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The Alexa 35 is a next step in digital cinematography with the new 4.6K S35 sensor which boasts 17 stops of useable dynamic range (making it the ideal camera for HDR), various textures generated on the sensor such as film grain, and Enhanced Sensitivity mode for superior low light performance than any other ARRI camera.
This incredibly powerful RGB LED head has the ability to change fixtures such as open face, spotlight, softbox, and lantern to adapt to the need of the set. With the open face attachment, the Orbiter has the equivalent output of a 1.2kw HMI and it offers the same colour modes and effects as the Skypanel line.
The ARRI SkyPanel S120-C is a high output LED panel giving off a pleasant soft light with high colour accuracy. Programmable to almost any desired colour, the light is fully dimmable and can be battery powered.
The ARRI SkyPanel S60-C is a high output LED panel giving off a pleasant soft light with high colour accuracy. Programmable to basically any desired colour, the light is fully dimmable and can be battery powered.
The ARRI SkyPanel S30-C is a high output LED panel giving off a pleasant soft light with high colour accuracy. Programmable to basically any desired colour, the light is fully dimmable and can be battery powered.
The Alexa Mini LF incorporates all the aspects of the Alexa Mini, small build, filmic colour and renditioning, but with a full frame sensor. The full frame sensor is 4.5K making it acceptable for Netflix productions and can record 4K, HD or ARRIRAW.
ARRI Signature Prime lenses are the first Arri primes designed exclusively for the needs of digital cinema cameras. They are modern, full frame, high end lenses that deliver clean, elegant and ultra smooth high resolution images. They are nearly completely free from breathing, distortion and chromatic aberrations.
This wireless lens control hand unit from ARRI can control 3 axis and offers advanced features such as interchangeable radio modules, auto-detecting focus rings, as well as ARRI and third-party camera setting control. When used with a C-force Mini RF motor, allows for a compact Alexa Mini style setup on any camera.
These ARRI / Zeiss Master Primes cover S35 sensors and offer very high optical performance, providing clean crisp images at super speed apertures of T1.3. These primes colour and characteristics match the ARRI Alura zoom lenses.
This S35 prime lens has an extremely wide field of view from its 12mm focal length and offers high-performing optics matching the Ultra Prime range of lenses.
ARRI's lightweight LMB 6x6 matte box is designed to cover lens with large front diameters with 3 x 6.6x6.6 trays for large filters. I can be clip-on or 19mm rail-mounted as well as including the swing away tilting bracket to eliminate filter reflections.
This PL 45-250mm zoom lens covers S35 sensors, provides a very good range of mid to long-angle focal lengths and offers clean and clear optics even wide open at T2.6. This is colour and character matched to other Alura lenses and ARRI Master Prime lenses.
This lightweight PL 15.5-45mm zoom lens covers S35 sensors, provides a good range of wide-angle focal lengths and offers clean and clear optics even wide open at T2.8. This is colour and character matched to other Alura lenses and ARRI Master Prime lenses.
ARRI’s SXU-1 (Single Axis Unit) is designed to control 1 axis of a lens wirelessly. The handset combined with ARRI’s RF Mini Gear, makes the perfect compact set up for wireless focus pulling. As there’s no brain to mount it makes the kit ideal for gimbal set ups where weigh and space are a factor.
The Heated Eyecup HE-7 is designed to reduce fogging or freezing in the EVF for ARRI Alexa Mini and Amira cameras.
This light weight, 3 tray, clip on mattebox is similar to the LMB-25 design, using a lot of the same accessories. The rear tray can also be easily removed to quickly switch between 3 and 2 tray set up.
The ARRI ZMU-3A Zoom Demand provides control of the zoom ring of a cine lens, although it can control the focus or iris if required as well as sending a Run command to the camera.
The ARRI UMC-4 Universal Motor Control Unit is a compact wireless lens control unit that comes with 3 x ARRI CLM-4 Control Lens Motors and is controlled wirelessly by the ARRI WCU-4 Wireless Lens Control Unit to give wireless remote control over focus, iris and zoom.
This ARRI WCU-4 Wireless Lens Control Unit is the universal wireless 3-axis lens controller that works with the ARRI UMC-4 Universal Motor Control Unit plus ARRI CLM-4 Control Lens Motors, the ARRI AMC-1 Active Motor Controller plus CMotion CForce Lens Motors and ARRI ALEXA Mini plus CMotion CForce Lens Motors.
The ARRI Diopter Stage 138mm allows the mounting of 138mm full and half diopters either on the back of an ARRI LMB-25 Matte Box or straight onto the lens using clip on clamp.
The ARRI M18 HMI Light is a 1.8KW HMI daylight balanced head. The specially designed reflector gives a higher light output than a standard fresnel head with the same power.
This ARRI Master Grip provides motor control of the zoom ring of a cine lens, although it can be set to control zoom, focus or iris. It attaches as the right handle of a set of moose bars for smoother control of the lens while hand held. It also has a camera run button.
The ARRI Alexa Mini is a mini version of ARRI’s Alexa and has most of the features of the Alexa and Amira cameras including a 4:3 sensor, 200fps recording and the same look and colour science. It’s a compact, modular camera in a uniform box design.
The ARRI Amira uses the same Super35 sensor as the ARRI ALEXA but in an ENG style shoulder-mounted camera suited to documentary style shooting.
The industry standard follow focus for 35mm and digital cinematography with 1:2 gear ratio for 35mm lenses.
A lightweight follow focus with 1:1 gear ratio for smaller lenses, such as ENG and stills lenses.
An ultra lightweight follow focus unit with selectable hard stops and reversible direction, ideal for DSLR rigs.
A lightweight 3 tray matte box, great as a clip on alongside the rail mounted MB28 or MB18.
19mm rail mounted production matte box for 35mm and digital cinematography
The industry standard rail mounted production matte box with 3 x independently rotating filter tray holders.
A lightweight clip-on matte box for 35mm and digital cinematography
This 2000w tungsten light has a mesh wire front, barn doors and can be spotted or flooded.
This 1000w tungsten light has a Fresnel lens, barn doors and can be spotted or flooded.
This 800w tungsten light has a wire mesh front, barn doors and can be spotted or flooded.
This 650w tungsten light has a Fresnel lens, barn doors and can be spotted or flooded.
This 500w tungsten light has a Fresnel lens, barn doors and can be spotted or flooded.