Equipment
To discuss your requirements, get advice or make a booking, call us on +44 (0)20 8809 8680 or email [email protected]
Ronford Baker Sliders
These Ronford Baker sliders are incredibly sturdy and perfect for smooth slider shots with large camera setups. Moy fittings are included for the tripod and head. Different sizes are available (see below) - please specify size required.
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ARRI Alexa 35
The Alexa 35 is a next step in digital cinematography with the new 4.6K S35 sensor which boasts 17 stops of useable dynamic range (making it the ideal camera for HDR), various textures generated on the sensor such as film grain, and Enhanced Sensitivity mode for superior low light performance than any other ARRI camera.
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Cooke S8/i Full-Frame
Cooke S8/i primes cover full frame and offer a very fast aperture of T1.4 allowing for incredibly shallow depth of field. All the glass in the lens is a spherical design which allows for imperfections at the edge of frame, giving a more organic vintage look to the lenses.
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Tokina Cinema ATX 11-20mm T2.9 Wide-Angle EF
This S35 EF lens offers an extremely wide field of view with a fast consistent T stop of 2.9, all in a small, lightweight cine lens body.
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Sigma Art DG HSM 14mm f1.8
This 14mm Sigma Art DG stills prime is natively an E mount, making it fully compatible with Sony’s impressive auto focus function in cameras such as the FX9. They also offer high-quality optics at an affordable price and fast apertures as most lenses in the set have an f-stop of 1.8
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Sigma Art DG HSM 20mm f1.4
This 20mm Sigma Art DG stills prime is natively an E mount, making it fully compatible with Sony’s impressive auto focus function in cameras such as the FX9. They also offer high-quality optics at an affordable price and fast apertures as most lenses in the set have an f-stop of 1.4.
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Sigma Art DG HSM 24mm f1.4
This 24mm Sigma Art DG stills prime is natively an E mount, making it fully compatible with Sony’s impressive autofocus function in cameras such as the FX9. They also offer high-quality optics at an affordable price and fast apertures as most lenses in the set have an f-stop of 1.4.
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Sigma Art DG HSM 28mm f1.4
This 28mm Sigma Art DG stills prime is natively an E mount, making it fully compatible with Sony’s impressive auto focus function in cameras such as the FX9. They also offer high-quality optics at an affordable price and fast apertures as most lenses in the set have an f-stop of 1.4.
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Sigma Art DG HSM 35mm f1.4
This 35mm Sigma Art DG stills prime is natively an E mount, making it fully compatible with Sony’s impressive autofocus function in cameras such as the FX9. They also offer high-quality optics at an affordable price and fast apertures as most lenses in the set have an f-stop of 1.4.
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Sigma Art DG HSM 40mm f1.4
This 40mm Sigma Art DG stills prime is natively an E mount, making it fully compatible with Sony’s impressive autofocus function in cameras such as the FX9. They also offer high-quality optics at an affordable price and fast apertures as most lenses in the set have an f-stop of 1.4.
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Sigma Art DG HSM 50mm f1.4
This 50mm Sigma Art DG stills prime is natively an E mount, making it fully compatible with Sony’s impressive autofocus function in cameras such as the FX9. They also offer high-quality optics at an affordable price and fast apertures as most lenses in the set have an f-stop of 1.4.
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Sigma Art Macro 70mm f2.8 EX DG Prime
This full frame macro is part of Sigma's Art line of lenses offering very close focus with a slightly wider than average focal length for most macros of 70mm offering more dynamic perspectives. This lens is also fully compatible with Sony's advanced auto focus in cameras such as the FX9 amd FX6.
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Sigma Art DG HSM 85mm f1.4
This 85mm Sigma Art DG stills prime is natively an E mount, making it fully compatible with Sony’s impressive autofocus function in cameras such as the FX9. They also offer high-quality optics at an affordable price and fast apertures as most lenses in the set have an f-stop of 1.4.
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Sigma Art DG HSM 105mm f1.4
This 105mm Sigma Art DG stills prime is natively an E mount, making it fully compatible with Sony’s impressive autofocus function in cameras such as the FX9. They also offer high-quality optics at an affordable price and fast apertures as most lenses in the set have an f-stop of 1.4.
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Sigma Art DG HSM 135mm f1.8
This 135mm Sigma Art DG stills prime is natively an E mount, making it fully compatible with Sony’s impressive autofocus function in cameras such as the FX9. They also offer high-quality optics at an affordable price and fast apertures as most lenses in the set have an f-stop of 1.8
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Sony G Master 14mm f1.8
This Sony G Master 14mm E Mount full frame prime lens offers an extremely wide angle of view with a really fast aperture of f/1.8. The lens is very small and compact, and is fully compatible with Sony's advanced autofocus in cameras such as the FX9 and FX6.
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Sony G 20mm f1.8
This Sony G 20mm lens offers a fast aperture of f/1.8 covering full frame sensors. It is small and compact and fully compatible with Sony's advanced auto-focus in cameras such as the FX9 and FX6.
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Sony G Master 24mm f1.4
This Sony G Master 24mm lens offers a fast aperture of f/1.4 covering full frame sensors. It is small and compact and fully compatible with Sony's advanced autofocus in cameras such as the FX9 and FX6.
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Sony G Master 35mm f1.4
This Sony G Master 35mm lens offers a fast aperture of f/1.4 covering full frame sensors. It is small and compact and fully compatible with Sony's advanced autofocus in cameras such as the FX9 and FX6.
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Sony G Master 50mm f1.2
This Sony G Master 50mm E Mount prime offers full frame coverage and a very fast aperture of f1.2 and is fully compatible with Sony's advanced autofocus functions of cameras such as the FX9 and FX6.
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Sony G Master 85mm f1.4
This Sony G Master 85mm E Mount prime offers full frame coverage and a fast aperture of f1.4 and is fully compatible with Sony's advanced autofocus functions of cameras such as the FX9 and FX6.
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Sony G Master 100mm f2.8
This Sony G Master 100mm E Mount prime offers full frame coverage and an aperture of f2.8 and is fully compatible with Sony's advanced autofocus functions of cameras such as the FX9 and FX6.
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Sony G Master 135mm f1.8
This Sony G-Master 135mm E Mount prime offers full frame coverage and a fast aperture of f1.8 and is fully compatible with Sony's advanced autofocus functions of cameras such as the FX9 and FX6.
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ARRI Orbiter
This incredibly powerful RGB LED head has the ability to change fixtures such as open face, spotlight, softbox, and lantern to adapt to the need of the set. With the open face attachment, the Orbiter has the equivalent output of a 1.2kw HMI and it offers the same colour modes and effects as the Skypanel line.
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ARRI SkyPanel S120-C
The ARRI SkyPanel S120-C is a high output LED panel giving off a pleasant soft light with high colour accuracy. Programmable to almost any desired colour, the light is fully dimmable and can be battery powered.
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ARRI SkyPanel S60-C
The ARRI SkyPanel S60-C is a high output LED panel giving off a pleasant soft light with high colour accuracy. Programmable to basically any desired colour, the light is fully dimmable and can be battery powered.
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ARRI SkyPanel S30-C
The ARRI SkyPanel S30-C is a high output LED panel giving off a pleasant soft light with high colour accuracy. Programmable to basically any desired colour, the light is fully dimmable and can be battery powered.
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Litepanels Gemini 2×1 RGBWW LED soft panel
A 2’ x 1’ LED panel light providing a wider soft source than the standard 1’ x 1’. Dimmable and combines 3 different modes for adjusting white balance and colour hue/saturation. Can be powered by mains or battery.
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Hudson Spider Redback LED dome Deluxe Kit
This unique bi-colour LED light has 8 foldable arms, each filled with LEDs. This allows for the creation of various-sized domes that have even, soft light, and maximum output. The foldable arms also allow for the light to pack down small and compact.
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Aputure Light Storm 1200D Pro
This daylight-balanced LED par light has one very powerful LED for sharp clear shadows and is compatible with various accessories and attachments. With the open face reflector attachment, the 1200D Pro has the equivalent output of a 2.5kw HMI.
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Aputure LS 600C Pro
This RGBWW LED Cob light has a max draw of 600w for impressive output and has multiple accessory options including a lantern, softbox, spotlight, open face reflector, and fresnel attachments to produce any quality of light desired.
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Aputure Light Storm 600D PRO
This daylight balanced LED par light, has one very powerful LED for sharp clear shadows and is compatible with various accessories and attachments. With the open face reflector attachment, the 600D Pro has the equivalent output of a 1.8kw HMI.
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Aputure LS600x
This Bi Colour LED par light, can accept many different lighting attachments from spotlight to softbox and lanterns. With a max power draw of 600w, the 600X has a tunable white balance 2700-6500k but maintain a high level of output.
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Aputure Light Storm C300D MK II
This daylight balanced LED par light, has one very powerful LED for sharp clear shadows and is compatible with various accessories and attachments. With the open face reflector attachment, the C300D Mk II has the equivalent output of a 800w HMI.
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Aputure Light Storm 120D MK II
The Aputure Light Storm 120D Mark II is a daylight-balanced LED par light, has one powerful LED for sharp clear shadows and is compatible with various accessories such as a Fresnel lens attachment. It can be battery-powered and has the equivalent output of a 200w HMI when using the Fresnel attachment.
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Aputure B7c Bulb Set
These RGB LED bulbs can be used as practical bulbs either attached to a light fixture with an E27 screw or by themselves with its built-in battery. The bulbs can produce any colour and white balance from 2,000-10,000k can display effects and can be controlled through the Sidus Link app.
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Astera Titan Tube Set
These RGBW LED lights come in a set of 8 of 1m tubes, have a 180º angle, and offer fine-tuning of the colour across the fixture, meaning different colours can be displayed at once. They have internal batteries and come with a variety of grips for mounting into sets, as well as built-in displays for direct control.
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Astera Hyperion RGBW Tube Set
These tube RGBW LED lights come in a set of 4, have a 180º angle, and offer fine-tuning of the colour across the fixture, this means different colours can be displayed at once. They have internal batteries and come with a variety of grips for mounting into sets, as well as built-in displays for direct control.
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Astera Helios Tube Set
These RGBW LED lights come in a set of 8 of 50cm tubes, have a 180º angle, and offer fine-tuning of the colour across the fixture, this means different colours can be displayed at once. They have internal batteries and come with a variety of grips for mounting into sets, as well as built-in displays for direct control.
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Astera AX1 Wireless Pixeltube
These tube RGBW LED lights come in a set of 8, have a 180º angle and offer fine tuning of the colour across the fixture meaning different colours can be displayed at once. They have internal batteries and come with a variety of grips for mounting into sets, as well as a remote control to change settings from a distance.
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Fomex FL 1200 2×1 Flexible LED
A 2x1 flexible and portable Bi-Colour LED light with Tungsten to Daylight colour options varying between 2700K – 6500k. Can be optimised with several optional accessories including a liteball diffuser with up to 360 degrees of light spread.
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Aladdin Bi-Fabric 4×1 LED Panel
This Aladdin Bi-Fabric is a 4x1ft bi-colour LED light panel. The panel itself is fully flexible and incredibly thin, making it perfect for tight or awkward spaces. It can be mains and battery-powered, dimmable and tuneable white balance from 2900-6400K.
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Preston Digital Micro Force 3
The Preston Digital Micro Force 3 builds on the design from previous Micro Forces. Auto self-calibration on power-up has been developed to eliminate the zoom creeping issue. Hardwiring allows super smooth feathering at the end points of zooming and can be attached to moose bars or pan handle.
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Leitz Primes
These full frame Leitz Primes have fast T stops of 1.8 and offer very high optical quality. They offer constant exposure and resolution across the whole image, impressive contrast, neutral white balance and pleasant subtle blooming in lens flares.
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Angenieux Optimo Primes
These Angenieux Optimo Primes cover full-frame sensors with fast apertures of T1.8. The look of these lenses can be customised from neutral and clean to low contrast vintage with the ability to change internal elements and adding rear filters.
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Cooke Anamorphic/i Full Frame SF *Special Flare*
These Cooke Anamorphic full-frame lenses have a squeeze factor of 1.8x resulting in a 2.7:1 image. They offer an extremely wide angle of view, similar to Imax, and offer all the classic characteristics of anamorphic lenses including the distinctive horizontal special flare.
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BLACKWING7 T Tuned
These full frame prime lenses have been designed to have a tuneable vintage style built into compact modern housing. This set is T tuned which is the medium style of softness and flare quality.
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Technovision 1.5x Anamorphic Full Frame
These anamorphics are inspired by the Technovision anamorphics from the 1970s. The coating has been designed to achieve high-contrast images with lots of flares and chromatic aberrations, achieving a very vintage look. The 1.5x squeeze factor is flexible for optimal resolution on 3:2 full frame and 16:9 S35 sensors.
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Canon Rangefinder Prime Lenses
Conjure another era with the Vintage FF ‘Canon Dream Lens’. Rehoused by TLS, the original ‘50’s & ‘60’s glass can combat the digital cleanness of modern cinema cameras with golden flares, soft glows, excellent close focus performance & organically textured highlights that keep their vintage flavour irrespective of stop.
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Mamiya 645 Prime Lenses
Mamiya lensed many iconic images from the 70s / 80s & with TLS’s beautiful cinema rehousing, you now have the option to film using these medium-format lenses. With soft, multi-coloured flares, and front to back bokeh, they give interesting textures, and are perfect for those used to modern glass but want vintage quirks.
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Petzval 58mm & 85mm
These Petzval full frame stills lenses, first designed in 1840, were recreated in 2013 by Lomography and now rehoused in PL mount by TLS. These optics have a unique and extreme vintage look warping the edges to create a spiral drawing focus into the centre of the frame, as well as stunning iris flares.
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Canon K35 TLS Lens Set
This extended Set Of Canon K35 Full-Frame* Lenses, rehoused by TLS, display superb vintage qualities in their optics, such as soft edges, a low contrast look and flares.
*The 18mm is not full-frame but Super35
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Sigma FF Classic Primes
These full-frame primes have the same optics as the fast and lightweight Sigma FF primes, but with uncoated elements with the exception of the front and rear which have a protective coating. This results in high-resolution images but with greatly reduced contrast and plenty of flaring and highlight blooming.
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Leica R Primes
These vintage Leica stills lenses offer lots of character, they cover full frame sensors and have been rehoused to PL in GL Optics MkV bodies. These lenses offer distinctive defocus, subtle chromatic and spherical aberrations and stunning lens flares.
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Sony Venice 2
The Sony Venice 2 has a 8K full frame sensor with dual base ISO of 500 and 3200 ISO, which can be switched to the original 6K Venice sensor to allow for higher frame rates. The body incorporates AXSM slots directly and can record X-OCN RAW and 4K ProRes 4444 internally.
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RED V-Raptor 8k
The RED V-Raptor offers an 8K full frame sensor in a very small and compact body. RED state it has the highest dynamic range of any RED camera before it and can shoot at very high frames rates for its resolution at 120fps in 8k (full frame) and 240fps in 4k.
