon CN8x15 15-120mm Lens is a Super35 PL Mount ENG style zoom lens with a handle servo and a 1.5x optical extender that not only extends the zoom to 180mm, but also increases the image size to cover a Full Frame sensor.
The Canon CN8x15 15-120mm Lens is a Super35 PL Mount ENG style zoom lens with a handle servo and a 1.5x optical extender that not only extends the zoom to 180mm, but also increases the image size to cover a Full Frame sensor.
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Canon CN10x25 IAS S 25-250mm
The Canon CN10x25 25-250mm Lens is a Super35 PL Mount ENG style zoom lens with a handle servo and a 1.5x optical extender that not only extends the zoom, but also increases the image size to cover a Full Frame sensor.
The Canon CN10x25 25-250mm Lens is a Super35 PL Mount ENG style zoom lens with a handle servo and a 1.5x optical extender that not only extends the zoom, but also increases the image size to cover a Full Frame sensor.
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Fujinon Premista 19-45mm T2.9
This Fujinon full-frame lens offers very wide-angle focal lengths, all at a constant T2.9 throughout the zoom range. The 19-45mm is quite compact compared to other full-frame zooms available, making it suitable for Steadicam and gimbal use. The image produced is clean, with neutral white balance and minimal distortion.
This Fujinon full-frame lens offers very wide-angle focal lengths, all at a constant T2.9 throughout the zoom range. The 19-45mm is quite compact compared to other full-frame zooms available, making it suitable for Steadicam and gimbal use. The image produced is clean, with neutral white balance and minimal distortion.
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Fujinon Premista 28-100mm T2.9
This Fuji full-frame lens offers wide to mid-angle focal lengths, all at a constant T2.9 throughout the zoom range. The 28-100mm is quite compact compared to other full-frame zooms available, making it suitable for Steadicam and gimbal use. The image produced is clean, with neutral white balance and minimal distortion.
This Fuji full-frame lens offers wide to mid-angle focal lengths, all at a constant T2.9 throughout the zoom range. The 28-100mm is quite compact compared to other full-frame zooms available, making it suitable for Steadicam and gimbal use. The image produced is clean, with neutral white balance and minimal distortion.
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Fujinon Premista 80-250mm T2.9
This Fuji full frame lens offers mid to long angle focal lengths, all at a constant T2.9 throughout the zoom range. The 80-250mm is quite compact compared to other full-frame zooms available, making it suitable for Steadicam and gimbal use. The image produced is clean, with neutral white balance and minimal distortion.
This Fuji full frame lens offers mid to long angle focal lengths, all at a constant T2.9 throughout the zoom range. The 80-250mm is quite compact compared to other full-frame zooms available, making it suitable for Steadicam and gimbal use. The image produced is clean, with neutral white balance and minimal distortion.
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Laowa OOOM 25-100mm T2.9 PL
This compact cine zoom lens has a very good wide to tight range from 25-100mm, with a S35+ coverage, parfocal zoom and continuous T2.9 aperture. This PL Mount version comes with a 1.33x rear anamorphic adaptor and a 1.4x FF expander. We also have EF and E Mount versions available.
This compact cine zoom lens has a very good wide to tight range from 25-100mm, with a S35+ coverage, parfocal zoom and continuous T2.9 aperture. This PL Mount version comes with a 1.33x rear anamorphic adaptor and a 1.4x FF expander. We also have EF and E Mount versions available.
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Zeiss 70-200mm (CZ.2) Compact Zoom Lens
This Zeiss 70-200mm (CZ.2) Compact Zoom Lens is very light and compact for its range and type and is suitable for use as a long obs doc lens. Available in either EF or PL mount.
This Zeiss 70-200mm (CZ.2) Compact Zoom Lens is very light and compact for its range and type and is suitable for use as a long obs doc lens. Available in either EF or PL mount.
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