Shift 4 stocks an unrivalled range of cameras for hire with tripods, gimbals, lenses, monitors, matte boxes, camera accessories and data storage to complete your kit.
To discuss your requirements, get advice or make a booking, call us on +44 (0)20 8809 8680 or email [email protected]
The Full Frame version os this great ARRI camera incorporates all the aspects of the original Alexa Mini, small build, filmic colour and renditioning, but with a full frame sensor.
The Phantom VEO4K-PL is a super slow-motion camera that produces highly detailed 4K images at up 1,000 fps or 2000fps @ 2k. It has an identical sensor, image quality and frame rate capacity as the FLEX4K but with half the weight, half the size and half the price. Wet hire advised.
The RED V-Raptor offers an 8K full frame sensor in a very small and compact body. RED state it has the highest dynamic range of any RED camera before it and can shoot at very high frames rates for its resolution at 120fps in 8k (full frame) and 240fps in 4k.
The RED Komodo is a very small and compact S35 6K camera that records RED Raw internally. The lens mount is Canon RF which allows it to be adapted to any mount type. It's incredibly small size makes it perfect for gimbal and drone work.
The Sony Venice 2 has a 8K full frame sensor with dual base ISO of 500 and 3200 ISO, which can be switched to the original 6K Venice sensor to allow for higher frame rates. The body incorporates AXSM slots directly and can record X-OCN RAW and 4K ProRes 4444 internally.
The Alexa Mini LF incorporates all the aspects of the Alexa Mini, small build, filmic colour and renditioning, but with a full frame sensor. The full frame sensor is 4.5K making it acceptable for Netflix productions and can record 4K, HD or ARRIRAW.
The Sony VENICE is a full frame cinema camera, with a newly developed sensor capable of capturing 15+ stops of latitude. The 6K full frame camera allows it to shoot almost any format or aspect ratio for 4K production.
The Sony VENICE is a full frame cinema camera, with a newly developed sensor capable of capturing 15+ stops of latitude. Combined with the R7 recorder the camera can also shoot RAW to Sony’s X-OCN format boasting small file sizes compared to other RAW formats.
Combining the Sony VENICE with the Extension System allows you to separate the sensor and lens mount from the main body via a tethered cable up to 5.5m in length. This compact and lightweight block is great for specialist rigs, such as gimbals and car mounts without any loss in quality over the standard all-in-one setup.
The RED Gemini boasts a 5K s35 sensor with dual ISO, making it suited for low light shooting. The DSMC2 style body is small and compact allowing it to be built into any configuration required and all with REDs versatile RED Raw recording for high-quality files for grading at flexible data rates.
The ARRI Alexa Mini is a mini version of ARRI’s Alexa and has most of the features of the Alexa and Amira cameras including a 4:3 sensor, 200fps recording and the same look and colour science. It’s a compact, modular camera in a uniform box design.
The ARRI Amira uses the same Super35 sensor as the ARRI ALEXA but in an ENG style shoulder-mounted camera suited to documentary style shooting.
Sony PMW-F55 has the ability to shoot 4Kor HD to its own SxS Pro+ cards using Sony’s XAVC codec. Adding the AXS-R5 recorder enables the Sony F55 to shoot 4K RAW.
Our F55 also comes with the CBK-55PD Codec Board which supports ProRes 4444, ProRes 422 (HQ), ProRes 422, DNxHD 220x and DNxHD 145 at a variety of frame rates.
The Sony PMW-F5 features a 4K image sensor and has the ability to shoot super sampled HD using Sony’s XAVC codec to its own SxS Pro+ cards or 4K RAW by adding the AXS-R5 recorder.
This full frame 6K camera can record high quality UHD and HD footage. The CMOS sensor is based on the same backlit technology of the A7s, so boasts low light sensitivity with a dual base ISO as well as advanced auto focus functions.
The Sony PXW-FS7 Mark II is an update to original FS7 camera with a 4K Super35 CMOS sensor capable of capturing high-quality 4K footage internally onto XQD cards as well as shooting up to 180 frames per second (NTSC) or 150 frames per second (PAL) slow motion footage.
The Canon C300 Mark III is a 4K camera with a Super35 sensor with Dual Gain Output offering up to 16 stops of dynamic rage. Offered in PL or native EF mounts for a wide range of lenses and Dual Pixel Autofocus for fast autofocus. 120fps possible in 4K resolution and internal RAW recording using Canon RAW Light.
The Sony FX6 Cinema Line is a compact 4K full-frame interchangeable lens video camera capable of recording high-quality video up to 4K internally as well as 16-bit 4K RAW externally. Highlights features are fast hybrid autofocus with face detection using native E-mount lenses and S-Cinetone colour look.
The Sony FX3 boasts the same features as the A7s III, 4K full-frame mirrorless E-mount hybrid camera offering 4K internal recording, stabilised sensor, and incredible low-light performance. However, the body is designed towards shooting video only, with integrated tophandle, XLR inputs and convient setting buttons.
The Canon C300 Mark II is a 4K camera with an EF mount and super 35 sensor with duel pixel technology. It boasts 15 stops of dynamic range and advanced auto focus options. It also has new gamma curve options, new codec and RAW options, all with the small modular form factor of the original C300.