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Sony 200-600mm f/5.6 G
This Sony stills zoom lens, covers full frame and offers extremely long focal lengths from 200-600mm with a ramping f stop of 5.6-6.3. This lens also offers built-in optical image stabilization.
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DJI RS3 Pro
This updated version of the RS2 gimbal has extended arms to allow for greater options of cameras to be mounted such as the Sony FX6 or Canon C70 cameras. Other improvements include an improved stabilizing algorithm for 20% improved stability over the RS2 and a fine-tuning knob for easier tilt balancing.
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Focusbug Cine RT Ultrasonic Distance Measure
The Focusbug Cine RT is an ultrasonic distance measurer with wireless accessories. The brain is built directly into the horns so is all that is needed to be mounted to the camera, which then talks wirelessly to the distance display and laser distance measure to create accurate marks for focus pulling.
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Nanlite PavoTube II 6c
These RGB stick lights are 25cm long and have built-in batteries and magnets on each end so they can be easily mounted and used anywhere without cabling. Being RGB any colour can be dialled in including a tuneable white balance of 2700-7500K.
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Ronford Baker 2ft Track
This Ronford Baker precision track is made from stainless steel, it comes in 2ft solid sections that don't collapse, reducing the risk of imperfections in the track for smoother dolly moves.
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Ronford Baker 4ft Track
This Ronford Baker precision track is made from stainless steel, it comes in 4ft solid sections that don't collapse, reducing the risk of imperfections in the track for smoother dolly moves.
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Ronford Baker 6ft Track
This Ronford Baker precision track is made from stainless steel, it comes in 6ft solid sections that don't collapse, reducing the risk of imperfections in the track for smoother dolly moves.
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Ronford Baker Track Run Up
This section of track is at a slope and is attached to the end of a layered length of track to help roll heavy dollies onto the track.
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SmallHD Cine 7 HD Monitor
This 7" touchscreen HD monitor boasts 10bit colour processing and a panel capable of displaying 100% DCI-P3 colour. The monitor has a max brightness of 1800nits, can accept 4K and HD images, has camera control, and all the usual features and functionality of other SmallHD monitors.
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Zacuto Kameleon EVF Pro
This external EVF has a 0.71" OLED display with full 1920x1080 resolution. It can accept 4K signals via HDMI and allows the loading of 3D LUTs. This is perfect for adding a viewfinder to stills cameras or cine cameras like the RED Komodo and Raptor.
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Cooke Panchro/i Classic Full-Frame
These are full frame versions of Cooke's Panchro Classic lenses based on the original 1920 designs for the optics with some newly designed focal lengths including a 65mm macro. The results are a set of primes with vintage characteristic mixed with modern touches like sharp centres, consistent colour and modern housing.
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Alexa Mini LF
The Alexa Mini LF incorporates all the aspects of the Alexa Mini, small build, filmic colour and renditioning, but with a full frame sensor. The full frame sensor is 4.5K making it acceptable for Netflix productions and can record 4K, HD or ARRIRAW.
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Phantom VEO4K-PL
The Phantom VEO4K-PL is a super slow-motion camera that produces highly detailed 4K images at up 1,000 fps or 2000fps @ 2k. It has an identical sensor, image quality and frame rate capacity as the FLEX4K but with half the weight, half the size and half the price. Wet hire advised.
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ARRI Signature Primes
ARRI Signature Prime lenses are the first Arri primes designed exclusively for the needs of digital cinema cameras. They are modern, full frame, high end lenses that deliver clean, elegant and ultra smooth high resolution images. They are nearly completely free from breathing, distortion and chromatic aberrations.
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VoxBox Pro MkII Kit
The VoxBox Pro is a compact unit with a two way mirror, designed for allowing interviewees to look down the lens while being interviewed, as well as doubling as a telepromter when used with a tablet. It's lightweight size means it can be mounted onto 15mm rails making it quick and easy to take on and off of the camera.
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Jackal Rickshaw
This rickshaw is designed to be compact and portable and can be easily assembled without the use of any tools as it comes packed down in a single box. It's perfect for doing tracking shots on uneven ground, along long distances or at speed.
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KOWA Cine Prominar TLS Spherical Primes
These vintage spherical lenses from the 1960's offer sharp, low contrast images with a cool white balance and are famous for their unique warm golden lens flares. This set has been rehoused by TLS, are lightweight and compact and have consistent white balance throughout the set.
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Ronford Baker Rotating Offset Plate
This MOY to MOY fitting plate is used to offset the connection between grips and a head so a head can be placed over surfaces the grips equipment can't. It can rotate around for easy positioning and rigging.
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Aputure MC 4 Light Kit
This set of 4 mini RGB LED light panels have internal batteries and can be placed almost any where. They have magnets on the back to attach to metal surfaces and have the same high colour quality as the Light Storm range of Aputure lights.
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Magic Ring X Handheld Ring with ARRI Gear Adaptor
This ring is compatible with all Ronin single hand gimbals to allow for a setup more like a full sized gimbal. It has feet so that it can be placed on the ground easily. It also has an ARRI gear adaptor attached to the side for easier mounting of focus accessories.
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Eartec UltraLITE Wireless Headset
These headsets have built in transceivers and microphones and can connect up to 4 without the need for additional radio bodies. They're compact, convient and allows talk both ways, perfect for comms for smaller shoots or talkback for small multi camera shoots.
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Kino Flo Freestyle 4ft 4 bank RGB LED fixture (T44)
These lights have the same classic design as the original kino flo fixtures but have RGB LED tubes instead of flourescents. The tubes give off a good area of light and being tubes have a pleasing wrap around softness even without diffusion. The RGB tubes can produce any colour as well as white balances from 2500-9900k.
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Libec ZC-9PRO Pro Zoom Controller
This small rocker is compatible with most Canon and Fujinon ENG lenses servos to control zoom and can be mounted to panbars as well as gimbal cages or jib arm weight handles. The sensitive rocker allows for controlling zoom speed from slow to fast.
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Ronford Baker Scaffold Supports
These supports use 12" scaff poles with feet to mount a Ronford Baker Slider close to the ground with adjustable height.
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Sony A7S I/II/III Aqua Housing
This small splash bag can fit any model of A7S into it with a stills style lens. It seals at the top with screws so can be submerged to just under the water line if sealed properly. The bag has a flat round glass and screw in donuts to wedge the lens for clear field of view for the lens.
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Sachtler Cine 150 Medium Legs
Sachtler's answer to the Ronford Baker Heavy Weight Shorts. It's 150mm bowl and a good adition to a Sachtler Cine30 tripod.
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Atomos Sumo 19″ 4K Monitor Recorder
This Atomos recorder monitor has a 19" HD screen and can record up to 4K video or 6K RAW as well as accept 4 individual HD signals which can be displayed as quad split and individually recorded. This super brihght monitor can also accept log images and convert them to preview HDR images.
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ARRI Vibration Isolator
This vibration isolator has been designed by FoMa Systems for ARRI, it has a MOY to MOY mount and uses adjustable rubber dampeners to remove shake from cameras when on a surface serspetable to vibrations.
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KOWA R FF Primes
These vintage Ancient Optics Kowa full frame lenses have been rehoused by TLS from Kowa R stills photography lenses from the 60-70's era. They offer sharp, low contrast images with stunning flares. They are small and light weight with consistent, fully manual modern housing from TLS.
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Manfrotto Avenger Medium Roller Stand
This tall stand has a senior reciever mount complete with jumbo knuckle, has wheels on each foot and can rise to a maximum height of 4.3m. These stands are perfect for flying larger silk frames.
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Ronford Baker 8ft Track
This Ronford Baker precision track is made from stainless steal, it comes in 8ft solid sections that don't collapse, reducing the risk of imperfections in the track for smoother dolly moves.
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Ronford Baker Risers and Bazooka Base
This Ronford Baker kit has 4 bazooka risers with varying sizes that can be attached together to achieve heights and connect to each other and a bazooka base via MOY fitting, making the sturdiest base possible.
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Sachtler Cine 2000 Short Legs
These short legs are heavy duty and have a 150mm bowl for large cine fluid heads.
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Tiffen Bronze Glimmerglass PV Filter Set
This Tiffen Bronze Glimmerglass PV (4x5.65) Filter Set utilises bronze flecks to soften fine detail, giving a glow to highlights and lowering contrast across the image. The bronze flecks also warm the image in comparison to the neutral silver of Glimmerglass Filters. The set includes grades 1/8, 1/4, 1/2, 1 and 2.
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Tiffen Low Contrast PV Filter Set
This set of Low Contrast Tiffen filters create an even vale flare across the entire image which raises the level of shadow areas, balancing the ratio between highlights and shadows to low the contrast of high contrast environments. This set goes from 1/8 to 2.
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TV Logic 18″ 181S HD LCD Monitor
This 18” LCD TV Logic monitor has a full 1920x1080 display with a wide colour gamut able to display up to DCI-P3 colour space. This monitor is extremely accurate and suitable for critical viewing on set, offering many additional functions such as internal LUTs.
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TV Logic F10A 10″ Monitor
This 10" TV Logic monitor has a HD panel and can accept 4K and HDR signals as it includes a HDMI 2.0 input. The monitor has been designed to have minimal casing around the 10" screen so that it has a similar overall size to most 7" monitors but boasting a 10" screen.
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RED Komodo 6K
The RED Komodo is a very small and compact S35 6K camera that records RED Raw internally. The lens mount is Canon RF which allows it to be adapted to any mount type. It's incredibly small size makes it perfect for gimbal and drone work.
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Leica R Cinescope
This set of Leica R Cinescope Full Frame lenses have been fully rehoused by Cinescope and have PL mounts. The set is made up of a mixture of Elmarit and Summilux lenses. Their look are a perfect vintage option for modern full frame digital sensors.
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Leitz M0.8
These lenses are cine modified versions of the famous Leitz full frame stills lenses. They have incredibly fast aperture and offer high quality images with pleasant skin tones, highlight rendering and focus roll off. Their small size and weight make them perfect for gimbal and drone work.
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Hague CHM Camera Headrest Mount
The Hague CHM Camera Headrest Mount provides a stable and flexible mounting option for attaching a lightweight camera or light to a car headrest.
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Hague SM4 Double Suction Mount for Cars
The Hague SM4 Double Suction Mount provides a stable and flexible mounting option for attaching a lightweight camera to either the outside or inside of a vehicle.
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MCS B101 Universal Handle Kit
This handle set allows for rigging different handle configurations including 15 and 19mm brackets as well as long and short extension bars.
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Bausch & Lomb Super Baltars TLS
These TLS rehoused lenses originally built in the 1950s produce very vintagey, warm, low contrast images with lots of flaring. They have fast T stops at T2.3 for most of the set and have been rehoused by TLS for high-performance modern operation.
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Laowa OOOM 25-100mm T2.9 EF / E Mount
This compact cine zoom lens has a very good wide to tight range from 25-100mm, with a S35+ coverage, parfocal zoom and continuous T2.9 aperture. This is the EF and E Mount version of this lens, we also have it in PL which comes with a 1.33x rear anamorphic adaptor and a 1.4x FF expander.
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Schulz Sprayoff Micro Rain Deflector
This rain deflector uses a spinning piece of glass that throws dropplets off to the sides instantly, keeping the lens clear of water when shooting in environments like rain. It is small and compact and designed to fit directly into the PV filter slots of matteboxes such as LMB 4x5s or LMB 25s.
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Fomex RollLite RL33-300
This Fomex RL33-300 light has LED woven into fabric, making it super flexible and able to be used in spaces many other lights couldn't be used. The RollLite offers adjustable colour temperature from 2700-6500K and is 3ftx3ft in size.
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Tilta Hydra Alien Car Mounting System
This car mount suction kit comes with a stabalizing arm (7.5Kg payload) to be used in conjunction with the Ronin RS2 to achieve stablized, remotely controlled car shots. The HYDRA car mount also offers integrated vlock battery plates to power the RS2 or camera and has a run/stop control to remotely record.
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IDX Imicro-98 Batteries
These small 98wh batteries fit on any vlock plate but are half the size of DUO batts. Using the A-VMIRCO2 plate allows for 2 to be used at once for just under 200wh as well as hotswap capabilities. Perfect for flying abroad or use individually as a compact alternative to standard vlock batteries
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ARRI Hi-5 LCS Hand Unit
This wireless lens control hand unit from ARRI can control 3 axis and offers advanced features such as interchangeable radio modules, auto-detecting focus rings, as well as ARRI and third-party camera setting control. When used with a C-force Mini RF motor, allows for a compact Alexa Mini style setup on any camera.
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Cooke Anamorphic/i SF *Special Flare*
These Cooke Anamorphic/i Special Flare Lenses are high-quality PL mounted prime lenses with a 2x squeeze factor. They range from 25-100mm and all boast the classic "Cooke look" along with a pleasing oval bokeh synonymous with anamorphic lenses. The Special Flares also produce the iconic horizontal anamorphic lens flares
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Cooke 65mm Macro Anamorphic/i Special Flare
This 65mm Cooke Anamorphic lens is a macro offering very close focus for doing extreme close-ups. The Cooke Anamorphics have a squeeze factor of 2x and offer classic anamorphic characteristics including the iconic horizontal anamorphic flare.
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Atlas Orion 2x Anamorphic Primes – SET A
These affordable 2x anamorphic primes lenses offer a fast aperture of T2 and vintage anamorphic characteristics when used with a wide-open iris.
SET A includes 3 lenses ranging from 40-100mm.
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Atlas Orion 2x Anamorphic Primes – SET B
These affordable 2x anamorphic primes lenses offer a fast aperture of T2 and vintage anamorphic characteristics when used with a wide-open iris.
SET B includes 3 lenses ranging from 32-80mm.
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Canon K35 Prime Lenses – Extended Set
This Academy Award-winning extended Set Of Canon K35 Full-Frame* Lenses, rehoused by P+S Technik, display superb vintage qualities in their optics, such as soft edges, a low contrast look and flares. All the lenses in this set have been fully colour matched.
*The 18mm is not full-frame but Super35
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ARRI Master Prime Lenses
These ARRI / Zeiss Master Primes cover S35 sensors and offer very high optical performance, providing clean crisp images at super speed apertures of T1.3. These primes colour and characteristics match the ARRI Alura zoom lenses.
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Cooke Speed Panchro S2/S3
These legendary Cooke lenses designed in the 1920s provide a beautiful vintage look, perfect for adding character to a digital image. These lenses offer a unique bokeh giving a dream-like feel to the out-of-focus areas, aging coating providing a warm yellow colour palette as well as interesting lens flares.
