Shift 4 stocks an unrivalled range of cameras for hire, with tripods, lenses, monitors, matte boxes, camera accessories and data storage to complete your camera kit.
To discuss your requirements, get advice or make a booking, call us on +44 (0)20 8809 8680 or email firstname.lastname@example.org
A 4K camera with an EF mount and super 35 sensor, the C300 Mark II boasts 15 stops of dynamic range, advanced auto focus, new gamma curve options, a new codec and RAW recording.▶
The Sony PXW-X200 records full HD 1920x1080 using 10-bit XAVC Intra and XAVC Long GOP as well as the older 8-bit MPEG-2 HD422 50Mbit/s format onto SxS cards. Additionally it has wireless functionality and the ability to stream proxy files.
The DJI Osmo X3 is a small, lightweight, handheld camera system with an in-built gimbal enabling very steady video or timelapse photography without the need of a tripod or external stable mounting option. The camera system can be controlled entirely via a mountable mobile phone using the free Osmo app and is capable of capturing up to full 4K video.
The ARRI ALEXA XT Plus is a PL mount digital cinema camera capable of providing a 4:3 sensor compatible with anamorphic lenses, It's Plus module is for use with ARRI LCS and in XT module it can record ARRIRAW internally. It boasts the filmic colour science behind all of ARRI's digital cinema cameras.
The ARRI ALEXA Mini is a mini version of ARRI’s ALEXA and has most of the features of the ALEXA and AMIRA cameras including a 4:3 sensor, 200fps recording and the same look and colour science. It’s a compact, modular camera in a uniform box design.
The ARRI AMIRA uses the same Super35 sensor as the ARRI ALEXA but in an ENG style shoulder-mounted camera suited to documentary style shooting.
A PL mounted digital cinema camera with a Super35 sensor. Can shoot high resolution uncompressed ProRes footage and is complete with high speed upgrade.
With a 4K sensor, the Sony PMW-F55 has the ability to shoot 4K or HD to its own SxS Pro+ cards using Sony’s XAVC codec. Adding the AXS-R5 recorder enables the Sony PMW-F55 to shoot 4K RAW.
The Sony PMW-F5 features a 4K image sensor and has the ability to shoot super sampled HD using Sony’s XAVC codec to its own SxS Pro+ cards or 4K RAW by adding the AXS-R5 recorder.
The Sony PXW-FS7 camera has a 4K super35 CMOS sensor with up to 4K internal QFHD plus the ability to shoot up to 180 frames per second (NTSC) or 150 frames per second (PAL) for slow motion footage.
The Canon C300 Mark II is a 4K camera with an EF mount and super 35 sensor with duel pixel technology. It boasts 15 stops of dynamic range and advanced auto focus options. It also has new gamma curve options, new codec and RAW options, all with the small modular form factor of the original C300.
The Canon C300 EF is a super35 CMOS sensor camera with an EF mount for stills lenses which shoots 422 50Mb/s HD to affordable CF cards.
The Canon C300 PL is a super35 CMOS sensor camera with a PL mount for cine lenses which shoots 422 50Mb/s HD to affordable CF cards.
The Sony a7s Mark II boasts all the features of the Sony a7s Mark I (such as a full 35mm sensor, professional gamma curves, high quality codecs and it’s legendary low light capabilities) but with added features such as internal 4K recording and a 5 axis stabilized sensor.
The Sony a7s is a MILC with a full 35mm sensor, professional gamma curves, high quality codecs, 4K output via HDMI and extremely high performance in low light.
Shoots to XDCAM discs in many different formats including full 1080 422 50Mb/s as well as high frame rates, for slow motion, in full HD resolution.
Shoots a variety of different formats and resolutions including 1080 422 50Mb/s video to Sony’s highly reliable SxS cards.
With a 4K super35 CMOS sensor and the ability to shoot up to 800 frames per second for super slow motion images.
With a 1/2” CMOS sensor, this camera records full HD 422 50Mb/s video to SxS cards and has the ability to change lenses.
The Sony PMW-200 has three ½” Exmor CMOS sensors and records XDCAM full 1080 HD 422 at 50Mb/s which is widely accepted as the minimum requirement for HD broadcast.
A lightweight camera with a 1/3” CMOS sensor and fixed 18 x zoom lens, that reaches the minimum HD broadcast requirements shooting 1080 HD 422 50Mb/s video to CF cards.
Offers the same quality as the XF305 but in a much smaller lighter body, with additions such as IR night vision.
A tape based camera with a 1/3” CMOS sensor. Shoots HDV quality and has a fixed 20 x zoom lens.
A digital SLR camera with a 22.3 megapixel full frame 35mm sensor. Can shoot 1080 HD to CF cards and uses EF mount stills lenses.
A digital SLR camera with a 21.1 megapixel full frame 35mm sensor that can shoot 1080 HD to CF cards and uses EF mount stills lenses.
A digital SLR camera with an 18 megapixel super35 sensor that can shoot 1080 HD to CF cards and uses EF mount stills lenses.
The Drift Ghost-S Camera is an HD minicam with built in monitor, rotatable image, WiFi for wireless control and back illuminated sensor for improved performance in low light.
Shoots 1080 AVC HD with manual and automatic control with a 10 x optical zoom lens.
Comes with a recorder control unit allowing for full manual or automatic operation.
The GoPro Hero4 Black Edition builds on the success of the GoPro Hero3 and 3+ with the additions of 4K UHD recording at 30fps, high speed slow motion frame rates of up to 120fps at 1080HD and advanced manual controls including changing colour, ISO, white balance and exposure.
The Go Pro Hero3+ Black Edition builds on the successes of the GoPro Hero3 with the introduction of Super View and enhancements of audio and battery life.