The Canon C300 EF is a super35 CMOS sensor camera with an EF mount for stills lenses which shoots 422 50Mb/s HD to affordable CF cards.
The Canon C300 PL is a super35 CMOS sensor camera with a PL mount for cine lenses which shoots 422 50Mb/s HD to affordable CF cards.
The Sony A7s III is a 4K full-frame mirrorless E-mount hybrid camera offering 4K internal recording, stabilised sensor, and incredible low-light performance. When compared to its predecessor, the Mark III provides the latest higher-quality internal codecs, better battery performance, and a fully adjustable, swivelling and tilting rear LCD display.
The GH5 is a mirrorless stills camera with a 6K micro-four thirds sensor and mount, and can record video up to 4K 4:2:2 10bit at 60P.
This mirrorless still camera has a 4K MFT sensor, high sensitivity ISO, Log gamma option and internal recording with 4K 4:2:2 10bit codecs
The Sony a7s Mark II boasts all the features of the Sony a7s Mark I (such as a full 35mm sensor, professional gamma curves, high quality codecs and it’s legendary low light capabilities) but with added features such as internal 4K recording and a 5 axis stabilized sensor.
The Sony a7s is a MILC with a full 35mm sensor, professional gamma curves, high quality codecs, 4K output via HDMI and extremely high performance in low light.
The XF705 is a lightweight fixed-lens camcorder with a 15x zoom lens and a 4K 1” CMOS sensor, which can record high-quality HD and 4K images onto SD cards using the highly efficient XF-HEVC codec.
Shoots a variety of different formats and resolutions including 1080 422 50Mb/s video to Sony’s highly reliable SxS cards.
The Sony PXW-X200 records full HD 1920x1080 using 10-bit XAVC Intra and XAVC Long GOP as well as the older 8-bit MPEG-2 HD422 50Mbit/s format onto SxS cards. Additionally it has wireless functionality and the ability to stream proxy files.
With a 1/2” CMOS sensor, this camera records full HD 422 50Mb/s video to SxS cards and has the ability to change lenses.
A lightweight camcorder with a 1/3” CMOS sensor, a fixed 20x zoom lens with an f/1.8 iris and infrared shooting mode that shoots Full HD 4:2:2 50Mbps video to CF cards.
The Canon 5D Mark IV is an EF mount stills camera with movie recording capabilities. It can shoot 4K internally and includes Canon’s dual pixel auto focus with face detection function.
A digital SLR camera with a 22.3 megapixel full frame 35mm sensor. Can shoot 1080 HD to CF cards and uses EF mount stills lenses.
Super compact interchangeable lens Super16 sensor HD action camera. MFT mount for wide choice of lenses including EF using including Metabones Speedbooster adaptor. Records ProRes 422 HD or Cinema DNG Raw 12-bit onto SDXC cards.
The GoPro HERO10 Black builds on the features of the HERO9 adding various improvements to image stabilisation with HyperSmooth 4.0, horizon levelling to 45 degrees and higher frame rates for various resolutions.
GoPro HERO9 keeps all the advanced features introduced in the HERO8 but improves on them with HyperSmooth and TimeWarp 3.0 but adds new features such as a 5K sensor and additional screen on the front of the GoPro.
GoPro HERO8 offers 4K video recording in a small camera and includes powerful features such as HyperSmooth 2.0 for perfectly steady shots or TimeWarp 2.0 for super smooth tracking timelapse videos.
The GoPro 7 keeps all of the major capabilities of the Hero 6.
4K recording at 60 frames and 1080p at 240 frames, as well as fully waterproof up to 33Ft without the use of housing. The biggest improvement is the new hyper stable video mode, when even extreme camera shaky is smoothed out in camera.
The GoPro 6 doubles on its performance capabilities from its previous model but keeps with the new design that was introduced with the Hero 5. 4K is now available at 60 frames and 1080p at 240 frames. It also comes with the benefit of improved image stabilisation, touch zoom and faster offload processing. The Hero 6 is fully waterproof up to 33ft without casing.
The GoPro Hero5 Black Edition builds on the success of the GoPro Hero4, including it’s 4K resolution, manual picture controls and impressive high frame rate shooting. The Hero5 is now fully waterproof up to 33ft without casing and boasts improved image stabilisation.
The GoPro Hero4 Black Edition builds on the success of the GoPro Hero3 and 3+ with the additions of 4K UHD recording at 30fps, high speed slow motion frame rates of up to 120fps at 1080HD and advanced manual controls including changing colour, ISO, white balance and exposure.
The DJI Osmo+ improves on the previous version keeping all its features and adding 3.5x Optical Zoom, and 2x Digital Lossless Zoom when recording at 1080p. The smooth 3 Axis Gimbal keeps its ease of use and compact size, making it ideal for smooth, stable shots without added grips. The Osmo app will allow you to control and change settings from your device, mountable to the Osmo’s body through a phone holder grip.
The Panasonic AG-HMR10 HD Recorder comes with a recorder control unit allowing for full manual or automatic operation.
This compact 2 lens 360 camera records a 5.7k image up to 30p. It has advanced image stabalisation and can shoot hyperlapse as well as 50fps in 4K or 100fps in 3K. The camera can also record the lenses indivdually to shoot a front and back shot at the same time. It's fully waterproof up to 10m.