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Cooke Panchro/i Classic Lenses
Cooke have recreated their vintage Panchro lenses by going back to the original 1920 designs for the glass and building them into S4 style housing. The results are a set of primes with vintage characteristic mixed with modern touches like sharp centres, consistent colour and modern housing
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ARRI LDS 12mm T2 Ultra Prime
This S35 prime lens has an extremely wide field of view from its 12mm focal length and offers high-performing optics matching the Ultra Prime range of lenses.
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Canon Sumire Primes
The Canon Sumire primes cover full frame and offer many of the vintage qualities found in the classic Canon K35s. They display spherical and chromaric abberations to help soften a digital image, as well as interesting flares. Most lenses have a fast aperture of T1.3 or T1.5 and modern realiable housing.
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Schneider Rhodium FSND straight PV Filters
These full-spectrum NDs are completely colour neutral and eliminate IR pollution without reducing any of the light spectrum from reaching the sensor, unlike conventional IRNDs, resulting in stronger colour replication
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Ratworks Chainsaw Handle
This sideways mounting handle is designed to fit to the front or back of ARRI top handles for better low handheld operating.
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Ratworks Alexa Mini/Mini LF Side Plate
This side plate is designed to attach to the MSB-3 side bracket of an Alexa Mini or Alexa Mini LF for additional mounting positions.
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Sigma 18-35mm F1.8 DG Art
Sigma’s EF mount 18-35mm Zoom lens provides a range of wide angles with a fast aperture of f1.8 throughout the zoom. It covers S35 sensors.
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SmallHD 503 Ultra Bright Monitor
This 5-inch lightweight field monitor is equipped with an ultra-bright display offering 2200nits and filled with Small HD’s useful imaging assisting tools. Its small size makes it ideal for mounting as an on-camera monitor.
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Hawk-woods MXB-880 Mini X-Boxx Block Battery
This compact block battery has a 880wh capacity and provides 2x 4pin XLR 14v or 2x 3pin XLR 28v outputs. The battery has a built-in charger and a digital display that shows charging status and active outputs.
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TLS Full Frame 1.4x PL Extender
This PL mount adaptor extends the focal length of lenses by 1.4x and covers full frame sensors, with a light loss of approx. 1 1/3 stops.
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TLS Full Frame 2x PL Extender
This PL mount adaptor extends the focal length of lenses by 2x and covers full frame sensors, with a light loss of approx. 2 stops.
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DJI RS 2 Gimbal
The successor to the Ronin S, The RS 2 has improved Titan Stablisisation which reflects on gimbal performance and smoother footage. Constructed of carbon fiber weighing in at a 1kg (2.3lbs) and with a tested payload of 4.5kg (10lbs) the RS2 offers the highest weight to payload ratio currently available.
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Sigma 24-70mm F2.8 DG Art
Sigma’s E mount 24-70mm Full Frame Zoom lens provides a good range of angles from medium wide to medium telephoto with an aperture of f2.8 throughout the zoom.
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Sony 2x E-mount Extender
This E-mount converter doubles the focal lengths of the lenses mounted on it and maintains full functionality of Sony's advanced autofocus features with cameras likes the FX9 using compatible lenses.
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Ergorig
The Ergorig works like a steadicam vest and takes the weight of the camera off the shoulder and back and distributes it to the hips, but retains the natural operating on the shoulder.
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Hawk-woods VL-B5 V-lok Battery Belt
This battery belt allows the use of 2 V-Lok batteries wired in parallel to power a camera via 12v power, this means using 2 150wh batteries will supply the camera with 300wh power. Taking the battery weight off the camera allows for lighter weight setups on the shoulder or in the hand.
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Ronford-Baker Universal Rolling Spider
This tripod base can fit either caster wheels for flat ground or track wheels for mounting on track. It can accept any tripod or has a euro attachment in the centre for mounting bazooka columns.
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EasyRig MiniMax
The Easyrig MiniMax vest is designed for smaller camera packages and can be adjusted in strength for weights ranging from 2-7kg.
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Showtec RGBW LED Parcan
The Showtec LED Par 64 Q4-18 are RGBW open-face LED parcans that offer directional hard light. Able to produce vivid colour as well as white light these lights are perfect for lighting spaces as well as suitable for being in shot. The yoke allows them to be mounted to rigging or propped up on the ground.
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Macbook Pro – 4th Generation
The industry-standard notebook for location data wrangling and live streaming over Zoom with TouchBar and USB C ports.
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Macbook Pro – 3rd Generation
The industry standard notebook for location data wrangling and live streaming over Zoom with Retina display and in-built Type A USB ports.
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CineTape 2
This Cine Tape Measure System device uses ultrasonic waves to continuously calculate the distance between a subject and the camera's film-plane and shows values in real time to assist pulling focus. The CineTape 2 is smaller and lighter than the original.
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Rosco Vapour Fog Machine
This fogger offers a continues stream of dense fog. It has a removeable controller panel which can set the overall density of the output fog as well as timer controls to set on and off intervals.
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Unique 2.1 Haze Machine
This portable liquid based haze machine is used for filling an enclosed space with an even distribution of fine smoke for creating shafts of light. The Unique 2.1 can be DMX controlled and offers a Pro mode for programming periodic hazing.
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Vaxis Storm 1000S Wireless Video Transmitter
This video transmitter provides both SDI and HDMI connection, has a range of up to 1000ft and supports transmission up to 1080p HD video, audio, timecode and record trigger.
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Teradek Link Pro
Used in conjunction with the Teradek Serv Pro this device can link several Serv Pros allowing on-set monitoring of up to 4 cameras on one phone or tablet device as well as increasing the Serv Pro signal range up to 1000ft. If connected to the internet, the Link Pro also allows off-set monitoring with a Core subscription.
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SmallHD Cine 24 4K High Bright Monitor
This 24" UHD field monitor is super bright with a maximum of 1350nits, can display the full P3 colour space and offers all the same useful monitoring tools from the whole SmallHD range. This monitor is perfect when critical viewing of a 4K picture is needed.
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SmallHD 1703 P3X 17″ Studio Monitor
This SmallHD 1703 P3X 17” HD LCD monitor can display colours up to the P3 standard, 10bit colour accuracy and wide viewing angle. The display also boasts an output of 900nits for easy viewing in bright exteriors and HDR preview.
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Matthews Finger and Dot Kit
This set of mini rectangle and circular flags, nets and diffusers are perfect for controlling light for small setups such as pack shots.
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Blackmagic UltraStudio Recorder 3G
This device allows for feeding an HD signal via SDI or HDMI into a apple computer with thunderbolt 3 connection. Perfect for using an external camera for video streaming or video calls.
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Blackmagic UltraStudio Mini Recorder
This device allows for feeding an HD signal via SDI or HDMI into an apple computer with thunderbolt 2 connection. Perfect for using an external camera for video streaming or video calls.
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Blackmagic Ultrastudio Mini Monitor
This device allows for a clean 10 bit HD video feed to be sent out of Davinci Resolve grading software on a Apple computer and onto an external monitor via SDI or HDMI
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ARRI LMB 6×6 Matte box
ARRI's lightweight LMB 6x6 matte box is designed to cover lens with large front diameters with 3 x 6.6x6.6 trays for large filters. I can be clip-on or 19mm rail-mounted as well as including the swing away tilting bracket to eliminate filter reflections.
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Ikan Elite Pro RC Teleprompter
This Teleprompter is a compact, lightweight unit, providing a full teleprompting experience using either IPad, Android or Windows tablets. Designed to be quick and easy to set up with an adjustable glass frame and quick release base plate unit. The Sony A7 series, Canon DSLRs , PXW-X200 size units are a just few of the cameras suited to this model.
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Teradek Serv Pro
This Teradek transmitter takes a SDI or HDMI signal and encodes the image as H.264 so that it can be wirelessly viewed from up to 10 tablet or phone devices using Teradek’s VUER app.
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Canon CN-E 18-80mm T4.4
This ENG style Canon zoom is EF mount, offers manual or servo control of the zoom and with a max T stop of 4.4 allows the lens to offer a good range of wide to tight focal length covering S35 in a light weight and compact package. This lens is also fully compatible with Canon Dual Pixel auto focus features.
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Sony 70-200mm G Master
This E mount stills zoom from Sony, offers a good range of wide-angle focal lengths, covers full-frame, and has a consistent f stop of 2.8 throughout the zoom range
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Sony 24-70mm G Master
This E mount stills zoom from Sony, offers a good range of wide-angle focal lengths, covers full-frame, and has a consistent f stop of 2.8 throughout the zoom range.
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Sony 16-35mm G Master
This E mount stills zoom from Sony, offers a good range of wide-angle focal lengths, covers full-frame, and has a consistent f stop of 2.8 throughout the zoom range
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Cooke S4 Mini/i Lens Set
Set of 5 lenses.
These Cooke lenses are a lightweight compact version of the popular Cooke S4/i lenses. They offer all the sought-after characteristics of the Cooke look with a max T-stop of 2.8. These are a perfect light weight alternative to the S4s for setups such as gimbals requiring lighter lenses.
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Vaxis Channel Scanner
Searches for the most suitable frequencies in the area to provide an optimal channel for use with Vaxis wireless systems.
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Vaxis Storm 800
The Vaxis Storm 800 is a wireless HD-SDI system, built into a compact design and provides an OLED display for adjusting channels. It's an alternative to the established Teradek System.
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Lastolite Skylite 1.1 X 1.1M
The Skylite 1.1m x 1.1m Small Frame Kit is a versatile frame can be used as either a reflector or a diffusion frame and comes in a portable rigid case.
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Tiffen Smoque Filters
These diffusion filters give highlights a heavy bloom mimicking the look of smoke in a scene. These are great for complimenting actual smoke on set to give a consistent look across a large set or giving the aesthetic where smoke can’t be used.
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Teradek Bolt 3000 XT Dual Receiver
The Teradek 3000 wirelessly transmits HD signals with a line of sight range of approximately 3000ft. It includes input for SDI and HDMI and is compatible with 3rd Gen Teradek 3000’s, Sidekicks and 703 Bolt monitors.
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Laowa 12mm T2.9 Zero-D Cine
This super wide full frame cine prime from Laowa offers a wide field of vision with almost no distortion. At T2.9 the lens is reasonably fast and it has an impressive close focus of 7". The lens is also small and lightweight.
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Extended Set Of Zeiss Super Speed Mark II Prime Lenses
This Extended Set of Zeiss Super Speed Mark II Primes comprises 5 vintage lenses ranging from 18-85mm with the optional addition of a 100mm and 135mm Standard Speed. The Super Speeds boast a very fast aperture of T1.3 and have a slightly softer, vintage look compared to modern cine glass.
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Laowa 24mm f/14 2X Periprobe Macro
This unique full frame macro lens has all the specs of the Loawa 24mm Probe lens but with the front element attached to the side to make it into a periscope lens. The angle is quickly and easily adjustable to look in any direction to achieve the desired perspective. The front of the lens is also fully waterproof.
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Laowa 24mm f/14 2:1 Macro Probe Lens
This full-frame macro probe lens has a long thin design so that it can be placed into small spaces to get very close up images of small hard to reach objects. There is also an LED ring light built into the front to illuminate dark spaces.
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Syrp Genie II Linear Drive
Motorised slider unit designed to work with between any slider and tripod head/camera. Can be controlled on device or through Genie II app for pre-programmed precise movements including working together with Genie II Pan Tilt unit. Timelapse interface for Canon DSLR and Sony a7s.
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Syrp Genie II Pan Tilt
Motorised pan tilt unit for lightweight cameras for smooth panning and tilting control. Can be controlled on device or through Genie II app for pre-programmed precise movements including working together with Genie II Linear unit. Timelapse interface for Canon DSLR and Sony a7s.
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Syrp Genie II Package
3-axis motion control system with 1m slider. Magic Carpet Medium Slider with both Genie II Linear and Genie II Pan Tilt units plus iPad for programming precise movements on both units.
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Syrp Magic Carpet Medium Slider
A simple lightweight 1m slider for lightweight cameras. Can be used with simple screw mount tripod head or with Syrp Genie II motion control systems
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MB 436 Matte box
This compact and affordable 2 tray matte box is 15mm rail mounted and is supplied with top flag and draw string donut to work with any lens it’s paired with.
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Egripment 407 Camera Slider
This rail based slider uses a carriage with large precision wheels for very smooth tracking. It can be extended when needed and can be used with any tripod legs and head including, 100mm, 150mm bowl and MOY. This robust slider is ideal for large camera set ups with a load capacity of up to 20kg.
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Prosup Tango Slider
This slider works as a rail system with a carriage for very smooth operation. This versatile slider comes with a 1.2m and 1m section extension allowing a total length of 2.2m, as well as multiple tripod head mount options including 100mm, 150mm and Mitchell adaptor. This slider can also be configured in an underslung mode for moving shots looking straight down.
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Shark Slider S1 Standard
This lightweight, compact slider can take a payload of 7kg and uses a belt counterweight system, allowing smooth slides with pleasing feathering at the start and stop.
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DMG Lumiere – Mini Mix LED Panel
This RGB LED light panel is ultra-thin at only 1.4” thick allowing it to be rigged in almost any space. The red, green, lime, blue, amber and white LEDs can create effectively any colour, including the use of a new app that can replicate colour from photos or images at the touch of a button.
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Sigma FF High Speed Primes
The Sigma FF High Speed Primes cover full frame lenses and all have a maximum T stops of T1.5. They’re all lightweight with a similar size and shape making them suitable for gimbal setups with full frame cameras. All the primes in the set are PL mount and have fully manual cine style gears for focus and iris.
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DJI Ronin 2
This advanced gimbal system has powerful motors and extendable brackets making it suitable for larger camera rigs compared to the original Ronin. The kit includes a separate remote control as well as a universal mount allowing the Ronin 2 to be mounted onto other grips such as dollies or cranes.
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Aladdin BI-FLEX 2×1
This Aladdin Bi-Flex is a 2x1ft bi-colour LED light panel. The panel itself is fully flexible and incredibly thin, making it perfect for tight or awkward spaces. It can be mains and battery powered, dimmable and tuneable white balance from 2900-6400K.
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Aputure Light Storm C300D
This daylight balanced LED par light, has one powerful LED for sharp clear shadows and is compatible with various accessories such as a Fresnel lens attachment. It can be battery powered and has the equivalent output of a 400w HMI when using the Fresnel attachment.
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SXU-1 Lens Control
ARRI’s SXU-1 (Single Axis Unit) is designed to control 1 axis of a lens wirelessly. The handset combined with ARRI’s RF Mini Gear, makes the perfect compact set up for wireless focus pulling. As there’s no brain to mount it makes the kit ideal for gimbal set ups where weigh and space are a factor.
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ARRI HE-7 Heated Eyecup
The Heated Eyecup HE-7 is designed to reduce fogging or freezing in the EVF for ARRI Alexa Mini and Amira cameras.
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SmallHD 703 UltraBright
This 7 inch lightweight field monitor is equipped with an ultra-bright display and filled with Small HD’s useful imaging assisting tools.
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Teradek Sidekick XT
Teradek's answer for a universal lightweight receiver. Compatible with all Bolt 500, 1000, 3000 systems. Easy and elegant solution to add another monitor to your set up without the need for an extra Teradek Bolt package.
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Zoom F8n Multitrack Field Recorder
The Zoom F8n is a 10-track 8-channel audio recorder/mixer that can record audio onto SD Cards and optionally onto an external USB hard drive. It has a mixed stereo output which can be connected to a camera or another audio recording device.
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OConnor 2560 Fluid Head
The smaller brother to the 2575D Fluid Head, it offers the same functionality in a smaller package and still has an impressive maximum payload of 37.7kg
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Zeiss Supreme Full Frame Primes
The Zeiss Supremes cover over full frame and boast a fast aperture of T1.5 across the set. They have a very pleasing sharpness that is crisp but gentle achieving subtle detail rendering. They’re also ideal operationally with consistent front diameters, consistent focus and iris ring positioning.
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Leica / Leitz SUMMICRON-C Primes
Leitz SUMMICRON-C primes lenses cover more than s35 so that they perform highly across the entire frame even when wide open. All the lenses in the set are light weight and compact and their optical design produce images with high contrast and high saturation in colours.
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TV Logic LVM-171S 16.5” LCD Monitor
This 17” LCD monitor has a full 1920x1080 display with a wide colour gamut able to display up to DCI-P3 colour space. This monitor is extremely accurate suitable for critical viewing on set and offers many additional functions such as internal LUTs.
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ARRI LMB 4×5 Matte Box
This light weight, 3 tray, clip on mattebox is similar to the LMB-25 design, using a lot of the same accessories. The rear tray can also be easily removed to quickly switch between 3 and 2 tray set up.
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TV Logic VFM-058W 5.5” LCD Monitor
This TV Logic 5.5” viewfinder monitor is small, light weight and full 1920x1080. The monitor has both SDI and HDMI inputs and outputs. The high resolution screen and incredibly accurate peaking make this monitor perfect as an on board monitor and especially for focus critical setups.
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AXS-R7 RAW Recorder
This RAW recorder from Sony can attach to the VENICE or F55 and F5 to enable RAW recording in Sony’s new X-OCN format. This efficient RAW format captures 16bit linear RAW at data rates equivalent to ProRes 4444. Adding to the F55 will enable shooting 120 frames per second in 4K.
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Sony VENICE
The Sony VENICE is a full frame cinema camera, with a newly developed sensor capable of capturing 15+ stops of latitude. The 6K full frame camera allows it to shoot almost any format or aspect ratio for 4K production.
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Sony VENICE with AXS-R7 RAW Recorder
The Sony VENICE is a full frame cinema camera, with a newly developed sensor capable of capturing 15+ stops of latitude. Combined with the R7 recorder the camera can also shoot RAW to Sony’s X-OCN format boasting small file sizes compared to other RAW formats.
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Sony VENICE with Rialto Extension System
Combining the Sony VENICE with the Extension System allows you to separate the sensor and lens mount from the main body via a tethered cable up to 5.5m in length. This compact and lightweight block is great for specialist rigs, such as gimbals and car mounts without any loss in quality over the standard all-in-one setup.
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GoPro Syncbac Pro (For Hero4)
The Syncbac pro is designed to timecode sync and control multiple GoPro Hero 4’s. Its wireless function means that multiple GoPros can be synced from one device using BLINK Hub app but the App also control start/stop recording as well as see live status of multiple GoPros.
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Astra 1×1 Nanoptic Lens Set
This set of cards for the Litepanel Astra’s, has tiny lenses and subtle diffusion to produce a more directional beam from the Astras.
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Astra 6X Bi-Colour LED Light Panel
The Astra 6x has 1.5 time more light output than the original Astra. This 1x1 Bi-colour LED Panel Light is dimmable and has controllable white balance plus the option of being powered by battery or mains.
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GoPro Syncbac Pro (For Hero 6)
The Syncbac Pro is designed to timecode sync and control multiple Go Pro Hero 6’s. It’s wireless function means not only can multiple go pros be synced from one device but can also be used with an App to start/stop recording as well as see live status of multiple Go Pros.
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Tentacle TE1 Sync
The Tentacle TE1 Sync is an incredibly small and light weight timecode sync box design specifically for DSLRs. The unit uses mini jack connections and has an internal mic specifically for DSLR syncing, so one audio channel on the camera is timecode and the other reference audio.
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LiteGear Litemat Plus 3
The LiteGear LED Litemat Plus 3 is a 53cm x77cm LED light panel which is bi colour, fully dimmable and incredibly thin, measuring less than an inch in depth. It’s small size and weight means it can be put in spaces other lights can’t. The Plus versions of the Litemat series are brighter and more colour accurate.
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SmallHD 703 BOLT
Small HD have worked with Teradek to provide a compact 7” ultra-bright HD unit which includes a built in Receiver that will pair to Teradek’s 3rd Generation Bolt receivers. Compatible with the Bolt 500, 1000 or 3000. This director bundle includes two adjustable handles and neck strap for easy hand-held use.
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Sennheiser MKE 400 Shotgun Microphone
A small on-camera microphone designed for use with cameras that have a hotshoe mounting point. Small, Versatile and Battery Powered.
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Rode VideoMicPro
A powerful on-camera microphone designed for use with DSLR’s and Portable audio Recorders. It has a two-step high pass filter to minimise rumbling and an equaliser for high frequencies. Can be powered from AA battery or through its internal rechargeable battery.
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Kino Flo Select 30
The Kino Flo Select 30 is a high output, low weight LED panel giving off a pleasant soft light with high colour accuracy. The panel can be programmed to produce any desired colour using three different colour modes which are fully dimmable.
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Kino Flo Celeb 200
This Diva-Lite style LED light, has an impressive output with a very soft quality which wraps light around the subject.
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LiteGear LiteMat+ Plus 2L
The LiteGear LiteMat+ Plus 2L is the brighter and more colour accurate version of the original 2L. It's LED, 2cm thick and very lightweight. It's roughly the size of a 4ft Kino and is bi-colour, fully dimmable and can be battery powered.
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LED LiteMat 4
The LiteGear LED LiteMat 4 is a 48cm x 96cm LED light panel which is bi colour, fully dimmable and incredibly thin, measuring less than an inch in depth. It’s small size and weight means it can be put in spaces other lights can’t.
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Aladdin BI-FLEX 1×1
This Aladdin Bi-Flex is a 1x1ft bi-colour LED light panel. The panel itself is fully flexible and incredibly thin, making it perfect for tight or awkward spaces. It can be mains and battery powered, dimmable and tuneable white balance from 2900-6400K.
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Litepanels Astra 1×1 Bi-colour LED Panel Light
This Litepanels Astra 1x1 Bi-colour LED Panel Light is a powerful LED panel light that's dimmable and has controllable white balance plus the option of being powered by battery or mains.
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F&V K4000S Bi-colour LED Light Panel
A 1’x1’ LED panel light, dimmable with controllable white balance and the option of being powered by battery or mains. Has a better light output than other LED light products.
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Litepanels 1 x 1 Bi-colour Flood LED
A 1’ x 1’ LED panel light, dimmable, with controllable white balance and the option of being powered by battery or mains.
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SUMOLIGHT SUMO100 Bi-colour LED Light Panel
The SUMOLIGHT SUMO100 Bi-colour LED Light Panel is a rugged aluminium LED light panel, dimmable with controllable white balance and the option of being powered by battery or mains.
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BB&S Area 48 Soft Bi-colour LED Light Panel
This BB&S Area 48 Soft Bi-colour LED Light Panel is a powerful soft light which uses remote phosphor interchangeable panels for changing colour temperature. It's also fully dimmable.
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ARRI ZMU-3A Zoom Demand
The ARRI ZMU-3A Zoom Demand provides control of the zoom ring of a cine lens, although it can control the focus or iris if required as well as sending a Run command to the camera.
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ARRI UMC-4 Universal Motor Control Unit & ARRI CLM-4 Control Lens Motors
The ARRI UMC-4 Universal Motor Control Unit is a compact wireless lens control unit that comes with 3 x ARRI CLM-4 Control Lens Motors and is controlled wirelessly by the ARRI WCU-4 Wireless Lens Control Unit to give wireless remote control over focus, iris and zoom.
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ARRI AMC-1 Active Motor Controller & CMotion CForce Mini Lens Motors
The ARRI AMC-1 Active Motor Controller is a lightweight and compact wireless lens control unit that comes with 3 x CMotion CForce Mini Lens Motors and is controlled wirelessly by the ARRI WCU-4 Wireless Control Unit to give wireless remote control over focus, iris and zoom.
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ARRI WCU-4 Wireless Lens Control Unit
This ARRI WCU-4 Wireless Lens Control Unit is the universal wireless 3-axis lens controller that works with the ARRI UMC-4 Universal Motor Control Unit plus ARRI CLM-4 Control Lens Motors, the ARRI AMC-1 Active Motor Controller plus CMotion CForce Lens Motors and ARRI ALEXA Mini plus CMotion CForce Lens Motors.
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Teradek Bolt Pro 500
The Teradek Bolt Pro 500 is a compact and lightweight HD wireless TX and RX units that transmits a full HD, HD-SDI or HDMI signal over WiFi.
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SmallHD Sidefinder 502 Viewfinder
This SmallHD 502 Sidefinder Viewfinder can attach to a SmallHD 502 monitor to turn it into an electronic viewfinder. It uses a mirror so the monitor faces sideways on the camera to reduce it’s profile and covers the monitor for better use in sunlight.
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ARRI Diopter Stage 138mm
The ARRI Diopter Stage 138mm allows the mounting of 138mm full and half diopters either on the back of an ARRI LMB-25 Matte Box or straight onto the lens using clip on clamp.
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Fujinon MK 50-135mm T2.9 Zoom Lens
The Fujinon MK 50-135mm T2.9 Zoom Lens is an E-mount lightweight long cine style Super35 zoom lens. It has three geared manual rings for precise control of focus, zoom and iris which can be attached to a follow focus or electronic lens control motors. It has an adjustable macro ring for close and back focus.
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Fujinon MK 18-55mm T2.9 Zoom Lens
The Fujinon MK 18-55mm T2.9 Zoom Lens is an E-mount lightweight wide cine style Super35 zoom lens. It has three geared manual rings for precise control of focus, zoom and iris which can be attached to a follow focus or electronic lens control motors. It has an adjustable macro ring for close focus and adjustable back-foc
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Convergent Design Apollo Multicamera Recorder/Switcher
The Convergent Design Apollo Multicamera Recorder/Switcher is a 7” multiple camera monitor recorder. It can take up to four HD SDI inputs which can be separately recorded along with a fifth live mix of the four feeds.
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SmallHD 1303 HDR 13” Monitor
This SmallHD 13” Monitor is a super bright LCD monitor that's the perfect lightweight alternative to a 17”. At 1500 NITs output it's great for use in sunlight and can display HDR images. The 2-pin LEMO out and mounting options allow for a seamless integration with accessories such as the Teradek Bolt wireless receiver.
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Samyang Optics VDSLR Prime Lenses
These Samyang Optics VDSLR Prime Lenses are EF mount and fully manual with de-clicked iris as well as standard cine teeth on the ring for easy use with lens control systems.
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Aladdin A-Lite
The Aladdin A-Lite is a small but powerful battery-powered LED light that is lightweight, bi-colour and fully dimmable making it perfect as a camera top light. The internal battery is charged via a micro USB.
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Flowcine Serene
The Flowcine Serene is a stabiliser accessory for the Easyrig which acts as a Steadicam, stabilising up and down movement. It's particularly useful for gimbal operation.
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Freefly MoVI Pro
The Freefly MoVI Pro is a gimbal with strong gears and an integrated control panel. It's dual batteries provide longer operation time as well as power for the camera itself. The MIMIC controller allows long range bidirectional control of MoVI pointing, settings, camera controls and real time telemetry.
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Zacuto Gratical HD EVF Viewfinder
The Zacuto Gratical HD EVF Viewfinder is a 0.61” micro-OLED HD universal EVF with both HD-SDI and HDMI inputs and outputs that supports basic and cross-conversion loop-through.
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Nikkor AIS EF Prime Lens Set
This Nikkor AIS Set comprises 6 vintage stills primes lenses from Nikon that have been fully cine-moded including being fully adapted to EF mount.
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Sennheiser AVX Radio Mics
Sennheiser AVX Radio Mics use digital transmission instead of standard radio transmission and therefore are not affected by different radio band licences in different parts of the world.
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Avenger 6ft x 6ft Modular Overhead Frame
The Avenger 6ft x 6ft Modular Overhead Frame is a 6ft x 6ft foot frame that can be used for diffusing or bouncing light over a large area.
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K5600 Joker-Bug 200
The K5600 Joker-Bug 200 is a compact 200W HMI kit with a variety of attachments including lenses and chimera.
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K5600 Joker-Bug 800
The K5600 Joker-Bug 800 is a compact 800W HMI kit with a variety of attachments including lenses and chimera.
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ARRI M18 HMI Light
The ARRI M18 HMI Light is a 1.8KW HMI daylight balanced head. The specially designed reflector gives a higher light output than a standard fresnel head with the same power.
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ARRI Master Grip (Rocker)
This ARRI Master Grip provides motor control of the zoom ring of a cine lens, although it can be set to control zoom, focus or iris. It attaches as the right handle of a set of moose bars for smoother control of the lens while hand held. It also has a camera run button.
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Sk8plate Camera Tracking System
The Sk8plate Camera Tracking System is a versatile slider that can support cameras over and underslung on its track, work as a table-top skater off its track and as a hi-hat without its wheels. It offers smooth time-lapse tracking using its programmable motion controller.
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Metabones FZ > EF T Cine Lens Adapter
The Metabones FZ > EF T Cine Lens Adapter allows popular Canon EF lenses to be attached to the Sony PMW-F5 and PMW-F55 cameras.
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Camera/Lighting Truck – Peugot Boxer Low Loader Luton
Our Camera/Lighting Truck is a 4.5m Peugot Boxer Low Loader Luton that's a perfect on-location equipment vehicle. It has a bench and shelving inside as well as a 1kw leisure battery and 16amp connection on the truck exterior for added power.
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Lensbaby Movie Maker’s Kit II
The Lensbaby Movie Maker’s Kit II is a set of lenses offering a range of tilt and shift style distortions, including Edge, Sweet and Twist lenses each giving a different warping effect to an image. They're interchangeable between EF and PL mount cameras. NB: Twist 60 soon to arrive at Shift 4 - please enquire
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Teradek Bolt Pro 600
The Teradek Bolt Pro 600 is similar to the smaller Teradek Bolt 300: it's a wireless TX RX unit supporting both SDI and HDMI inputs . The Bolt Pro 600 uses additional aerials to achieve a larger range and reliability of signal.
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Manfrotto 60cm Slider
The Manfrotto 60cm Slider is a lightweight slider, 60cm in width, running on ball bearings. It comes with a Manfrotto fluid head and has friction controls for precise handling.
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Zacuto Z-DRW Drive Follow Focus Unit
The Zacuto Z-DRW Drive Follow Focus Unit is a lightweight follow focus designed at an angle to be more suitable for short stills lenses and compact rigs.
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Canon FD Vintage Prime Lens Set
This Canon FD Vintage Prime Lens set comprises 6 vintage stills Primes from Canon which have been EF converted and fully cine-moded.
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Sony 25” PVM-A250 Trimaster OLED Monitor
This Sony 25” PVM-A250 Trimaster OLED Monitor has SDI, HDMI and composite inputs.
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Dedolight 3 Head LED Bi-colour Kit
The Dedolight 3 Head LED Bi-colour Kit comprises three LED bi-colour heads with individual dimmers and all the same sharp focusing of tungsten Dedolights for sharp edged shadows.
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Blackmagic Video Assist 4K Monitor/Recorder
This Blackmagic Video Assist 4K Monitor/Recorder is a lightweight touchscreen monitor boasting powerful video assist options and the ability to shoot 4K footage via SDI or HDMI to SD cards as 4:2:2 10bit ProRes or DNxHD.
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Vocas Wooden Handgrip for ARRI Cameras
This Vocas Wooden Handgrip for ARRI Cameras is a right hand wooden grip handle with built-in record button to trigger record start and record stop. It can be attached to our moose bars or compatible baseplates using the ARRI rosette and is ideal for use with ARRI ALEXAs and AMIRAs.
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P+S TECHNIK 2x Anamorphic Evolution Lenses
This set of S35 P+S TECHNIK 2x Anamorphic Evolution Lenses are based on the original optical design of KOWA Anamorphics but have P+S TECHNIK's modern housing and coatings. They have a vintage look and are compact and lightweight so ideal for gimbals.
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Cooke S4i Prime Lenses
Cooke S4i Prime Lenses are high quality PL mounted prime lenses that come as a set ranging from 14mm to 135mm. All S4i Prime Lenses have a maximum aperture of f1.8 and data connection.
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Extended Set Of Zeiss Super Speed Mark III Prime Lenses
This Extended Set of Zeiss Super Speed Mark III Primes comprises 5 vintage lenses ranging from 18-85mm with the optional addition of a 135mm Standard Speed. The Super Speeds boast a very fast aperture of T1.3 and have a slightly softer, vintage look compared to modern cine glass. Each lens has metric markings.
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ARRI / Zeiss Ultra Prime Lenses
A high quality ARRI / Zeiss PL mounted Prime lens set from 16mm to 135mm, all with a maximum aperture of f1.7.
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Celere HS Prime Lenses
A Celere HS Prime Lens Set ranging from 18.5mm to 85mm, all with a maximum aperture of T1.5 and interchangeable lens mounts (PL and EF). These lenses will soon boast interchangeable front elements for different look and flaring characteristics.
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Zeiss CP.3 Prime Lenses
These Zeiss CP.3 Prime Lenses improve on the affordable CP.2 primes, with a smaller size, interchangeable mounts and full frame coverage. Set includes 18mm, 25mm, 35mm, 50mm and 85mm.
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Zeiss Compact Primes (CP2)
A set of Zeiss Primes from 21mm to 85mm for PL or EF mount.
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Tokina 100m Macro T2.9 Prime Lens
The Tokina 100m Macro T2.9 Prime Lens is a cine redesign of Tokina’s 100mm f/2.8 AT-X M100 AF Pro D Macro Autofocus lens. It's PL mount and has a de-clicked iris and cine geared lens rings. It has a 1:1 maximum macro magnification at 11.8” and the iris ring has a colour-coded distance exposure compensation guide.
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Oppenheimer/Zeiss 100mm Macro Prime Lens
This Zeiss 100mm Macro has been rehoused by Oppenheimer with a PL mount. It extends from 1:10 to 1:1 and has an exposure compensation scale.
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Angenieux Optimo Ultra 12x (FF / VV / S35 / U35)
The Angenieux Optimo Ultra 12x is a great long-range zoom for high-end productions such as feature films, TV series, live stage, commercials, music videos. It offers wide to long focal lengths at a consistent fast aperture. The rear element is interchangeable to adapt the lens from S35 up to Full Frame coverage.
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Angenieux EZ1 45-135mm T3 – FF/VV
The Angenieux EZ1 45-135mm is a PL zoom lens for FF / VV Sensors. It's lightweight and features a fast T3 across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Super35 version of this lens.
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Angenieux EZ1 30-90mm T2 – S35
The Angenieux EZ1 30-90mm is a PL zoom lens for S35 Sensors. It's lightweight and features an extremely fast aperture (T2 )across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Full Frame version of this lens.
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Angenieux EZ2 22-60mm T3 – FF/VV
The Angenieux EZ2 22-60mm is a PL zoom lens for Full Frame / Vista Vision Sensors. It's lightweight and features a fast T3 across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Super35 version of this lens.
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Angenieux EZ2 15-40mm T2 – S35
The Angenieux EZ2 15-40mm is a PL zoom lens for S35 Sensors. It's lightweight and features a fast T2 across the zoom range. The lens offers similar characteristics to other zooms from Angenieux. We also have the Full Frame version of this lens.
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Canon FD 50-300 T4.9 Full-Frame Zoom
This rehoused Canon FD 50-300 zoom lens covers full frame and is the perfect match for the vintage aesthetics of the Canon K35, FD and any vintage full frame primes in general. It offers slight low contrast look, spherical aberrations, as well as S.S.C coating which produce beautiful K35 lens flares.
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Canon K35 25-120mm T2.8 Zoom
This vintage Canon zoom lenses shares many characteristics of the Canon K35 prime lenses. It offers pleasant soft focus wide open, low contrast images and interesting flares, all in a compact size with a good wide to long range of 25-120mm.
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Canon CN20x50 50-1000mm
This ultra-telephoto zoom lens offers a huge focal range of 50-1000mm and has a built-in 1.5x extender (75-1500mm). The lens has an ENG-style servo built onto the lens compatible with Canon focus and zoom demands. The lens covers S35 sensors and with the extender engaged can cover full-frame sensors.
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Canon CN10x25 IAS S 25-250mm
The Canon CN10x25 25-250mm Lens is a Super35 PL Mount ENG style zoom lens with a handle servo and a 1.5x optical extender that not only extends the zoom, but also increases the image size to cover a Full Frame sensor.
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Sigma 50-100mm T2
The Sigma 50-100mm is a S35 mid-long zoom lens that has a very fast aperture of T2, in a lightweight cine housing.
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Sigma 18-35mm T2 PL Mount
The Sigma 18-35mm is an S35 wide zoom lens that has a very fast aperture of T2, in a lightweight cine housing.
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Tokina Cinema ATX 11-20mm T2.9 Wide-Angle PL
This S35 PL lens offers an extremely wide field of view with a fast consistent T stop of 2.9, all in a small, lightweight cine lens body.
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Fujinon Premista 19-45mm T2.9
This Fujinon full-frame lens offers very wide-angle focal lengths, all at a constant T2.9 throughout the zoom range. The 19-45mm is quite compact compared to other full-frame zooms available, making it suitable for Steadicam and gimbal use. The image produced is clean, with neutral white balance and minimal distortion.
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Fujinon Premista 28-100mm T2.9
This Fuji full-frame lens offers wide to mid-angle focal lengths, all at a constant T2.9 throughout the zoom range. The 28-100mm is quite compact compared to other full-frame zooms available, making it suitable for Steadicam and gimbal use. The image produced is clean, with neutral white balance and minimal distortion.
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Fujinon Premista 80-250mm T2.9
This Fuji full frame lens offers mid to long angle focal lengths, all at a constant T2.9 throughout the zoom range. The 80-250mm is quite compact compared to other full-frame zooms available, making it suitable for Steadicam and gimbal use. The image produced is clean, with neutral white balance and minimal distortion.
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Sunbounce Sun Swatter Pro Super Saver Kit
The Sunbounce Sun Swatter Pro Super Saver Kit is a 4’ x 6’ lightweight portable diffusion kit with a solid collapsible frame that is set up for handheld use, attached to the supplied boom pole for longer reach or attached to a lighting stand.
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Sunbounce California Mini Kit
The Sunbounce California Mini Kit is a 3’ x 4’ lightweight portable reflector with a solid collapsible frame for handheld use.
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Zacuto C300 Z-Finder
This Zacuto C300 Z-Finder is an attachable viewfinder for the C300 which allows better visibility of the LCD screen in direct sunlight. It also comes with an offset arm to allow the monitor to be in a more natural operating position.
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Shape ICON 2V Wireless Director’s Kit
The Shape ICON 2V Wireless Director’s Kit is designed to provide a supportive handheld rig for a monitor and wireless video receivers using a cheese plate with power provided via a V-Lock battery plate and up to 3 x D-Tap connections. We also have an in-house designed dual receiver bracket for mounting 2 x Teradek receivers when monitoring two cameras.
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Canon 8-64mm T2.4 Super16
This vintage Super16 zoom lens offers a fast aperture of T2.4 and large focal length coverage (16-128mm S35 equivalent). Its vintage qualities offer subtle focus and distinct flaring characteristics. Suitable for Super16 film camera and digital camera with a Super16 crop option.
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Canon 11.5-138mm Super 16
This vintage 11.5-138mm SC12x11.5 Super 16 Zoom PL lens offers a huge 12x zoom range from wide to long focal lengths at a fast 2.5 T stop and all in a compact lightweight body. Also, due to its age, the lens offers pleasant vintage characteristics.
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Fujinon Cabrio 19-90mm T2.9 PL Mount Zoom Lens
The Fujinon Cabrio 19-90mm Lens is a PL Mount ENG style zoom lens with a removable handle servo. Its range from wide to tight is good for obs doc shooting with large format Super35 cameras without the need to change lenses.
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Canon CN-E EF Mount Prime Lenses
This set of Canon CN-E EF Primes comprises 6 lenses ranging from 14mm to 135mm with speeds ranging from T1.3 to T3.1 for achieving shallow depth of field covering a full 35mm frame. Their EF mount means these lenses fit on a very wide range of cameras and can communicate lens metadata.
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Cooke Varotal 18-100mm T3
This classic zoom lens from Cooke offers vintage qualities including softness and subtle vignetting at the edges of frame, characterful bokeh and interesting flaring. The zoom ranges covers wide, mid and long focal lengths in the one lens and has a consistent T/3 throughout the range.
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Cooke Varotal 20-100mm T3.1
This classic zoom lens from Cooke offers vintage qualities including softness and subtle vignetting at the edges of frame, characterful bokeh and interesting flaring. The zoom ranges covers wide, mid and long focal lengths in one lens and has a consistent T/3.1 throughout the range.
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Angenieux Optimo 24-290mm T2.8
The Angenieux Optimo 24-290mm is a great long-range zoom for high-end productions such as feature films, TV series, live stage shows, commercials, and music videos. It offers wide to long focal lengths at a consistent fast aperture of T2.8.
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Laowa OOOM 25-100mm T2.9 PL
This compact cine zoom lens has a very good wide to tight range from 25-100mm, with a S35+ coverage, parfocal zoom and continuous T2.9 aperture. This PL Mount version comes with a 1.33x rear anamorphic adaptor and a 1.4x FF expander. We also have EF and E Mount versions available.
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ARRI Alura 45-250mm T2.6 Zoom
This PL 45-250mm zoom lens covers S35 sensors, provides a very good range of mid to long-angle focal lengths and offers clean and clear optics even wide open at T2.6. This is colour and character matched to other Alura lenses and ARRI Master Prime lenses.
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ARRI Alura 15.5-45mm T2.8 Zoom
This lightweight PL 15.5-45mm zoom lens covers S35 sensors, provides a good range of wide-angle focal lengths and offers clean and clear optics even wide open at T2.8. This is colour and character matched to other Alura lenses and ARRI Master Prime lenses.
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Canon CN-E 30-105mm PL T2.8 Zoom Lens
This Canon CN-E 30-105mm PL T2.8 Zoom Lens is a PL mount cine style zoom lens designed for covering 35mm and Super35 cameras with a fixed T2.8 aperture throughout its zoom range.
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Bright Tangerine Misfit ATOM Matte Box
This ultra lightweight matte box weighs less than 200g without a filter. It's hood is made of rubber and, instead of a filter tray, it has clamp which can hold a single PV filter. It is specifically designed for gimbal rigs and can be clamped onto most stills lenses.
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Bright Tangerine Viv 5 Matte Box
The Bright Tangerine Viv 5 is an extremely versatile, lightweight and robust matte box designed for PV and 5x5 trays. It has 2 tray slots as standard which can be expanded to 3. It can be used as a clip on or alternatively as a rail mounted matte box using either 15mm bars (with or without swing away) or 19mm bars.
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Creeper Butt Dolly
The Creeper Butt Dolly was designed by the makers of the TV show 24 and is perfect for low, moving handheld shots. It is is incredibly smooth and quiet allowing the operator to wheel themselves around the set while operating handheld.
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Transvideo StarliteRF
This Transvideo StarliteRF is a touch screen, wireless version of the StarliteHD monitor. It's extremely lightweight and has a dual receiver built-in which, with a future firmware upgrade, will allow for two transmitters to be picked up by the one monitor, with images switchable simply by touching the screen.
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Convergent Design Odyssey 7Q+ Monitor/Recorder
This 7.7” OLED on-board monitor comes with all the standard video assist features and the ability to use both built-in and user created LUTs. It's also a recorder capable of recording in Apple ProRes, DPX or in various brands of RAW via both SDI and HDMI as well as monitoring up to four separate simultaneous HD streams.
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SmallHD 502 5″ LCD Monitor
The SmallHD 502 Monitor is a lightweight and compact full HD monitor particularly suitable for use as an on-board monitor. It’s also packed full of monitor assistance features and can apply LUTs.
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Angenieux Optimo 28-76mm T2.6 Zoom Lens
This Angenieux Optimo 28-76mm T2.6 Zoom Lens is from Angenieux's 35mm film range, providing a good standard angle range with an aperture of T2.6 throughout.
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Angenieux Optimo 15-40mm T2.6 Zoom Lens
This Angenieux Optimo 15-40mm T2.6 Zoom Lens is from Angenieux's 35mm film range, providing a good wide angle range with an aperture of T2.6 throughout.
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Tiffen Black Satin PV (4×5.65) Filter Set
This Tiffen Black Satin PV (4x5.65) Filter Set comprises 4 PV sized diffusion filters which utilise black flecks to soften fine detail, giving a glow to highlights and slightly lowering contrast across the image. The set includes grades 1/4, 1/2, 1 and 2.
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Tiffen Glimmerglass PV (4×5.65) Filter Set
This Tiffen Glimmerglass PV (4x5.65) Filter Set comprises 4 PV sized diffusion filters which utilise silver flecks to soften fine detail, giving a glow to highlights and lowering contrast across the image. The set includes grades 1/4, 1/2, 1 and 2.
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SmallHD 702 Bright 7” LCD Monitor
The SmallHD 702 Bright 7” LCD Monitor is full HD with a brightness of 1000 NITs making it much easier to view in bright daylight and future proof for potential HDR display. it's also packed full of monitor assist options and can apply LUTs.
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Cineo Matchbox
The Cineo Matchbox is a small lightweight LED light which uses remote phosphor technology to give impressive output and, using interchangeable screens, accurate colour temperatures. It’s fully dimmable and, due to its size and weight, is perfect for mounting as a camera top light or eye light.
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Tiffen Multi Rota Tray
The Tiffen Multi Rota Tray is a geared rotating tray that allows the use and rotation of a 138mm Circular Polarizer and Variable ND in a 4×5.650 tray. It's ideal for matte boxes without a rotating filter stage or for those instances where a secondary rotating filter stage is required in a non-rotating stage. Suitable for ARRI LMB 25/5 matte boxes.
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Nexto DI NSB-25 Storage Bridge
The Nexto DI NSB-25 Storage Bridge is a portable device which allows for fast, safe and easy backup and playback of footage on location onto two internal 1TB hard drives, plus the option of saving to an external USB drive. It accepts CF, SD, SxS, XQD and CFast cards.
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Litepanels LP-MICRO Lite
The Litepanels LP-MICRO Lite is a small lightweight battery powered LED top light perfect for mounting on a camera and complete with CTO cards.
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TVLogic LVM-074W 7” LCD Monitor
This TVLogic LVM-074W 7” LCD monitor is very lightweight, has inputs and outputs for SDI and HDMI connections and has several monitor assist functions including peaking, waveform and vectorscope. Two separate SDI inputs make this the perfect choice for monitoring two cameras at once.
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IB/E Optics PL x2 Extender
This IB/E Optics PL x2 Extender doubles the focal length of the lens it's used on. It’s PL mount and is compatible with most PL prime and zoom lenses as well as any PL mount camera.
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Transvideo StarliteHD5-ARRI Monitor
This Transvideo StarliteHD5-ARRI is a small 5” high resolution touchscreen OLED viewfinder monitor that's lightweight and features peaking, zebra and waveform functions plus includes an H.264 internal recorder and remote control functions for ARRI cameras making it a perfect camera mounted monitor for ARRI cameras.
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DJI Ronin-M
The DJI Ronin-M is a 3-axis stabilised camera gimbal system designed to be used with lighter cameras such as DSLR systems. It can be used hand-held or mounted to an Easyrig, jib or crane in a number of different operation modes to give smooth, stabilised camera movement.
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DJI Ronin-S
The DJI Ronin-S is a small 3-axis stabiliser for DSLR and mirrorless hybrid cameras designed to be held by one hand. The Ronin-S can do remote camera record trigger using an Infrared cable with certain cameras and the in-built Focus system can adjust focus or zoom without touch the lens with the correct camera and lens combination.
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Zhiyun Crane 2
The Zhiyun-Tech Crane 2 is a small 3-axis stabiliser for DSLR and mirrorless hybrid cameras designed to be held by one hand. This version is an update of the V2 model but has beefier motors for taking the extra weight of DSLR cameras. It also boasts a Follow Focus Control that can be used to control the focus on compatible electronic lenses with compatible cameras via a dial on the handle.
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Zhiyun-Tech Crane V2
The Zhiyun-Tech Crane V2 is a small 3 axis stabilizer suitable for the Sony A7s and other similar stills cameras. It can be operated in one hand.
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Lastolite 5 in 1 Reflector
This Lastolite 5 in 1 Reflector is a collapsible diffuser with a gold/white or sunfire/silver reflector cover.
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Rubber Box RUB2701 63A Distribution Box
This Rubber Box RUB2701 63A Distribution Box is a type 270 electricity distribution box suitable for providing power to large lighting rigs both in studios and on location.
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Canon EF-S 17-55mm f/2.8 IS USM Zoom Lens
This Canon EF-S 17-55mm f/2.8 IS USM Zoom Lens is designed for APS-C (Super35mm) camera sensors and provides a good range of focal lengths from wide to medium telephoto, with an aperture of f2.8 throughout the zoom range.
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Westcott 5500 The Ice Light
The Westcott 550 Ice Light is a battery-powered, portable and dimmable LED rod-shaped light with a wide 72° beam angle designed for hand-held operation.
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Easyrig Vario 5 Camera Support System
The EasyRig Vario 5 Camera Support System is a lightweight portable rig that transfers most of the camera’s weight to the operator’s hips. The Vario 5 allows line tension to be adjusted so it can be adapted for different cameras and configurations.
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F&V R-300 5600K LED Ring Light
This F&V R-300 5600K LED Ring Light is a light weight mini ring light with an impressive output and low power consumption plus options to power from the camera or small on board batteries.
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Canon Speedlite 430EX II Flash
This Canon Speedlite 430EX II Flash has a 180° swivel head, 24-105mm zoom and automatic exposure control with Canon DSLRs.
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Sony FE PZ 18-110mm F4 Zoom Lens
The Sony FE PZ 18-110mm F4 Zoom Lens is a Super 35 E-mount ENG style optically stabilised zoom lens. It has 3x separate lens rings for focus, zoom and iris as well as a zoom servo switch. Lens interface means focus and iris can be controlled from a compatible camera.
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Sony FE PZ 28-135mm F4 Zoom Lens
The Sony FE PZ 28-135mm F4 Zoom Lens is a Full Frame E mount ENG style optically stabilized zoom lens. It has an electronic zoom control via both zoom ring and lens-mounted servo switch, a manual focus ring and iris ring that supports electronic camera control. It allows a greater zoom range than similar photography zoom lenses.
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Sony FE 35mm f/2.8 ZA Sonnar T Carl Zeiss Lens
This E-Mount Zeiss 35mm Lens works as a great full frame, wide-angled prime for any Sony E-Mount camera. It’s lightweight, has Zeiss anti-reflective coating and a bright maximum aperture at f/2.8.
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RED GEMINI DSMC2 5K
The RED Gemini boasts a 5K s35 sensor with dual ISO, making it suited for low light shooting. The DSMC2 style body is small and compact allowing it to be built into any configuration required and all with REDs versatile RED Raw recording for high-quality files for grading at flexible data rates.
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Alexa Mini
The ARRI Alexa Mini is a mini version of ARRI’s Alexa and has most of the features of the Alexa and Amira cameras including a 4:3 sensor, 200fps recording and the same look and colour science. It’s a compact, modular camera in a uniform box design.
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Motorola DP1400 Walkie Talkie
These Motorola DP1400 Walkie Talkies have 16 selectable channels and come with various headset and handheld options.
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Sennheiser G3 Wireless Boom Mic Transmitter and Sennheiser EVO G3 Body Pack Receiver
The Sennheiser G3 Wireless Boom Mic Transmitter with our Sennheiser EVO G3 Body Pack Receiver turns a standard XLR microphone into a wireless microphone. The Sennheiser G3 Body Pack Receiver unit allows the boom operator to listen to the audio feed from the wireless boom mic.
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Easyrig 2.5 Camera Support System (600N)
The Easyrig 2.5 Camera Support System is a lightweight, portable rig that transfers most of the camera's weight to the operator's hips.
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Easyrig Mini Strong Camera Support System
The Easyrig Mini Strong Camera Support System is a lightweight, portable rig that transfers most of the camera’s weight to the operator's hips.
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Easyrig Cinema 3 Camera Support System (400N)
The Easyrig Cinema 3 Camera Support System is a lightweight, portable rig that transfers most of the camera’s weight to the operator's hips.
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Vocas E Mount > PL Mount Lens Adapter
This Vocas E Mount to PL Mount Lens Adapter is for mounting PL mount lenses on Sony E mount cameras (for example the NEX-FS700, PXW-FS7 and a7s)
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Canon EF 20mm f/2.8L USM Prime Lens
This Canon EF 20mm f/2.8L USM Prime Lens offers an extremely wide angle view with a fast aperture.
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GoPro Karma Grip
The GoPro Karma Grip is a small 3-axis gimbal stabiliser for the GoPro Hero 5/6/7 designed to be held by one hand. The Karma connects to the camera so that you can control the camera from the grip and charge the camera.
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Tilta TT C300 Rig
The Tilta TT C300 Rig allows a C300 to be mounted on a 15mm and 19mm rail set up with space to attach accessories to the side.
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Feiyu Tech FY-G3 Ultra 3-Axis Handheld Steady Gimbal
The Feiyu Tech FY-G3 Ultra 3-Axis Handheld Steady Gimbal is an easy to use 3-axis handheld gimbal designed to stabilize moving shots for use with GoPro Hero 3 and GoPro Hero 3+.
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Canon BG-E11 Battery Grip for 5D Mark III
This Canon BG-E11 Battery Grip extends the use of the 5D Mark III camera with the addition of two LP-E6 batteries. It also makes the camera easier to hold.
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Canon CN E30-300mm PL T2.95 – 3.7 Zoom Lens
This Canon CN E30-300mm PL T2.95 - 3.7 Zoom Lens offers 4K and has a PL mount, providing a huge focal range with a wide aperture in a lightweight size for its class.
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Preston FI+Z 3 Axis Wireless Lens Control System
Gives wireless control over focus, iris and zoom.
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Duclos/Tokina 11-16mm PL Zoom Lens
This Duclos/Tokina 11-16mm PL Zoom Lens is a rehoused stills lens with an ultra wide 11-16mm range, a PL mount and full cine style iris, zoom and focus rings for superior video operation.
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Cine Tape Measure System
This Cine Tape Measure System device uses ultrasonic waves to continuously calculate the distance between a subject and the camera's film-plane and shows values in real time to assist pulling focus.
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Zeiss 70-200mm (CZ.2) Compact Zoom Lens
This Zeiss 70-200mm (CZ.2) Compact Zoom Lens is very light and compact for its range and type and is suitable for use as a long obs doc lens. Available in either EF or PL mount.
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JEM 22” 1kw Tungsten Ball Light
The JEM Ball Light is a 1kw tungsten light with a 22" diffusion ball giving incredibly soft light over an area.
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Zoom H6 Handy Recorder
The Zoom H6 Handy Recorder is a compact and lightweight audio recorder with up to 6 mic/line inputs and interchangeable microphone attachments.
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Sonnet SxS Thunderbolt Card Reader
The Sonnet SxS Thunderbolt Card Reader utilises the Thunderbolt port on Mac systems.
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Canon CN7x17 ENG 17-120mm PL (T2.95-3.9) Zoom Lens
The Canon CN7x17 17-120mm Lens is a PL mount ENG style zoom lens with a handle servo. Its range from wide to tight is perfect for obs doc shooting with large format cameras without the need to change lenses.
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Avenger 12’ x 12’ Modular Overhead Frame
This 12 foot x 12 foot frame can be used for diffusing or bounce light over a large area.
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Tokina EF 11-16mm Cine T3 Zoom Lens
This extremely wide EF mount lens has been redesigned by Tokina as a cine style lens, including smooth focus, zoom and iris rings and complete with gear teeth.
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beyerdynamic MCE 86 S II Microphone
This directional mic can be self-powered from an AA battery or can receive phantom power.
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Tiffen 82mm Variable ND Filter
This screw-in ND filter utilises two polariser filters to allow the dialling-in of specific ND.
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Atomos Samurai Blade
This extremely lightweight recorder/monitor/playback deck can record ProRes or DNxHD from HD-SDI and can be used as an onboard monitor with a variety of video assist options.
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SanDisk 120GB CFast 2.0 Card
For use with the ARRI AMIRA and with a write speed of 450MB/s
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Tiffen 72mm Variable ND Filter
This screw-in ND filter utilises two polariser filters to allow the dialling-in of specific ND values.
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Tiffen 77mm Variable ND Filter
This screw-in ND filter utilises two polariser filters to allow the dialling-in of specific ND values.
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IB/E Optics HDx35 Mark II PL to B4 Adapter
This optical adapter allows B4 mount lenses to be used on PL mount cameras by stretching a B4 lens image over a super35 sensor. Also available as a B4 to EF adapter.
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Deity Mira Viewfinder
This attachable viewfinder for the C300 allows better visibility of the screen in direct sunlight. It also has an offset arm to allow the monitor to be in a more natural operating position.
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Pentafinder
This PL mount director's viewfinder accepts ARRI 435 ground glass markers.
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GoPole REACH Telescopic Pole
This telescopic pole can mount a GoPro Hero at it’s top allowing handheld shots in awkward to reach locations.
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Nexto NVS2825 1TB Video Storage Device
This portable device allows for fast and easy backup of footage on location with an internal 1TB hard drive. It accepts all types of SxS, CF, P2 and SD card.
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Protech ST-7S300 Shoulder Rig for PMW-300
This camera rig allows for the Sony PMW-300 to be easily mounted on the shoulder plus quick mount and release from any Sony style tripod baseplate in addition to power connections and BNC extensions.
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Avenger D600 Mini Boom Arm
This mini boom arm can mount lights over a scene and comes complete with a hook for hanging a counter weight.
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ARRI Amira
The ARRI Amira uses the same Super35 sensor as the ARRI ALEXA but in an ENG style shoulder-mounted camera suited to documentary style shooting.
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EncapSulite Opal 36w Stick-Lite
This tube light housing holds standard fluorescent lights for putting lights in tight places or for interesting strip lights in shot.
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Syrp Genie
A small, compact, motorised device for performing time-lapse pans. Attaches to any slider for time-lapse tracks. Includes a cable for controlling Canon DSLRs.
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Sound Devices 302 Compact Production Mixer
With 3 channel inputs, this mixer is small and lightweight compared to others.
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Optitek ProLock Mk II
Adapts the Sony PMW-F5 and PMW-F55 from FZ to EF allowing the use of Canon EF lenses whilst maintaining full iris control and image stabilizer powering.
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Floatcam DollyCrane SD
The DollyCrane is a slider and mini jib combined, with the option of adding a time-lapse stepper motor. As a slider, it can be positioned horizontally, diagonally and vertically.
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Petrol PC 303 Camera Rucksack
This camera bag is a rucksack design for easier carrying of smaller camera kits.
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Petrol PC 301 Camera Rucksack
This camera bag is a rucksack design for easier carrying of smaller camera kits.
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Canon EF 180mm f/3.5L Macro USM Prime
Canon’s L series 180mm Macro Prime lens offers a very long focal length and allows focusing on incredibly small objects.
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Sound Devices PIX 240i External Recorder
Uses an SDI or HDMI signal to record high quality video supporting all the available bit rates for both ProRes and DNxHD codecs.
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Zacuto Zgrips V3 with Grip Relocator (for C300)
This handheld bracket for the C300 fits onto 15mm rails and allows attachment of the C300 side grip as a handle, for easy access to controls when hand-held.
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Sennheiser MKH 416 Microphone
This high quality directional boom mic is a great all round mic making it a popular choice for most sound situations.
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Sony PMW-F55
Sony PMW-F55 has the ability to shoot 4Kor HD to its own SxS Pro+ cards using Sony’s XAVC codec. Adding the AXS-R5 recorder enables the Sony F55 to shoot 4K RAW.
Our F55 also comes with the CBK-55PD Codec Board which supports ProRes 4444, ProRes 422 (HQ), ProRes 422, DNxHD 220x and DNxHD 145 at a variety of frame rates.
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Sennheiser MKH 816 Rifle Microphone
This highly directional rifle mic has a precise field of capture making it suitable for recording sound from a distance.
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Sennheiser MKH 60 Microphone
This highly directional mic performs well from slightly further distances and has built-in switchable pre-attention, roll off and treble emphasis.
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Sony PXW-FX9
This full frame 6K camera can record high quality UHD and HD footage. The CMOS sensor is based on the same backlit technology of the A7s, so boasts low light sensitivity with a dual base ISO as well as advanced auto focus functions.
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Sony PXW-FS7 Mark II
The Sony PXW-FS7 Mark II is an update to original FS7 camera with a 4K Super35 CMOS sensor capable of capturing high-quality 4K footage internally onto XQD cards as well as shooting up to 180 frames per second (NTSC) or 150 frames per second (PAL) slow motion footage.
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Canon C300 MKIII
The Canon C300 Mark III is a 4K camera with a Super35 sensor with Dual Gain Output offering up to 16 stops of dynamic rage. Offered in PL or native EF mounts for a wide range of lenses and Dual Pixel Autofocus for fast autofocus. 120fps possible in 4K resolution and internal RAW recording using Canon RAW Light.
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Sony FX6 Cinema Line
The Sony FX6 Cinema Line is a compact 4K full-frame interchangeable lens video camera capable of recording high-quality video up to 4K internally as well as 16-bit 4K RAW externally. Highlights features are fast hybrid autofocus with face detection using native E-mount lenses and S-Cinetone colour look.
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Sony FX3
The Sony FX3 boasts the same features as the A7s III, 4K full-frame mirrorless E-mount hybrid camera offering 4K internal recording, stabilised sensor, and incredible low-light performance. However, the body is designed towards shooting video only, with integrated tophandle, XLR inputs and convient setting buttons.
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Sennheiser ME 66 Microphone
This highly directional mic can be self-powered from an AA battery or can receive phantom power and has a built-in roll off switch.
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Canon C300 Mark II
The Canon C300 Mark II is a 4K camera with an EF mount and super 35 sensor with duel pixel technology. It boasts 15 stops of dynamic range and advanced auto focus options. It also has new gamma curve options, new codec and RAW options, all with the small modular form factor of the original C300.
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Sennheiser ME 64 Microphone
This directional mic has a slightly wider pick up than the ME 66 and its short size makes it perfect as a camera top mic.
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SONY A7s MKIII
The Sony A7s III is a 4K full-frame mirrorless E-mount hybrid camera offering 4K internal recording, stabilised sensor, and incredible low-light performance. When compared to its predecessor, the Mark III provides the latest higher-quality internal codecs, better battery performance, and a fully adjustable, swivelling and tilting rear LCD display.
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Panasonic GH5
The GH5 is a mirrorless stills camera with a 6K micro-four thirds sensor and mount, and can record video up to 4K 4:2:2 10bit at 60P.
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Panasonic GH5s
This mirrorless still camera has a 4K MFT sensor, high sensitivity ISO, Log gamma option and internal recording with 4K 4:2:2 10bit codecs
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Sony a7s Mark II
The Sony a7s Mark II boasts all the features of the Sony a7s Mark I (such as a full 35mm sensor, professional gamma curves, high quality codecs and it’s legendary low light capabilities) but with added features such as internal 4K recording and a 5 axis stabilized sensor.
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Sony a7s
The Sony a7s is a MILC with a full 35mm sensor, professional gamma curves, high quality codecs, 4K output via HDMI and extremely high performance in low light.
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Canon XF705 Camcorder
The XF705 is a lightweight fixed-lens camcorder with a 15x zoom lens and a 4K 1” CMOS sensor, which can record high-quality HD and 4K images onto SD cards using the highly efficient XF-HEVC codec.
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Sony PMW-500
Shoots a variety of different formats and resolutions including 1080 422 50Mb/s video to Sony’s highly reliable SxS cards.
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Panamic / VDB / K+M / Rode Audio Boompole
These boom poles are used for booming directional microphones from a distance. Each type is a varying length.
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Sennheiser HD25 Audio Headphones
The industry standard for high quality audio monitoring.
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Sound Devices MM1 Preamplifier
This small and compact preamp is used to provide power to certain mics and also provides headphone monitoring.
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Fender Passport 500w Integrated PA System
This powerful 500w PA system has 6 inputs and can pack away into a single unit making it very portable.
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Motorola CP040 Walkie Talkie
These walkie talkies have 4 selectable channels and come with various headset and handheld options.
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SCHOEPS CCM 41 Microphone
This boom mic has an incredibly small and compact body with the characteristics of a directional shot gun mic.
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AKG D 112 Microphone
Has a large diaphragm design to pick up low frequency sounds such as bass instruments.
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AKG CK 91 Microphone
This mic capsule attaches to the AKG C 390 body (included) and has a cardioid polar pattern.
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Egripment Focus Dolly Light
A portable platform dolly system with centre column and seat. Works on or off track.
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SQN Portable Audio Mixer 5s
This 5 channel stereo audio mixer allows the mixing of 5 separate inputs down to 2 outputs with both a Hirose and L+R XLR outputs.
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Canon EF 14mm f/2.8L II USM Prime
Canon’s L series 14mm Prime lens offers extremely wide angle view with very fast aperture.
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Sony PVM-1741 OLED 17” Monitor
A 17” OLED monitor with SDI, HDMI and composite inputs.
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OConnor Ultimate 2575D Fluid Head
The industry standard head for 35mm cameras weighing up to 40.8kg.
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Sachtler Cine 30 HD Tripod
The Sachtler Cine 30 HD Tripod is a heavy duty fluid head featuring sideload mechanism for quickly attaching or releasing a camera. It comes with lightweight 2-stage carbon fibre legs.
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Sachtler Video 25 Plus Fluid Head Tripod System
The heavy duty version of the popular Video 20 Head with lightweight carbon fibre legs
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Sachtler Video 20 P and S1 Fluid Head Tripod System
The industry standard tripod for ENG cameras with lightweight carbon fibre legs.
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Sachtler Video 18 P Fluid Head Tripod System
The lightweight version of the popular Video 20 Head with carbon fibre legs.
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Ronford-Baker F7 Mark III Fluid Head
This head employs a gate centred tilt and can be re-configured for portrait operation.
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Sachtler DV 12 SB Tripod
The Sachtler DV12 SB Tripod is a 100mm bowl tripod with carbon fibre speed lock legs. It's designed specifically for lighter weight camera rigs.
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Sachtler DV10 Tripod
The Sachtler DV10 Tripod is a 100mm bowl tripod with carbon fibre speed lock legs which is designed specifically for lighter weight camera rigs.
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Sachtler 1012 ACE Tripod
This lightweight 75mm Sachtler tripod for HDV size cameras.
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Libec Swift 50 Jib
The Libec Swift 50 Jib is a lightweight telescopic jib for loads of up to 20kg.
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Sound Devices 788T-SSD Digital Recorder
This 12 track digital audio recorder has 8 inputs, a built-in mixer and can record to an internal hard drive as well as Compact Flash cards.
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Sony UWP-V1 TX/RX Radio Mics (Ch 38)
Operating on channel 38, this radio mic is convenient to mount onto a camera and is therefore most commonly used when one-man-banding.
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AKG CK 94 Microphone
This mic capsule attaches to the AKG C 390 body (included) and has a figure of 8 polar pattern making it suitable for capturing sound from both front and back.
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Sony SxS Pro+ 128GB Memory Card
Specifically designed to record the XAVC codec (100Mb/s) as well as faster frame rates (PMW-F55: 240fps).
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Manfrotto Mega Lighting Boom Arm
This large extendable boom arm from Manfrotto can be used to mount lights, including over the top of a shot.
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Litepanels Sola 6
This daylight LED light with Fresnel lens has a comparable output of a 800w incandescent light but with the advantages of an LED light.
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Sony PXW-X200 Camcorder
The Sony PXW-X200 records full HD 1920x1080 using 10-bit XAVC Intra and XAVC Long GOP as well as the older 8-bit MPEG-2 HD422 50Mbit/s format onto SxS cards. Additionally it has wireless functionality and the ability to stream proxy files.
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Sony PMW-300
With a 1/2” CMOS sensor, this camera records full HD 422 50Mb/s video to SxS cards and has the ability to change lenses.
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SQN Portable Audio Mixer 4S/4SE
This 4 channel stereo audio mixer allows the mixing of 4 separate inputs, plus a 5 pin stereo input, down to two outputs with both a Hirose and L+R XLR outputs.
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Canon EF 24mm f/1.4L II USM Prime
Canon’s L series 24mm Prime lens offers extremely wide angle view with very fast aperture.
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Panasonic BT-LH1700W 17” HD LCD Monitor
A 17” LCD HD monitor with SDI and composite inputs.
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TASCAM HD-P2 Portable Stereo Audio Recorder
This 2 channel stereo digital audio recorder records WAVE files to Compact Flash cards.
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Sennheiser Evo G3 TX/RX Body Pack
This radio mic operating, on channel 38, is most commonly used when one-man-banding as it’s convenient to mount onto a camera and has an easy to use menu.
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Sony SxS Pro+ 64GB Memory Card
Specifically designed to record the XAVC codec (100Mb/s) as well as faster frame rates (PMW-F55: 240fps).
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Manfrotto Polecat (Auto Pole)
This extendable pole can be used to wedge from floor to ceiling or wall to wall for mounting lights and grips without a stand.
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Litepanels Sola 4
This daylight LED light with Fresnel lens has a comparable output of a 300w incandescent light but with the advantages of an LED light. It's also light enough to be used as a hand basher.
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Beachtek DXA-DSLR Pro Mixer
This device is designed specifically for use with DSLR stills cameras to enable audio recording directly to the camera through the mic mini jack in.
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Canon EF 35mm f/1.4L USM Prime
Canon’s L series 35mm Prime lens offers a wide angle view with very fast aperture.
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Sony PVM-740 7.4” OLED Monitor
A 7.4” OLED high res monitor with SDI, HDMI and composite inputs.
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Zoom H4N Handheld Digital Audio Recorder
This small and compact 2 channel audio recorder records WAVE files to SDHC cards and is most commonly used alongside the Canon 5D.
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Sennheiser MD 42 Microphone
This dynamic hand-held microphone is most commonly used for interviews.
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Chimera Soft Boxes
This soft box can attach to the front of a light in place of barn doors to create a large, controlled soft source.
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Litepanels Ringlite Mini Daylight
This lightweight LED ringlight mounts around the lens and gives off a soft daylight source.
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Egripment Matador Dolly
A platform dolly that can be used on track or on the ground.
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Beachtek DXA-SLR Mixer
This device is designed specifically for use with DSLR stills cameras to enable audio recording directly to the camera through the mic mini jack in.
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Canon EF 50mm f/1.2L USM Prime
Canon’s L series 50mm Prime lens offers a standard angle view with extremely fast aperture.
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Zaxcom ZFR 100 Audio Recorder
This small and compact digital audio recorder has 1 stereo input which can take either a clip mic straight in to attach to a subject or any mic signal from a device.
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MICRODOLLY HOLLYWOOD 3 Cup Suction Mount
A car mount kit consisting of 3 strong suction mount cups.
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Electro-Voice RE50 Microphone
This dynamic mic is the industry standard for hand-held microphones, most commonly used for interviews.
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EyeDirect Mark II
A mirror rig to create eye contact between interviewer and interviewee while filming the subject straight on. Can be turned into a teleprompter by attaching a tablet computer.
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Canon XF205
A lightweight camcorder with a 1/3” CMOS sensor, a fixed 20x zoom lens with an f/1.8 iris and infrared shooting mode that shoots Full HD 4:2:2 50Mbps video to CF cards.
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TVLogic VFM-056WP 5.6” HD Monitor
A small 5.6” high res LCD viewfinder monitor, light weight and with its own peaking and zebras so perfect as a camera mounted monitor.
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Canon EF 85mm f/1.2L II USM Prime
Canon’s L series 85mm Prime lens offers a medium telephoto angle view with extremely fast aperture.
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Shure SM 58 Beta Microphone
This dynamic hand-held mic is suited to vocal and instrument recording in live and studio environments.
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Lighting Gels
Shift 4 stocks a variety of lighting gels, either as full rolls or cut for the required lights, including CTB, CTO, ND, diffusion and colour FX.
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Canon EF 100mm f/2.8L Macro IS USM Prime
Canon’s L series 100mm Macro Prime lens allows focus on incredibly small objects with built in image stabiliser and fast aperture.
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E-Z Up Gazebo
A quickly erected shelter to protect equipment and crew from the elements.
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PZM Boundary Microphone
This compact omnidirectional boundary mic comes with a small flat plate which can be used on flat surfaces or fixed to walls.
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Colorama
These rolls of coloured card come in various colours and sizes including white, chroma green and chroma blue, perfect as a back drop.
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Teradek Bolt Pro 300
The Teradek Bolt Pro 300 is the combo of extremely compact and lightweight HD wireless TX and RX units transmitting a full HD SDI signal via WiFi.
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Lensbaby EF Composer Pro Sweet 35 Optic
A lightweight 35mm tilt lens with ball swivel mount for EF mount cameras.
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Canon EF 135mm f/2L USM Prime
Canon’s L series 135mm Prime lens offers a telephoto angle view with very fast aperture.
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Sony ECM 77 Tie Clip Microphone
This omnidirectional clip mic can be discreetly attached to a subject’s clothing. It's hard wired and most commonly used in interviews.
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4’ x 4’ / 8’ x 4’ Poly Boards
These polystyrene boards are white on one side and black on the other and can be used for reflecting light or flagging it. Available in 4’ x 4’ or 8’ x 4’.
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Canon EF 100-400mm f/4.5-5.6L IS USM
This Canon telephoto zoom lens has an incredible range, going from a telephoto 100mm to an extreme telephoto 400mm. Perfect for shooting from long distances.
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ARRI FF-4 Follow Focus Unit
The industry standard follow focus for 35mm and digital cinematography with 1:2 gear ratio for 35mm lenses.
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Angenieux Optimo DP 16-42mm Cine Zoom Lens
Angenieux Optimo DP 16-42mm zoom lens is specifically designed for digital Super 35 cameras. This wide angle zoom offers almost no breathing with a T2.8 aperture all the way through the zoom range. It pairs well with the Angenieux Optimo DP 30-80mm zoom lens.
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4’ x 4’ Trace Frame
A metal 4’ x 4’ frame for diffusion gel which can be placed in front of a light to create a large soft source.
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Digidolly Professional Dolly and Tracking Kit
A portable lightweight dolly and track system.
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ARRI FF-5 HD Follow Focus Unit
A lightweight follow focus with 1:1 gear ratio for smaller lenses, such as ENG and stills lenses.
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Angenieux Optimo DP 30-80mm Cine Zoom Lens
Angenieux Optimo DP 30-80mm Zoom lens is specifically designed for digital super35 cameras. This standard angle zoom offers almost no breathing with a T2.8 aperture all the way through the zoom range. It pairs well with the Angenieux Optimo DP 16-42mm zoom lens.
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Sony SxS Card Reader
Portable Card Reader for transferring SxS cards to a computer via USB.
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Lastolite Reflector
A collapsible reflector available in white and silver, white and gold or white and mixed.
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Chrosziel Studio Rig Follow Focus Unit
A follow focus with 1:2 gear ratio for 35mm lenses.
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Angenieux Optimo 45-120mm Cine Zoom Lens
Angenieux’s Optimo 45-120mm Zoom lens is from their 35mm film range, providing a good zoom range with an aperture of f2.6 throughout.
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Sony AXS 512GB Memory Card
Records 16bit 2K or 4K RAW from the PMW-F5, PMW-F55 and NEX-FS700.
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Lastolite Chroma Key Green/Blue
These collapsible screens are quick and easy to put up with chroma green on one side and chroma blue on the other.
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MICRODOLLY HOLLYWOOD Camera Dolly and Track Kit
A portable ultra-lightweight dolly and track system.
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ARRI MFF-1 Mini Follow Focus Unit
An ultra lightweight follow focus unit with selectable hard stops and reversible direction, ideal for DSLR rigs.
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Sony AXS Card Reader
Portable Card Reader for transferring AXS cards to a computer via USB.
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Matthews RoadRag II Net Kit
This small kit has 2 collapsible frames which can hold nets, diffusion trace and black silk.
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Dedolight Octodome
An 8 rod Chimera light for producing a large soft source including an HMI and tungsten head.
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ARRI LMB-25 Matte Box
A lightweight 3 tray matte box, great as a clip on alongside the rail mounted MB28 or MB18.
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ARRI MB-28 Rail Mounted Matte Box
19mm rail mounted production matte box for 35mm and digital cinematography
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Canon EF 8-15mm f/4L Fisheye USM Zoom
Canon’s EF 8-15mm Fisheye Zoom lens provides extremely wide angles for stylised shots.
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SanDisk 32GB Compact Flash Card
To record from Canon XF105, XF305, C300, EOS DSLR cameras, nanoFLASH recorder, Sound Devices 788T and TASCAM P2.
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Black Drape
A large black drape used for back drops and blocking out large areas of light.
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Dedolight Compact HMI Kit
A set of 3 small 200w HMI heads, 2 heads with barn doors and 1 Chimera head, complete with small Chimera all in one box.
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ARRI MB-18 Production Matte Box
The industry standard rail mounted production matte box with 3 x independently rotating filter tray holders.
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Canon EF 16-35mm f/2.8L II USM Zoom
Canon’s EF 16-35mm Wide Zoom lens provides a good range of wide angles with an aperture of f2.8 throughout the zoom.
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SanDisk 16GB Compact Flash Card
To record from Canon XF105, XF305, C300, EOS DSLR cameras, nanoFLASH recorder, Sound Devices 788T and TASCAM HD P2.
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CineDesign CDL-R50 LED Top Light
A small lightweight battery powered LED top light perfect for mounting on a camera and complete with CTO and diffusion cards.
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Chrosziel Rail Mounted Matte Box
The industry standard rail mounted matte box for ENG cameras.
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Canon EF 24-70mm f/2.8L II USM
Canon’s EF 24-70mm Zoom lens provides a good range of angles from medium wide to medium telephoto with an aperture of f2.8 throughout the zoom.
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Manfrotto 561BHDV-1 Monopod
A monopod that comes with a built-in fluid head and extends to a 200cm maximum height.
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ARRI LMB-5 Clip-On Matte Box
A lightweight clip-on matte box for 35mm and digital cinematography
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Canon EF 24-105mm f/4L IS USM Zoom
Canon’s EF 24-105mm Zoom lens provides a great range of angles from medium wide to telephoto, perfect for covering most zoom angles with one lens.
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Le Maitre 2999 Neutron XS Hazer Machine
This smoke machine gives very diffused smoke for filling an area with haze.
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SanDisk 32GB SDHC Card
To record from Sony NEX-FS700, GoPro Hero2, Zoom H4N Sound Recorder and Panasonic AG-HCK10 Minicam..
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Canon EF 70-200mm f/2.8L IS II USM Zoom
Canon’s EF 70-200mm zoom lens provides a great range of tight angles from medium telephoto to telephoto, with an aperture of f2.8 throughout the lens.
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Manfrotto MKC3-H01 Compact Series Photographic Tripod
Ultra lightweight photographic tripod.
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Canon EF 28-300mm f/3.5-5.6L IS USM Zoom
Canon’s EF 28-300mm Zoom lens provides a huge 11x zoom range from medium wide to telephoto, perfect for covering most zoom angles with one lens.
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SanDisk 32GB Micro SDHC Card
The standard memory card for the GoPro Hero3, GoPro Hero3+ and GoPro Hero4.
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Kino Flo 4ft 4 Bank Light
A cool soft source light that uses 4 x 4ft fluorescent tubes that can be interchanged between daylight and tungsten.
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Artem Smoke Machine
This smoke machine is perfect for in the field as it's heated using gas so needs no mains power.
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Genus/Hawk DV and DSLR Matte Box + Riser
A small rail mounted matte box kit ideal for DSLR cameras.
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Canon TS-E 24mm f/3.5L II Prime
This wide angle EF mounted stills lens can shift on the horizontal and vertical axis offsetting the focus point of the lens creating interesting half out of focus images.
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Kino Flo 2ft 4 Bank Light
A cool soft source light that uses 4 x 2ft fluorescent tubes that can be interchanged between daylight and tungsten.
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Ambient Lockit Box
The industry standard device for synchronising timecode between two or more cameras.
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Canon TS-E 45mm f/2.8 Prime
This standard angle EF mounted stills lens can shift on the horizontal and vertical axis offsetting the focus point of the lens creating interesting half out of focus images.
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Kino Flo Diva-Lite
An all-in-one soft source light with built-in dimmer ballast, daylight and tungsten fluorescent tubes and diffusion bag.
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Pro-Dim 2.5kw Inline Dimmer
This 16amp inline dimmer has 1 channel which can take a maximum load of 2.5kw.
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Miller 455 Baby Tripod Legs
With two stage legs, a 100mm bowl and baby ground spreaders, these baby legs are perfect for achieving low angle shots.
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Canon TS-E 90mm f/2.8 Prime
This telephoto angle EF mounted stills lens can shift on the horizontal and vertical axis offsetting the focus point of the lens creating interesting half out of focus images.
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Sachtler DA 100 S Micro Legs
A micro tripod acting as an adjustable Hi Hat for 100mm bowl base heads.
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Limelight 2kw Inline Dimmer
This 16amp inline dimmer has 1 channel which can take a maximum load of 2kw.
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Canon HJ22ex 7.6B ENG Zoom
This B4 mounted lens is designed for 2/3” sensor cameras and is perfect for ENG style shooting, with large zoom range, wide aperture, 2x extender, macro and servo on zoom and focus.
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Sony AXS-R5 External Recorder
Connects to PMW-F5, PMW-F55 and NEX-FS700 (via the HXR-IFR5 interface) to record 16bit 2K or 4k RAW onto AXS cards.
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ARRI 2kw Blonde
This 2000w tungsten light has a mesh wire front, barn doors and can be spotted or flooded.
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Alphapack2 Zero88 3 way Dimmer
This 13amp dimmer has 3 independent channels which can take a load of 1kw each.
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Ronford Baker Mitchell Tri-Hat
This MOY fitting high hat has 3 tube legs with adjustable height and position to allow for the low mounting of tripod heads on uneven ground
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Sony PDW-U2 XDCAM USB Drive
Portable disc reader for transferring XDCAM discs to a computer via USB.
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Ronford Baker Three Way Leveller
This MOY fitting accessory allows for fast and precise tripod head levelling when using a Bazooka.
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ARRI 1kw Pup
This 1000w tungsten light has a Fresnel lens, barn doors and can be spotted or flooded.
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ACM 21 Lens Adapter
Lens adapter for mounting ENG B4 mount lenses on the Sony PMW-300.
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Canon HJ14ex 4.3B ENG Zoom
This B4 mounted lens is designed for 2/3” sensor cameras and is perfect for ENG style shooting, with an extremely wide angle, wide aperture, 2x extender, macro and servo on zoom.
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TLS Sony Baseplate to HDV Baseplate Adapter
Connects HDV cameras to Sony Quick Release Baseplates.
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ARRI 800w Redhead
This 800w tungsten light has a wire mesh front, barn doors and can be spotted or flooded.
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Zacuto Universal Baseplate V3 / Shoulder Mount Set Up
Universal baseplate to fit all camcorders. Comes with 15mm rails and a shoulder pad.
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ARRI 650w Mizar
This 650w tungsten light has a Fresnel lens, barn doors and can be spotted or flooded.
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Ronford-Baker Moose Bar Kit
Ideal for supporting the front of any shoulder mounted camera.
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Nexto NVS2500 Backup Drive
Portable 500GB backup drive with built-in card reader and screen for previewing footage.
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ARRI 500w Mizar
This 500w tungsten light has a Fresnel lens, barn doors and can be spotted or flooded.
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ARRI 300w Mizar
This 300w tungsten light has a Fresnel lens, barn doors and can be spotted or flooded.
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Zeiss ZF Primes
A set of high quality Zeiss Still Primes from 18mm to 85mm, with iris rings and end stop focus rings.
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Source 4 575w Ellipsoidal Spotlight
Comes with 2 interchangeable, focusable lenses and a set of various gobos perfect for a sharp circular light or creating shapes with light.
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TVLogic Alphatron EVF-035W-3G LCD Viewfinder
3.5” LCD viewfinder with HD-SDI and HDMI loop-through inputs/outputs and HDMI to HD-SDI conversion.
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Canon Extender EF 2x III
An EF mounted adapter used to double the focal length of EF telephoto and telephoto zoom lenses.
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Zacuto Z-Finder Pro 2.5x
An optical viewfinder that fits over the rear LCD screen of DSLR cameras.
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Canon 5D Mark IV
The Canon 5D Mark IV is an EF mount stills camera with movie recording capabilities. It can shoot 4K internally and includes Canon’s dual pixel auto focus with face detection function.
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Dedolight 150w Dedo Kit
This compact and portable lighting kit includes 4 x 150w tungsten heads all with individual dimmers.
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Various Tiffen / Schneider / Hoya / Van Diemen / Formatt / LEE Filters
Shift 4 stock a large selection of filters.
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Dedolight 100w Dedo Kit
This compact and portable lighting kit includes 4 x 100w tungsten heads, all dimmable from a single ballast.
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Century Pro Series HD Fisheye Lens Adapter for Canon XF305
A fisheye lens adapter for the Canon XF305.
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Canon ZSD-300D Digital Zoom Demand
To remotely operate the servo zoom on digital Canon ENG lenses.
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Canon Timer Remote Controller TC-80N3
For interval and timelapse recordings on Canon DSLR cameras.
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Canon 5D Mark III
A digital SLR camera with a 22.3 megapixel full frame 35mm sensor. Can shoot 1080 HD to CF cards and uses EF mount stills lenses.
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Blackmagic Micro Cinema Camera HD
Super compact interchangeable lens Super16 sensor HD action camera. MFT mount for wide choice of lenses including EF using including Metabones Speedbooster adaptor. Records ProRes 422 HD or Cinema DNG Raw 12-bit onto SDXC cards.
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GoPro HERO10 Black
The GoPro HERO10 Black builds on the features of the HERO9 adding various improvements to image stabilisation with HyperSmooth 4.0, horizon levelling to 45 degrees and higher frame rates for various resolutions.
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GoPro HERO9 Black
GoPro HERO9 keeps all the advanced features introduced in the HERO8 but improves on them with HyperSmooth and TimeWarp 3.0 but adds new features such as a 5K sensor and additional screen on the front of the GoPro.
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GoPro HERO8 Black
GoPro HERO8 offers 4K video recording in a small camera and includes powerful features such as HyperSmooth 2.0 for perfectly steady shots or TimeWarp 2.0 for super smooth tracking timelapse videos.
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GoPro Hero 7 BLACK
The GoPro 7 keeps all of the major capabilities of the Hero 6.
4K recording at 60 frames and 1080p at 240 frames, as well as fully waterproof up to 33Ft without the use of housing. The biggest improvement is the new hyper stable video mode, when even extreme camera shaky is smoothed out in camera.
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GoPro Hero6
The GoPro 6 doubles on its performance capabilities from its previous model but keeps with the new design that was introduced with the Hero 5. 4K is now available at 60 frames and 1080p at 240 frames. It also comes with the benefit of improved image stabilisation, touch zoom and faster offload processing. The Hero 6 is fully waterproof up to 33ft without casing.
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GoPro Hero5 Black Edition
The GoPro Hero5 Black Edition builds on the success of the GoPro Hero4, including it’s 4K resolution, manual picture controls and impressive high frame rate shooting. The Hero5 is now fully waterproof up to 33ft without casing and boasts improved image stabilisation.
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GoPro Hero4 Black Edition
The GoPro Hero4 Black Edition builds on the success of the GoPro Hero3 and 3+ with the additions of 4K UHD recording at 30fps, high speed slow motion frame rates of up to 120fps at 1080HD and advanced manual controls including changing colour, ISO, white balance and exposure.
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DJI Osmo+
The DJI Osmo+ improves on the previous version keeping all its features and adding 3.5x Optical Zoom, and 2x Digital Lossless Zoom when recording at 1080p. The smooth 3 Axis Gimbal keeps its ease of use and compact size, making it ideal for smooth, stable shots without added grips. The Osmo app will allow you to control and change settings from your device, mountable to the Osmo’s body through a phone holder grip.
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Panasonic AG-HMR10 HD Recorder
The Panasonic AG-HMR10 HD Recorder comes with a recorder control unit allowing for full manual or automatic operation.
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Insta360 ONE X2
This compact 2 lens 360 camera records a 5.7k image up to 30p. It has advanced image stabalisation and can shoot hyperlapse as well as 50fps in 4K or 100fps in 3K. The camera can also record the lenses indivdually to shoot a front and back shot at the same time. It's fully waterproof up to 10m.
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